With a crunch of coral clinkers under his feet and a stave of "Carry Me Back to Ol' Virginny" on his lips, Bell, disdaining the smooth path by the beach, swung off through the pandanus scrub on what he called a "bee-line for home"! He had a weakness for taking "short-cuts" on land as well as at sea. Never again—not even in the moment of his great decision—did he lift for me or any other man the "furnace flap" of iron reserve that masked the fires of his innermost soul.
Their saving "sense of sport," which was the golden vein in the rough iron of the "beach push" of Kai, made it inevitable that they should have a substantial sense of respect for a man of Bell's stamp, and this might easily have ripened to an active popularity had not the American's quiet but inflexible reserve prevented their knowing him better. They suspected that he was no novice in handling the big Colt's that was flopping on his hip when he landed, they knew that there was a weighty punch behind his long arm, and they were frankly outspoken in their admiration of the manner in which he stowed and carried his booze. But what had impressed them more than anything else was the way in which he had taken the devil out of a vicious imp of a Solomon Island pony on the beach one morning. "Hellish hard-handed," "Slant" Allen had said, as his steel-blue eyes narrowed down to slits in the intensity of his interest and admiration; "but a seat like he was screwed to the brute's backbone. Old cross-country rider—hundred to one on it. Man in a million in a steeplechase on a horse strong enough to carry the weight. Gawd, what a seat!"
All in all, indeed, there was only one thing the "beach" held against Bell, and that was Rona, or rather his possession of her. There was nothing personal in this, of course. They merely regarded the big American in the same light they had always regarded a man with a chest of pearls or anything else of value that their simple, direct natures made them yearn for the possession of. There was this difference, however. Where the "push" of Kai would have combined to a man to get away with a box of pearls or a cargo of shell, the annexing of a woman was essentially a lone-hand game, and—well, Bell was hardly the kind of a "one-man job" any of them cared to tackle. I feel practically certain that, but for the disturbance of the even tenor of Kai's way incident to the Cora Andrews affair, his "rights" in Rona would never have been challenged.
CHAPTER III
THE GIRL HERSELF
As for the girl herself, words fail me in trying to picture her, just as my brush and pencil (save perhaps for that one rough memory sketch, done at white heat while still gripped in the exaltation that first glimpse of her splashing inside the reef had thrown me into) have always failed. This is, I fancy, because, unbelievably beautiful though she was, there was still so much of her appeal that was of the spirit rather than the flesh—something intangible which had to be sensed rather than seen. She was compact of contradictions, physical as well as mental. So slender as almost to suggest fragility at a first glance, there was still not a straight line, nor an angle, nor a hint of boniness, from the arch of her instep to the tips of her ears. Again, pixie-like as she was in the dainty perfection of her modelling, there was yet a fairly feral suggestion of suppleness and strength underrunning the soft fluency of contour. The strength was there, too, held in reserve in the flexible frame like the power of a coiled spring. I saw her unleash it one morning when, impatient of the slowness of a clumsy Fijian who was launching a very sizable dugout for her, she yanked him aside by the hair of his fuzzy head and did the job herself. I can still see the run of muscles under the olive-silk skin of arm and ankle, and the bent-bow arch of her slender back, as she gave a last push to the cranky outrigger. Indeed, my mind is full of pictures like that—paddling, swimming, leaning hard against the buffets of a passing squall, with a lock of wet hair streaking across her glowing face and her drenched garments clinging to her lithe limbs; and yet, as I have said, the buoyant, flaming spirit of her always escaped my brush and pencil as it now eludes portrayal by my pen.
But the most baffling, as it was also the most fascinating, of Rona's contradictions was the combination she presented of inward intensity and outward calm. The fire of her was, perhaps, the first thing one was conscious of. Even I, with my blood thinned and cooled with the ice of absinthe, could never watch her movements without a quickening of my jaded pulses; to the sanguine combers of Kai the sight of her (whether the rippling undulations of arms and shoulders as she drove a canoe through the water, or the hawk-like immobility of her as she poised on a pinnacle of reef waiting for a chance to cast her little Dyak purse-net) was palpably maddening.
So much for the flaming appeal of the girl in action, or suspended action, which was, of course, about the only way in which she was ever revealed to the "beach." Now picture the same creature (as Bell—and occasionally myself, his only intimate friend on the island—so often saw her) seated cross-legged on a mat, her sloe-eyes, set slightly slant, fixed dreamily on nothingness, like a sort of reincarnated girl-Buddha. The sight of her thus never failed to awaken in my nostrils the smell of smouldering yakka sticks, and to set my ears ringing with the throb of temple bells.
To my hyper-sophisticated (I will not say degenerate) senses this Oriental side of the girl made a subtle appeal that was like an enchantment. The passion to paint her—always burning within me when I saw her in action—never assailed me when she fell into one of those contemplative calms. Rather the peace of her soothed me like an opiate and made me content to sit and dream myself. It was the one thing (until I got the habit by the throat years afterward) that ever held my nerves steady when the "absinthe hour" drew near at the end of the afternoon. As long as Rona would continue to "sit Buddha" I had myself completely in hand, even till well on after sunset. But if she moved, or spoke, or even showed by her eyes that she was following Bell's words (it was he—less sensitive to this phase of her than I—who did most of the talking at these times), the spell was broken. The haste of my bolt for home was almost indecent. I have sometimes thought that a few months alone with Rona at this time might have effected very near to a complete cure in me—by a sort of involuntary mental therapeutic treatment on her part, I mean. But perhaps the other side of her—the "unreposeful" one—might have complicated the case.