The Signor led, I followed, and my friend the stockbroker brought up the rear. First we went into a great hall on the first floor, where a smoking-concert was in progress, and thunders of applause were greeting a gentleman in evening dress who had just concluded a song. "It is some one going abroad, and they are giving him a send-off," was Mr. Nobile's explanation. Next we went down to the ground-floor through a hall, where people were sitting at little round-topped tables drinking various beverages, and down some steps into a German beer saloon, with pigmies and other strange creatures painted on the walls. Up again to the first floor, through a long grill-room with little white-clothed tables in four rows, then a peep into a restaurant, and a flight in the lift up to the second floor, where solemn gentlemen in black were eating a dinner of ceremony in a very pretty saloon with an Egyptian room as a reception-room next door. Our five minutes were over, we had seen most of the big rooms of the house, and, descending, we took our places at a table by one of the windows in the Renaissance Saloon.

"Now for that story," I said; but my stockbroker was puffing and blowing. "Give a fellow a few minutes to get his breath, after rushing him up and down stairs at racing pace," he said; so I turned my attention to the room, the menu, and the company. The room is a symphony in old gold and grey. The paper has a gold pattern on a grey ground, the long line of windows have soft grey curtains. At one end of the room is a great clock above a large mirror. The ceiling is a series of square frames enclosing circular painted panels. The orchestra is in a balustraded balcony, with an arch above it, held high by two pillars. In the centre of the room, among the little tables, a palm grows out of a great vase. There are blue glass shades to the electric globes that drop from the ceiling, and the silver lamps that stand on the table are curtained with crimson. Waiters in white waistcoats and black coats, and white-aproned sommeliers, with great silvered badges, come and go past the clerks' desk, which stands below the orchestra.

The diners, mostly in pairs, were fitting occupants of the handsome room. There was a very beautiful lady with a big diamond where the centre parting of her hair left her forehead; and another lady in a mantilla, who would have many gallants with guitars below her windows had she lived in Seville. Most of the couples were evidently going to the theatre, and left soon after we arrived. This was the menu:—

Hors-d'œuvre variés.
Consommé Bortsch.
Crème à la Reine.
Soles à la Nantua.
Poularde Valencienne.
Tournedos Princesse.
Canards sauvages. Sauce Port wine.
Salade.
Biscuits Monico.
Petits fours.
Dessert.

When my stockbroker had drunk his Bortsch, which was well made, he began: "It is rather a long story, but it will make you die of laughing. There was a——" but at that moment Signor Nobile, who had been smiling in the distance, came up with a leaflet on which was inscribed the names of the Royalties who have from time to time honoured the Monico with their presence. There are evidently some regiments with Royal colonels who always go to the Monico for their annual dinner.

"Go on with your story," I said, when Signor Nobile had once more smiled himself into the background; but a waiter had just then shown us a tempting dish of filets de sole à la Nantua, a plat really admirably cooked, and as my stockbroker took up his fork he said, "Yes, and be pilloried by you in print for talking to you while you are eating. Not me."

The poularde, a fine fat bird reposing in a bed of rice, satisfactorily disposed of, I told the waiter not to bring the tournedos for a few minutes, and settled back in my seat to hear the story of the doubtful elector.

"It's a long story; but you'll die with laughing when you hear it," my stockbroker began again. "There was a voter, and he would tell nobody——" Just then the band commenced the overture to "Guillaume Tell." Now, it is an excellent band, and M. Paul Bosc, the conductor, is an admirable soloist on the violin; but when it gets to work at a Rossini overture the music takes the place of conversation, and my stockbroker stopped abruptly and waited for a better opportunity. Before the band had concluded the waiter had given us our tournedos.

The wild duck we were given à la presse, and when we had eaten our slices of the breast I said, like Demetrius, "I wonder"; for I was wondering whether all the pretty ladies and good-looking gentlemen had been treated as well as we had been. Five shillings is not a very large sum. Chickens and wild-duck cost money, even when bought wholesale, and we had been given a whole chicken and a whole wild-duck. "If I were you," said the stockbroker, philosophically, "I shouldn't trouble to wonder. I should either eat my dinner—and it has been a good one so far—or else I should listen to an interesting story as to the doubtful elector."

I took his advice, in so far as eating my dinner was concerned, for the biscuit was capital.