Myths and Legends of Ancient Egypt

by Lewis Spence

As we have previously noticed, the Book of the Dead was for their use from the moment when they found themselves inhabitants of the otherworld. Magic was the very mainspring of existence in that sphere, and unless a spirit was acquainted with the formulæ which compelled the respect of the various gods and demons, and even of inanimate objects, it was helpless. The region to which the dead departed the primitive Egyptians called Duat. They believed it to be formed of the body of Osiris. It was regarded as dark and gloomy, containing pits of fire and dreadful monsters which circled the earth, and was in its turn bounded by a river and a lofty chain of mountains. The part of it that was nearest to Egypt was regarded as a description of mingled desert and forest, through which the soul of the deceased might not hope to struggle unless guided by some benevolent spirit who knew the paths through this country of despair. Thick darkness covered everything, and under veil of this the hideous inhabitants of the place practised all sorts of hostility to the new-comer, unless by the use of words of power he could prove his superiority over them. But there was one delectable part in this horrid region—the Sekhet Hetepet, the Elysian fields which contained the Sekhet Aaru, or the Field of Reeds, where dwelt the god Osiris and his company. At first he had domain over this part of the Duat alone, but gradually he succeeded in extending it over the entire country of the dead, of which he was monarch. We find also a god of the Duat named Duati, but who appears to have been more a personification of the region than anything else. Now the wish of all good men was to win to the kingdom of Osiris, and to that end they made an exhaustive study of the prayers and ritual of the Book of the Dead, in order that they might the more easily penetrate to the region of bliss. This they might reach by two ways—by land and by water. The path by water was no whit less dreadful than that by land, the passage of the soul being barred by streams of fire and boiling water, and the banks of the rivers navigated were populous with evil spirits.

The Place of Reeds

We learn from the Theban Recension that there were seven halls or mansions in the Field of Reeds, all of which had to be passed through by the soul before it was received by the god in person. Three gods guarded the door of each hall—the doorkeeper, watchman, and questioner. It was necessary for the new-comer to address each god by his name. There were also names for the doors which must be borne in mind. The name of each god was in reality a spell consisting of a number of words. The Place of Reeds was divided into fifteen regions, each of which was presided over by a god. The first of these was called Amentet, where dwelt those souls who lived upon earth-offerings; it was ruled over by Menuqet. The second was Sekhet Aaru, the Field of Reeds proper, the walls surrounding which were formed of the stuff of which the sky is made. Here dwelt the souls, who were nine cubits high, under the rule of Ra Heru-Khuti, and this place was the centre of the kingdom of Osiris. The third was the place of the spirit-souls, a region of fire. In the fourth dwelt the terrible serpent Sati-temui, which preyed on the dead who dwelt in the Duat. The fifth region was inhabited by spirits who fed upon the shadows of the weak and helpless souls. They appear to have been a description of vampire. The remaining regions were very similar to these.

