Learning from the Queen how she had been neglected by Florisel, Agesilan obligingly offered to bring her the head of the erring warrior, revealing, at the same time, his own personality. Sidonia, who bore her husband a deep grudge for his desertion of her, readily accepted his championship. So Agesilan repaired to Constantinople and defied the recreant to mortal combat. It was arranged that the encounter should take place in the dominions of Sidonia, but on the would-be combatants arriving in these regions they found them beleaguered by the ubiquitous Russians, who, not content with the freedom of their own vast steppes, seem to have hankered after a place in the sun in a more genial clime. It was scarcely fair to the ebullient Slavs to launch two such renowned paladins upon them at one and the same time, but, the brief battle over, victory seems to have made Florisel and Sidonia forget their estrangement, and all went merry as a marriage bell, Agesilan being duly affianced to Diana.
It was agreed, however, that the splendours of Constantinople would provide a more fitting background to their nuptials, and accordingly all set sail for the Golden Horn, having first been honoured by a visit from Amadis of Gaul in person, who, notwithstanding his patriarchal years, still continued to prove the delights of errantry. He was accompanied by Amadis of Greece, who, though almost as venerable as his great-grandfather, could yet break a lance with any like-minded champion.
They had not proceeded far from the shores of the island when they were beset by a furious tempest, in which Agesilan and Diana were separated from the rest of their kindred and cast upon a desert rock, where they would have perished had not an accommodating knight, mounted upon a hippogriff, who chanced to be flying overhead, picked them up and carried them to his home in the Canary Islands. But their preserver’s disinterestedness vanished on beholding the beauty of Diana, so, when Agesilan was off his guard, he bore her to a distant part of the Green Island, as his demesne was called. His amorous dream was, however, destined to be rudely broken in upon, for at that moment a party of corsairs landed, and seeing in Diana a prize who would bring them a large sum in the nearest slave-market, promptly bore her off.
Agesilan, on being unable to find Diana, suspected treachery, so mounted the hippogriff and set out in search of her. Having in vain surveyed the island from the back of the winged monster, in his despair he took to flying at large. Whether from ‘engine trouble’ or causes even more obscure, he was forced to alight in the country of the Garamantes, the king of which had been struck blind as a punishment for his overweening pride. Moreover, the unfortunate monarch was doomed to have the food prepared for him devoured daily by a hideous dragon. From this monster Agesilan delivered him. The whole incident is an unblushing imitation of a passage in Orlando Furioso (can. xxxiii, st. 102 ff.), in which Senapus, King of Ethiopia, is visited by a like misfortune, and has his food daily destroyed by harpies until relieved by Astolpho, who descends in his dominions on a winged steed. But the author of Agesilan is no whit more guilty than Ariosto himself, for both incidents are derived originally from the story of Phineus and the harpies in the Argonautica of Apollonius Rhodius.
Agesilan, pursuing the quest of Diana, arrived at the Desolate Isle. The god Tervagant (Termagaunt, Tyr Magus=’Tyr the Mighty’) had fallen in love with the queen of this country, and on being repulsed by her let loose a band of demons upon her possessions, who ravaged them far and wide. The god’s oracle had announced that he would not be appeased unless the inhabitants daily exposed a maiden on the sea-shore until such time as he found one as much to his taste as the Queen. Each day a hapless damsel was chained to a rock on the desolate shores of the island, and was promptly devoured by a monster which rose out of the sea. This naturally rendered the supply of maidens in the vicinity rather scarce, so in order to save one of the local ladies for another occasion, Diana, who had been brought to the island, was tied to the rock one morning and, like another Andromeda, of whose myth the incident is a paraphrase, was left to the mercy of the monster. Agesilan, soaring through the air on his hippogriff, witnessed her plight, descended to her aid, and, after a terrific combat, slew the monster which had been about to devour her.
Having accounted for the grisly satellite of Tervagant, he placed the almost unconscious Diana upon his aery steed, whose head he turned in the direction of Constantinople; but on the way thither this now practised airman caught sight of the ship of Amadis from which he and his mistress had been separated in the tempest. Alighting on the vessel with all the skill of a sea-plane pilot on the deck of a ‘mother-ship,’ he greeted his astonished kindred, and the party eventually reached Constantinople, where the wedding of the principal characters was solemnized.
Silvio de la Selva
Silvio de la Selva, son of Amadis of Greece and a certain Finistea, is the hero of the twelfth and last book of the Amadis series. He first came into prominence by the gallant display he made against the Russians at the siege of Constantinople, and when the Tsar of that turbulent folk showed a desire to plunge Europe into the distractions of war once more he was not the last to unsheath his falchion and assure the twelve dwarfish ambassadors of the Muscovite that the confederacy of one hundred and sixty monarchs which he had brought together had a small chance of returning to their respective dominions. The resultant siege, with its sallies and combats à outrance, we shall forbear to describe, only remarking en passant that, in the mercantile phrase, its details are ‘up to sample.’ But if the Greek princes bethought them to escape the consequences of having incurred the enmity of the turbulent Russ merely by defeating him in the field, they were destined to receive a rude awakening, for by one fell stroke of necromantic art the entire galaxy was spirited away. Once more the inhabitants of the romantic city on the Bosphorus were plunged into the deepest consternation; but, nothing daunted at the task which now confronted them, the knights and paladins of the family—in themselves an army of no mean dimensions—set out in search of their honoured relatives. But we are not yet liberated from the tangle of plot and counter-plot excogitated by the expiring hackery of Castile, and the dying candle of the great romance of Amadis does not flare up and flicker out with the rescue of the heroes and heroines who have swaggered through its pages in almost immortal sequel of intrigue and battle. For, the princesses having been brought safely back to Constantinople, it was discovered that during their absence some of them had been blessed with little olive branches, many of whose adventures are related, until the bewildered reader, lost in the maze of their story, like Milton’s Satan, looks round in desperation for any outlet of escape, exclaiming with the fallen great one:
“Me miserable, which way shall I fly?”