One of the most interesting figures in connexion with Rhenish mythology is that of St. Ursula, whose legend is as follows:

Just two centuries after the birth of Christ, Vionest was king of Britain. Happy in his realm, his subjects were prosperous and contented, but care was in the heart of the monarch, for he was childless. At length his consort, Daria, bore him a daughter, who as she grew up in years increased in holiness, until all men regarded her as a saint, and she, devoting herself to a religious life, refused all offers of marriage, to the great grief of her parents, who were again troubled by the thought that their dynasty would fail for want of an heir. Charmed with the rumour of her virtues, a German prince, Agrippus, asked her as a wife for his son, but the suit was declined by the maiden until an angel appeared to her in a dream and said that the nuptials ought to take place. In obedience to this heavenly mentor, St. Ursula no longer urged her former scruples, and her father hastened to make preparations of suitable magnificence for her departure to the Rhine, on whose banks her future home was to be. Eleven thousand virgins were selected from the noblest families of Britain to accompany their princess, who, marshalling them on the seashore, bade them sing a hymn to the Most High and dismiss all fears of the ocean, for she had been gifted with a divine knowledge of navigation and would guide them safely on their way.

Accordingly St. Ursula dismissed all the seamen, and standing on the deck of the principal vessel, she gave orders to her eleven thousand maiden followers, who, under the influence of inspiration, flitted over the ships dressed in virgin white, now tending the sails, now fixing the ropes, now guiding the helm, until they reached the mouth of the Rhine, up which they sailed in saintly procession to Cologne. Here they were received with great honours by the Roman governor of the place; but soon they left the city to ascend the stream to Basel on their way to Rome, to which holy city St. Ursula had determined upon making a pilgrimage. Wherever upon their journey they met the officers of state they were received as befitted their heavenly mission, and from Basel were accompanied by Pantulus, who was afterward canonized, and whose portrait is to be seen in the church of St. Ursula. Once at Rome Pope Cyriacus himself was so affected by their devoted piety that, after praying with them at the tombs of the apostles, he determined on abdicating the pontifical office to accompany them on their return down the Rhine to Cologne.

At Mayence they were joined by Prince Coman, the son of Agrippus, who for love of his betrothed at once forsook the errors of his pagan faith and was baptized. The eleven thousand virgins, with their sainted leader, her husband, and Pope Cyriacus, passed rapidly to Cologne, where, however, they were not long destined to live in peace. A horde of barbarians from the North invaded the place, and having gained possession of the city, they slew the virgin retinue of St. Ursula, the venerable Pope, the saint herself, and her spouse Coman, after inflicting the most horrible tortures upon them. Some were nailed living to the cross; some were burned; others stoned; but the most refined cruelties were reserved for the most distinguished victims. Look on the walls of the church of St. Ursula and you will see depicted the sufferings of the young martyr and of her youthful husband. Her chapel yet contains her effigy with a dove at her feet—fit emblem of her purity and faith and loving-kindness; while the devout may, in the same church, behold the religiously preserved bones of the eleven thousand virgins.

Saint or Goddess?

The sainthood of St. Ursula is distinctly doubtful, and the number of her retinue, eleven thousand, has been proved to be an error in monkish calligraphy. St. Ursula is, indeed, the Teutonic goddess Ursa, or Hörsel. In many parts of Germany a custom existed during the Middle Ages of rolling about a ship on wheels, much to the scandal of the clergy, and this undoubtedly points to moon-worship, the worship of Holda, or Ursula, whom German poets of old regarded as sailing over the deep blue of the heavens in her silver boat. A great company of maidens, the stars, follow in her train. She is supposed, her nightly pilgrimage over, to enter certain hills.

Thus in the later guise of Venus she entered the Hörselberg in Thuringia, in which she imprisoned the enchanted Tannhäuser, and there is good reason to believe that she also presided over the Ercildoune, or Hill of Ursula, in the south of Scotland, the modern Earlston, after which Thomas the Rhymer took his territorial designation, and whose story later became fused with her myth in the old Scottish ballad of Thomas the Rhymer. Thus we observe how it is possible for a pagan myth to become an incident in Christian hagiology.

Satan in Rhine Story

In the legends of the Rhine the picturesque figure of his Satanic majesty is frequently presented, as in the legends of ‘The Sword-slipper of Solingen,’ ‘The Architect of Cologne Cathedral,’ and several other tales. The circumstances of his appearance are distinctly Teutonic in character, and are such as to make one doubt that the Devil of the German peoples has evolved from the classical satyr. May it not be that the Teutonic folk possessed some nature-spirit from which they evolved a Satanic figure of their own? Against this, of course, could be quoted the fact that the medieval conception of the Devil was sophisticated by the Church, which in turn was strongly influenced by classical types.

Affinity of the Rhine Legends with Romance