The Journey of Osiris

We find other descriptions of the Duat in the Book of Gates and the Book of Him that is in the Duat, in which is outlined the journey that the sun-god makes through the otherworld after he has set upon the earth-world. Immediately after sinking he takes the form of Osiris, which in this instance is that of a ram with a man's head. Coming to the antechamber of the Duat in the west, his entrance is heralded by songs of praise, raised by the Ape-gods, while serpents blow fire from their mouths by the light of which his Pilot-gods steer his craft. All the doors are thrown open, and the dead, revived by the earthly air which Osiris carries with him, come to life again for a brief hour. All the creatures of this portion of the Duat are provided with meat and drink by command of the god. Such of the dead as dwell here are those who have failed to pass the various tests for entrance to his court, and all that they exist for is the material comfort provided for them by the brief diurnal passage of the deity. When the sun, who in this form is known as Af Ra, reaches the entrance to the second part of the Duat, which is called Urnes, the gods of the first section depart from him, and do not again behold his face until the following night. At this point the boat of Af Ra is met by the boats of Osiris and his attendant gods, and in this place also Osiris desires that the dead should receive food, light, and air. Here he grapples with the serpents Hau and Neha-her, as do most sun-gods during the time of darkness, and, having overcome them, is led into the Field of the Grain-gods, where he reposes for a while. When there he hearkens to the prayers of the living on behalf of the dead, and takes account of the offerings made by them. Continuing his journey, he traverses the twelve sections of the Duat. In some of these we see what were probably quite separate realms of the dead, such as the Realm of Seker, a god who is perhaps of greater antiquity than Osiris. In this place his boat is useless, as there is no river in the gloomy kingdom of Seker, which appears completely alien to Osiris. He therefore repeats words of awful power, which compel the gods of the place to lead him by subterranean passages from which he emerges into Amhet, where is situated a stream of boiling water. But he is not out of the kingdom of Seker until he reaches the sixth section, where dwell the dead kings of Egypt and the 'Khu' or Spirit-souls. It is at this point of his journey that Af Ra turns his face toward the east and directs his course to the Mountain of the Sunrise; previous to this he has been journeying from the south to the north. In the seventh section he is joined by Isis and other deities, and here his path is obstructed by the wicked serpent Apep, through whose body the attendant deities drive their daggers. A company of gods tow him through the eighth section, but his vessel sails itself through the ninth, and in the tenth and eleventh he seems to pass over a series of lakes, which may represent the lagoons of the eastern delta. In the latter section his progress is lighted by a disk of light, encircled by a serpent, which rests upon the prow of the boat. The twelfth section contains the great mass of celestial waters called Nu, and here dwells Nut, the personification of the morning. Before the boat looms the great serpent Ankh-neteru, and twelve of the gods, taking hold of the tow-line, enter this serpent at the tail and draw the god in his boat through the monstrous body, bringing Af Ra out at its mouth; but not as Af Ra, for during this passage he has been transformed into Khepera, in which shape he is towed into the sky by twelve goddesses, who lead him before Shu, the god of the atmosphere of the terrestrial world. Shu places him in the opening in the semicircular wall which forms the end of the twelfth section, and he now appears to mortal eyes as a disk of light, having discarded his mummified form, in which he traversed the Duat. His progress is followed by the acclamations of his company of gods, who fall upon and destroy his enemies and sing hymns of praise to him. The Duat, as described in the Book of Gates, differs considerably from that of the Book of Him that is in the Duat, but it also possesses twelve sections, and a similar journey is outlined in it.

The principal gods alluded to in the Book of the Dead are: Tem or Atmu, Nu, Ra, Khepra, Ptah, Ptah-Seker, Khnemu, Shu, Set, Horus, Thoth, Nephthys, Anubis, Amen, and Anu—in fact, the majority of the principal divinities of Egypt. Besides these there were many lesser gods and a great company of spirits, demons, and other supernatural beings. Many of these demons were very ancient forms of half-forgotten deities. It will be noticed that at practically every stage of his journey Osiris left behind him one or more of his divine companions, who henceforth were supposed to become the rulers or satraps of the regions in which he had quitted them. So might an earthly Pharaoh reward his courtiers for services rendered.

