FORMS OF THE TLALOQUÊ.
(From the Sahagun MS.)
UIXTOCIUATL = “SALT WOMAN”
- Area of Worship: Originally the eastern sea-coast.
- Relationship: Elder sister of the Tlaloquê.
ASPECT AND INSIGNIA
Sahagun MS. (Biblioteca del Palacio).—The goddess is painted yellow and wears a crown of paper or cotton, adorned with quetzal-feathers and a golden ear-plug. Her overdress and skirt are painted with wavy lines of water and she wears sandals. Her shield is entirely white and she bears a rush staff in her hand, from which depend strips of cotton or paper.
FESTIVALS
Tecuilhuitontli.—“The seventh month” (says Sahagun, bk. ii, c. vii) “was designated tecuilhuitontli, the first day of which was dedicated to the goddess of salt, who was styled Uixtociuatl. She was termed the elder sister of the god Tlaloc. A woman was slain in her honour, robed with the same ornaments as were worn by the images of this divinity.
“The night preceding this festival, the women, old, young, and children, gave themselves up to singing and dancing, marching in a ring, linked by cords which they each held by an end, which they called xochimecatl, and which were garlanded with the absinthe flowers of the country, called iztauhyatl. Old men led the songs and dances, while in the midst of the ring stood the poor woman doomed to death, richly dressed in the manner of the image of the goddess. All the women, in company with her who was to die, watched, sang and danced the whole of the night preceding the festival. Day having dawned, all the priests assumed their ornaments, and partook in a solemn dance, all those who assisted carrying in their hands flowers called cempoalxochitl. Dancing all the way, they brought several captives to the temple of Tlaloc, in the midst of whom walked the woman who was to die, [[263]]dressed as the image of Uixtociuatl. Before she was sacrificed, the captives were first put to death.[37]