KENNEY described the advantages that using digital technology offers over both photocopy and microfilm: 1) The potential exists to create a higher quality reproduction of a deteriorating original than conventional light-lens technology. 2) Because a digital image is an encoded representation, it can be reproduced again and again with no resulting loss of quality, as opposed to the situation with light-lens processes, in which there is discernible difference between a second and a subsequent generation of an image. 3) A digital image can be manipulated in a number of ways to improve image capture; for example, Xerox has developed a windowing application that enables one to capture a page containing both text and illustrations in a manner that optimizes the reproduction of both. (With light-lens technology, one must choose which to optimize, text or the illustration; in preservation microfilming, the current practice is to shoot an illustrated page twice, once to highlight the text and the second time to provide the best capture for the illustration.) 4) A digital image can also be edited, density levels adjusted to remove underlining and stains, and to increase legibility for faint documents. 5) On-screen inspection can take place at the time of initial setup and adjustments made prior to scanning, factors that substantially reduce the number of retakes required in quality control.
A primary goal of CXP has been to evaluate the paper output printed on the Xerox DocuTech, a high-speed printer that produces 600-dpi pages from scanned images at a rate of 135 pages a minute. KENNEY recounted several publishing challenges to represent faithful and legible reproductions of the originals that the 600-dpi copy for the most part successfully captured. For example, many of the deteriorating volumes in the project were heavily illustrated with fine line drawings or halftones or came in languages such as Japanese, in which the buildup of characters comprised of varying strokes is difficult to reproduce at lower resolutions; a surprising number of them came with annotations and mathematical formulas, which it was critical to be able to duplicate exactly.
KENNEY noted that 1) the copies are being printed on paper that meets the ANSI standards for performance, 2) the DocuTech printer meets the machine and toner requirements for proper adhesion of print to page, as described by the National Archives, and thus 3) paper product is considered to be the archival equivalent of preservation photocopy.
KENNEY then discussed several samples of the quality achieved in the project that had been distributed in a handout, for example, a copy of a print-on-demand version of the 1911 Reed lecture on the steam turbine, which contains halftones, line drawings, and illustrations embedded in text; the first four loose pages in the volume compared the capture capabilities of scanning to photocopy for a standard test target, the IEEE standard 167A 1987 test chart. In all instances scanning proved superior to photocopy, though only slightly more so in one.
Conceding the simplistic nature of her review of the quality of scanning to photocopy, KENNEY described it as one representation of the kinds of settings that could be used with scanning capabilities on the equipment CXP uses. KENNEY also pointed out that CXP investigated the quality achieved with binary scanning only, and noted the great promise in gray scale and color scanning, whose advantages and disadvantages need to be examined. She argued further that scanning resolutions and file formats can represent a complex trade-off between the time it takes to capture material, file size, fidelity to the original, and on-screen display; and printing and equipment availability. All these factors must be taken into consideration.
CXP placed primary emphasis on the production in a timely and cost-effective manner of printed facsimiles that consisted largely of black-and-white text. With binary scanning, large files may be compressed efficiently and in a lossless manner (i.e., no data is lost in the process of compressing [and decompressing] an image—the exact bit-representation is maintained) using Group 4 CCITT (i.e., the French acronym for International Consultative Committee for Telegraph and Telephone) compression. CXP was getting compression ratios of about forty to one. Gray-scale compression, which primarily uses JPEG, is much less economical and can represent a lossy compression (i.e., not lossless), so that as one compresses and decompresses, the illustration is subtly changed. While binary files produce a high-quality printed version, it appears 1) that other combinations of spatial resolution with gray and/or color hold great promise as well, and 2) that gray scale can represent a tremendous advantage for on-screen viewing. The quality associated with binary and gray scale also depends on the equipment used. For instance, binary scanning produces a much better copy on a binary printer.
Among CXP's findings concerning the production of microfilm from digital files, KENNEY reported that the digital files for the same Reed lecture were used to produce sample film using an electron beam recorder. The resulting film was faithful to the image capture of the digital files, and while CXP felt that the text and image pages represented in the Reed lecture were superior to that of the light-lens film, the resolution readings for the 600 dpi were not as high as standard microfilming. KENNEY argued that the standards defined for light-lens technology are not totally transferable to a digital environment. Moreover, they are based on definition of quality for a preservation copy. Although making this case will prove to be a long, uphill struggle, CXP plans to continue to investigate the issue over the course of the next year.
KENNEY concluded this portion of her talk with a discussion of the advantages of creating film: it can serve as a primary backup and as a preservation master to the digital file; it could then become the print or production master and service copies could be paper, film, optical disks, magnetic media, or on-screen display.
Finally, KENNEY presented details re production:
* Development and testing of a moderately-high resolution production scanning workstation represented a third goal of CXP; to date, 1,000 volumes have been scanned, or about 300,000 images.