It was only during the Middle Kingdom that the conception of Osiris as judge of the dead took definite form and received general recognition. In one of the chapters of the Book of the Dead we find him seated in a large hall the roof of which is covered with fire and symbols of truth. Before him are the symbol of Anubis, the four sons of Horus, and the Devourer of the West, a monster who serves as his protector. In the rear sit the forty-two judges of the dead. The deceased makes his appearance before the god and his heart is placed in a great balance to be weighed by Anubis, Thoth, the scribe of the gods, standing by to note the result upon his tablets. Having communicated this to Osiris, the dead man, if found worthy, is presented to the deity, to whom he repeats a long prayer, in which he states that he has not committed any evil. Those who could not pass the test were hurried away, and so far as is known were in danger of being devoured by a frightful monster called Beby, which awaited them outside. The justified deceased took part in the life of Osiris and the other gods, which appears to have been very much the same as that of the Egyptian aristocracy. As has been said, the deceased might also transform himself into any animal form he cared. The life of the justified dead is well outlined in an inscription on the tomb of Paheri, prince of El Kab, which is as follows: "Thou goest in and out with a glad heart, and with the rewards of the gods.... Thou becomest a living soul; thou hast power over bread, water, and air. Thou changest thyself into a phœnix or a swallow, a sparrow-hawk or a heron, as thou desirest. Thou dost cross in the boat and art not hindered. Thou sailest upon the water when a flood ariseth. Thou livest anew and thy soul is not parted from thy body. Thy soul is a god together with the illuminated, and the excellent souls speak with thee. Thou art among them and (verily) receivest what is given upon earth; thou possessest water, possessest air, hast superabundance of that which thou desirest. Thine eyes are given to thee to see, and thine ears to hear speech, thy mouth speaketh, thy legs move, thy hands and arms bestir themselves for thee, thy flesh grows, thy veins are in health, and thou feelest thyself well in all thy limbs. Thou hast thine upright heart in thy possession, and thy earlier heart belongs to thee. Thou dost mount up to heaven, and art summoned each day to the libation table of Wennofre, thou receivest the good which has been offered to him and the gifts of the Lords of the necropolis."

The Book of the Dead is obviously an allegory of the passage of the sun through the underworld. The sinking of the sun at nightfall would naturally arouse in primitive man thoughts as to where the luminary dwelt during the hours of gloom, for the sun was to early man a living thing. He could watch its motion across the sky, and the light and other benefits which he received from it came to make him regard it as the source of all good. It appeared plain to him that its diurnal career was cut short by the attacks of some enemy, and the logical sequel of the belief in the solar deity as a beneficent power was of course that the force hostile to him must be of evil disposition. It came to be figured as a serpent or dragon which nightly battled with the luminary and for a season prevailed. The gods of many religions have to descend into the otherworld to do battle with the forces of death and hell. We may see an analogy to the Book of the Dead in the Central American Popol Vuh, in which two hero-gods, the sons and nephews of the sun and the moon, descend into the dark abyss of the Maya Hades, rout its forces, and return triumphant. It has been suggested that the Book of the Dead was nothing more or less than the ritual of a secret brotherhood, and that the various halls mentioned in it symbolized the several stages of initiation through which the members had to pass.

It is curious that in his recent interesting book on Mexican Archæology Mr. T. Athol Joyce, of the British Museum, has mentioned that the court of the Maya underworld, as alluded to in the Popol Vuh, "seems to have been conducted on the principle of a secret society with a definite form of initiation." It is practically certain that the mysteries of Eleusis, and similar Greek initiatory ceremonies, were concerned with the life of the underworld, especially with the story of Demeter and Kore, or Ceres, and that a theatric representation of the wanderings of the mother in search of her daughter in the underworld was given in the course of the ceremonial. These Greek deities, besides being gods of the dead, were gods of agriculture—corn-gods; but gods of the underworld often presided over the growth of the crops, as it was believed that the grain germinated underneath the earth by their influence. For example, we find in the Popol Vuh that Xquiq, daughter of one of the lords of the underworld, was able to reap a field of maize in a few minutes in a spot where before there had been none. All this would seem to point to the probability that if the Book of the Dead did not contain an early type of initiatory ceremonial, it may have powerfully influenced the ceremonial of mysteries when they arose. The mysteries of the Cabiri, for example, are supposed to be of Egyptian origin. On the other hand, it may be possible that the Book of the Dead represents the ceremonial of an older prehistoric mystery, which had been forgotten by the dynastic Egyptians. Savage races all over the world possess such mysteries. The Indians of North America and the Blackfellows of Australia possess most elaborate initiatory ceremonies; and it is quite possible that the Book of the Dead may preserve the ritual of Neolithic savages who practised it thousands of years prior to its connexion with the worship of Osiris.