One night the old hag was roused from her sleep by a strange sound, the sound of a cradle being rocked. She imagined herself dreaming. Who would come to this distant tower to rock the little Hugo? Not Amina, of that she was sure! Again the sound was heard, unmistakably the creaking of the cradle. Drawing aside her bed-curtains, the crone beheld a strange sight. Over the cradle a woman was bending, clad in long, white garments, and singing a low lullaby, and as she raised her pale face, behold! it was that of the dead Kunigunda. The nurse could neither shriek nor faint; as though fascinated, she watched the wraith nursing her child, until at cockcrow Kunigunda vanished.
In trembling tones the nurse related what she had seen to Franz and Amina. The Baron was scornful, and ridiculed the whole affair as a dream. But the cunning Amina, though she did not believe that a ghost had visited the child, thought that perhaps her rival was not really dead, and her old hatred and jealousy were reawakened. So she told her husband that she intended to see for herself whether there was any truth in the fantastic story, and would sleep that night in the nurse’s bed. She did not mention her suspicions, nor the fact that she carried a sharp dagger. She was roused in the night, as the old woman had been, by the sound of a cradle being rocked. Stealthily drawing the curtains, she saw the white-robed form of the dead, the black mould clinging to her hair, the hue of death in her face. With a wild cry Amina flung herself upon Kunigunda, only to find that she was stabbing at a thing of air, an impalpable apparition which vanished at a touch. Overcome with rage and fear, she sank to the ground. The wraith moved to the door, turning with a warning gesture ere she vanished from sight, and Amina lost consciousness.
In the morning the Baron sought his wife in vain. He found instead a missive telling of her ghastly experience, intimating her intention of retiring to a nunnery, and closing with an earnest appeal to her husband to repent of his crimes.
The Baron, moved with remorse and terror, followed Amina’s example; he sought in the mountain solitudes a hermitage where he might end his days in peace, and having found such a cell, he confided his little son to the care of the pastor of Wedenschied, and retired from the world in which he had played so sorry a part.
The Blind Archer
Another legend connected with the ruined stronghold of Fürstenberg is the following. Long ago, in the days when bitter feuds and rivalries existed between the owners of neighbouring fortresses, there dwelt in Fürstenberg a good old knight, Sir Oswald by name, well versed in the arts of war, and particularly proficient in archery. He had one son, Edwin, a handsome young man who bade fair to equal his father in skill and renown.
Sir Oswald had a sworn foe in a neighbouring baron, Wilm von Sooneck, a rich, unscrupulous nobleman who sought by every possible means to get the knight into his power. At length his cunning schemes met with success; an ambush was laid for the unsuspecting Oswald as he rode past Sooneck Castle, attended only by a groom, and both he and his servant were flung into a tower, there to await the pleasure of their captor.
And what that nobleman’s pleasure was soon became evident. Ere many days had elapsed Oswald was informed that his eyes were to be put out, and soon the cruel decree was carried into execution.
Meanwhile Edwin awaited the coming of his father; and when he came not it was at first concluded that he had been captured or slain by robbers. But there were no evidences forthcoming to show that Sir Oswald had met with such a fate, and his son began to suspect that his father had fallen into the hands of Baron Wilm, for he knew of the bitter hatred which he bore toward the knight of Fürstenberg and of his cunning and malice. He therefore cast about for a means of verifying his suspicions, and eventually disguised himself as a wandering minstrel, took his harp—for he had great skill as a musician—and set off in the direction of Sooneck. There he seated himself under a tree and played and sang sweetly, directing his gaze the while toward a strong tower which seemed to him a likely place for the incarceration of prisoners. The plaintive charm of the melody attracted the attention of a passing peasant, who drew near to listen; when the last note of the song had died away, he seated himself beside the minstrel and entered into conversation with him.
“Methinks thou hast an interest in yonder tower,” he said.