A very beautiful myth tells how Glooskap captured the Summer. The form in which it is preserved is a kind of poetry possessing something in the nature of metre, which until a few generations ago was recited by many Algonquian firesides. A long time ago Glooskap wandered very far north to the Ice-country, and, feeling tired and cold, sought shelter at a wigwam where dwelt a great giant—the giant Winter. Winter received the god hospitably, filled a pipe of tobacco for him, and entertained him with charming stories of the old time as he smoked. All the time Winter was casting his spell over Glooskap, for as he talked drowsily and monotonously he gave forth a freezing atmosphere, so that Glooskap first dozed and then fell into a deep sleep—the heavy slumber of the winter season. For six whole months he slept; then the spell of the frost arose from his brain and he awoke. He took his way homeward and southward, and the farther south he fared the warmer it felt, and the flowers began to spring up around his steps.
At length he came to a vast, trackless forest, where, under primeval trees, many little people were dancing. The queen of these folk was Summer, a most exquisitely beautiful, if very tiny, creature. Glooskap caught the queen up in his great hand, and, cutting a long lasso from the hide of a moose, secured it round her tiny frame. Then he ran away, letting the cord trail loosely behind him.
The Elves of Light
The tiny people, who were the Elves of Light, came clamouring shrilly after him, pulling frantically at the lasso. But as Glooskap ran the cord ran out, and pull as they might they were left far behind.
Northward he journeyed once more, and came to the wigwam of Winter. The giant again received him hospitably, and began to tell the old stories whose vague charm had exercised such a fascination upon the god. But Glooskap in his turn began to speak. Summer was lying in his bosom, and her strength and heat sent forth such powerful magic that at length Winter began to show signs of distress. The sweat poured profusely down his face, and gradually he commenced to melt, as did his dwelling. Then slowly nature awoke, the song of birds was heard, first faintly, then more clearly and joyously. The thin green shoots of the young grass appeared, and the dead leaves of last autumn were carried down to the river by the melting snow. Lastly the fairies came out, and Glooskap, leaving Summer with them, once more bent his steps southward.
This is obviously a nature-myth conceived by a people dwelling in a climate where the rigours of winter gave way for a more or less brief space only to the blandishments of summer. To them winter was a giant, and summer an elf of pigmy proportions. The stories told during the winter season are eloquent of the life led by people dwelling in a sub-arctic climate, where the traditional tale, the father of epic poetry, whiles away the long dark hours, while the winter tempest roars furiously without and the heaped-up snow renders the daily occupation of the hunter impossible.
Glooskap's Wigwam
The Indians say that Glooskap lives far away, no one knows where, in a very great wigwam. His chief occupation is making arrows, and it would appear that each of these stands for a day. One side of his wigwam is covered with arrows, and when his lodge shall be filled with them the last great day will arrive. Then he will call upon his army of good spirits and go forth to attack Malsum in a wonderful canoe, which by magical means can be made to expand so as to hold an army or contract so that it may be carried in the palm of the hand. The war with his evil brother will be one of extermination, and not one single individual on either side will be left. But the good will go to Glooskap's beautiful abode, and all will be well at last.
The Snow-Lodge
Chill breezes had long forewarned the geese of the coming cold season, and the constant cry from above of "Honk, honk," told the Indians that the birds' migration was in progress.