FLEISCHHAUER next demonstrated how AM furnishes users recourse to images, and at the same time recalled LESK's pointed question concerning the number of people who would look at those images and the number who would work only with the text. If the implication of LESK's question was sound, FLEISCHHAUER said, it raised the stakes for text accuracy and reduced the value of the strategy for images.
Contending that preservation is always a bugaboo, FLEISCHHAUER demonstrated several images derived from a scan of a preservation microfilm that AM had made. He awarded a grade of C at best, perhaps a C minus or a C plus, for how well it worked out. Indeed, the matter of learning if other people had better ideas about scanning in general, and, in particular, scanning from microfilm, was one of the factors that drove AM to attempt to think through the agenda for the Workshop. Skew, for example, was one of the issues that AM in its ignorance had not reckoned would prove so difficult.
Further, the handling of images of the sort shown, in a desktop computer environment, involved a considerable amount of zooming and scrolling. Ultimately, AM staff feel that perhaps the paper copy that is printed out might be the most useful one, but they remain uncertain as to how much on-screen reading users will do.
Returning to the text, FLEISCHHAUER asked viewers to imagine a person who might be conducting a search in a full-text environment. With this scenario, he proceeded to illustrate other features of Personal Librarian that he considered helpful; for example, it provides the ability to notice words as one reads. Clicking the "include" button on the bottom of the search window pops the words that have been highlighted into the search. Thus, a user can refine the search as he or she reads, re-executing the search and continuing to find things in the quest for materials. This software not only contains relevance ranking, Boolean operators, and truncation, it also permits one to perform word algebra, so to say, where one puts two or three words in parentheses and links them with one Boolean operator and then a couple of words in another set of parentheses and asks for things within so many words of others.
Until they became acquainted recently with some of the work being done in classics, the AM staff had not realized that a large number of the projects that involve electronic texts were being done by people with a profound interest in language and linguistics. Their search strategies and thinking are oriented to those fields, as is shown in particular by the Perseus example. As amateur historians, the AM staff were thinking more of searching for concepts and ideas than for particular words. Obviously, FLEISCHHAUER conceded, searching for concepts and ideas and searching for words may be two rather closely related things.
While displaying several images, FLEISCHHAUER observed that the Macintosh prototype built by AM contains a greater diversity of formats. Echoing a previous speaker, he said that it was easier to stitch things together in the Macintosh, though it tended to be a little more anemic in search and retrieval. AM, therefore, increasingly has been investigating sophisticated retrieval engines in the IBM format.
FLEISCHHAUER demonstrated several additional examples of the prototype interfaces: One was AM's metaphor for the network future, in which a kind of reading-room graphic suggests how one would be able to go around to different materials. AM contains a large number of photographs in analog video form worked up from a videodisc, which enable users to make copies to print or incorporate in digital documents. A frame-grabber is built into the system, making it possible to bring an image into a window and digitize or print it out.
FLEISCHHAUER next demonstrated sound recording, which included texts. Recycled from a previous project, the collection included sixty 78-rpm phonograph records of political speeches that were made during and immediately after World War I. These constituted approximately three hours of audio, as AM has digitized it, which occupy 150 megabytes on a CD. Thus, they are considerably compressed. From the catalogue card, FLEISCHHAUER proceeded to a transcript of a speech with the audio available and with highlighted text following it as it played. A photograph has been added and a transcription made.
Considerable value has been added beyond what the Library of Congress normally would do in cataloguing a sound recording, which raises several questions for AM concerning where to draw lines about how much value it can afford to add and at what point, perhaps, this becomes more than AM could reasonably do or reasonably wish to do. FLEISCHHAUER also demonstrated a motion picture. As FREEMAN had reported earlier, the motion picture materials have proved the most popular, not surprisingly. This says more about the medium, he thought, than about AM's presentation of it.
Because AM's goal was to bring together things that could be used by historians or by people who were curious about history, turn-of-the-century footage seemed to represent the most appropriate collections from the Library of Congress in motion pictures. These were the very first films made by Thomas Edison's company and some others at that time. The particular example illustrated was a Biograph film, brought in with a frame-grabber into a window. A single videodisc contains about fifty titles and pieces of film from that period, all of New York City. Taken together, AM believes, they provide an interesting documentary resource.