The roar of the artillery battle flared up and died down by spells, but the steady throb of the Anvil Chorus followed us down the wind for some minutes after another bend in the stone wall cut off our view of the singers. How often I have wondered which ones of that careless trio survived that day, or the next, or the one after that; which, if any, of them is still beating time on the red-brown rocks of the Carso to the air of that haunting refrain!
I was told that the wounded are sometimes located on the battlefield by their singing; that they not infrequently sing while being borne in on stretchers or transported in ambulances. I had no chance to observe personally instances of this kind, but I did hear, time and time again, men singing in the hospitals, and they were not all convalescents or lightly wounded either. One brave little fellow in that fine British hospital on the Isonzo front, conducted with such conspicuous success by the British Red Cross, I shall never forget.
An explosive bullet had carried away all four fingers of his right hand, leaving behind it an infection which had run into gaseous gangrene. The stump swelled to a hideous mass, about the shape and size of a ten-pound ham, but the doctors were fighting amputation in the hope of saving the wrist and thumb, to have something to which artificial members might be attached. The crisis was over at the time I visited the hospital, but the whole arm was still so inflamed that the plucky lad had to close his eyes and set his teeth to keep from crying out with agony as the matron lifted the stump to show me the “beautiful healthy red colour” where healing had begun.
The matron had some “splendid” trench-foot cases to show me farther along, and these, with some interesting experiments in disinfection by “irrigation,” were engrossing my attention, when a sort of a crooning hum caused me to turn and look at the patient in the bed behind me. It was the “gaseous gangrene” boy again. We had worked down the next row till we were opposite him once more, and in the quarter-hour which had elapsed his nurse had set a basin of disinfectant on his bed in which to bathe his wound. Into this she had lifted the hideously swollen stump and hurried on to her next patient. And there he lay, swaying the repulsive mass of mortified flesh that was still a part of him back and forth in the healing liquid, the while he crooned a little song to it as a mother rocks her child to sleep as she sings a lullaby.
“He always does that,” said the nurse, stopping for a moment with her hands full of bandages. “He says it helps him to forget the pain. And there are five or six others: the worse they feel, the more likely they are to try to sing as a sort of diversion. That big chap over there with the beard,—he’s a fisherman from somewhere in the South,—he says that when the shooting pains begin in his frozen feet he has to sing to keep from cursing. Says he doesn’t want to curse before the forestiere if it can possibly be helped.”
On one of my last days on the Italian front I climbed to a shell-splintered peak of the Trentino under the guidance of the son of a famous general, a Mercury-footed flame of a lad who was aide-de-camp to the division commander of that sector. Mounting by an interminable teleferica from just above one of the half-ruined towns left behind by the retreating Austrians after their drive of last spring, we threaded a couple of miles of steep zigzagging trail, climbed a hundred feet of ladder and about the same distance of rocky toe-holds,—the latter by means of a knotted rope and occasional friendly iron spikes,—finally to come out on the summit, with nothing between us and an almost precisely similar Austrian position opposite but a half-mile of thin air and the overturned, shrapnel-pitted statue of a saint—doubtless erected in happier days by the pious inhabitants of —— as an emblem of peace and goodwill. An Italian youth who had returned from New York to fight for his country—he had charge of some kind of mechanical installation in a rock-gallery a few hundred feet beneath our feet—climbed up with us to act as interpreter.
To one peering through the crook in the lead-sheathed elbow of the fallen statue, the roughly squared openings of the rock galleries which sheltered an enemy battery seemed well within fair revolver shot; and, indeed, an Alpino sharpshooter had made a careless Austrian gunner pay the inevitable penalty of carelessness only an hour or two before. One could make one’s voice carry across without half an effort.
Just before we started to descend my young guide made a megaphone of his hands, threw his head back, his chest out, and, directing his voice across the seemingly bottomless gulf that separated us from the enemy, sang a few bars of what I took to be a stirring battle-song.
“What is the song the captain sings?” I asked of the New-York-bred youth, whose head was just disappearing over the edge of the cliff as he began to lower himself down the rope. “Something from William Tell, isn’t it?”
Young “Mulberry Street” dug hard for a toe-hold, found it, slipped his right hand up till it closed on a comfortable knot above his head, and then, with left leg and left arm swinging free over a 200-foot drop to the terraces below, shouted back,—