We passed several chateaus in meadows and lawns by the road side: some of them were altogether in the ancient style, and so truly characteristic of the French country house, as to merit a more detailed description.
In the ordinary construction of a French chateau, there is a greater consumption of wood than brick, and no sparing of ground. It is usually a rambling building, with a body, wings, and again wings upon those wings; and flanked on each side with a pigeon-house, stables, and barns, the pigeon-house being on the right, and the barns and stables on the left. The decorations are infinitely beneath contempt; painted weathercocks and copper turrets, and even the paint apparently as ancient as the chateau. The windows are numerous, but even in the best chateaus there is strange neglect as to the broken glass; sometimes they are left as broken, but more frequently patched with paper, coloured silk, or even stuffed with linen. The upper tier of windows, even in the front of the house, is usually ornamented with the clothes of the family hanging out to dry, a piece of slovenliness and ill-taste for which there can assuredly be no excuse in the country where there is surely room enough for this part of household business. Upon the whole, the appearance of a French chateau, in the old style, resembles one of those deserted houses which are sometimes seen in England, where the plaister has been peeled or is peeling off, and where every boy that passes throws his stone at the windows.
The pleasure grounds attached to the chateau, very exactly correspond with its style: the chateau is usually built in the worst possible site of the whole estate. It generally stands in some meadow or lawn, and precisely in that part of it which is the natural drain of the whole, and where, if there were no house, there would necessarily be an horse-pond. A grand avenue, planted on each side with noble trees, leads up to the house, but is usually so overgrown with moss and weeds, as to convey a most uncomfortable feeling of cold, dampness, and desolation. The grass of the lawn is equally foul, and every thing of dirt and rubbish is collected under the windows in front. The gardens behind are in the same execrable state: gravel-walks over-run with moss and weeds; flower beds ornamented with statues of leaden Floras, painted Mercurys, and Dians with milk-pails. Every yard almost salutes you with some similar absurdity. The hedges are shaped into peacocks, and not unfrequently into ladies and gentlemen dancing a minuet. Pillars of cypress, and pyramids of yew, terminate almost every walk, and if there is an hollow in the garden, it is formed into a muddy pond, in which half a dozen nymphs in stone, are about to plunge. The ill-taste of these statues is not the worst; they are grossly indecent: nothing is reserved, nothing is concealed; and yet the master of the house will not hesitate to exhibit these to his female visitors, and what is worse, his female visitors will look at them with a pleasant smile. Once for all, there is no such thing as decency, as it is understood in other kingdoms, to be found in France. Nature is the fashion of the day, and according to the French philosophy, the passions are the best index to what is natural. With a very few exceptions, the French women act up to this doctrine, and are as natural as any one could wish them.
We passed through many pretty villages, and amongst them Clery, where Louis the Eleventh was buried. We visited the tomb of that memorable tyrant: it is of white marble, and the taste of it is good. The King is represented as kneeling, and in the attitude of addressing his prayers to the Virgin. The church of Clery was built by this King, and it was his express wish that he should be interred in it. The monument was raised by Louis the Thirteenth. It contains likewise the heart of Charles the Eighth, and the body of Charlotte of Savoy, the wife of Louis the Eleventh. This monument has been much defaced, the hatred of the tyrant extending to his remains.
Clery was formerly a place of pilgrimage for the devout of all Europe. There is an absurd story of a great bell in the church, which was said to toll of itself, whenever any one, being in danger of any mischief by sea or land, made a vow to the Holy Virgin, that if he escaped, he would make a pilgrimage to Clery. The tolling of the bell was the acceptance of the vow on the part of the Virgin. What a pity, that credulity should injure the cause of true religion!
We passed over the bridge of Mesmion, where Francis Duke of Guise was assassinated. There is an ancient abbey of the Order of St. Benedict in this village: The vineyards in this district were beautiful, and apparently fertile to a degree. They are said * * * *.
We reached Orleans to dinner, and whilst it was preparing had a walk round the town. The ladies reserved themselves for the promenade, as we intended to remain till the following morning.
Orleans has a very near resemblance to Tours, though the latter town is certainly better built, and preferable in situation; Orleans, however, is situated very beautifully. The country is uneven and diversified, and the fields have the air of pleasure grounds, except in the luxuriant wildness of the hedges, and the frequent intermixture of orchard and fruit trees. As seen from the road, the aspect of Orleans is extremely picturesque: it reminded me strongly of some towns I had seen in the interior of England.
The interior of the town does not altogether correspond with the beauty of the country in which it stands: some of the streets are narrow, the houses old, and most execrably built. The principal street is in no way inferior to that of Tours: it is terminated by a noble bridge, which has lately been repaired from the ruinous state in which it was left by the Chouans. The Grand Place is spacious, and has an air of magnificence. The cathedral is worth peculiar attention: the first stone of it was laid in the year 1287, but it was not finished till the year 1567. The party of the Huguenots, having seized Orleans, destroyed a considerable part of the cathedral; but Henry the Fourth, having visited the town, caused it to be rebuilt. The chapels surrounding the altar are wainscotted with oak, and the pannels are deeply cut into representations of the histories of the New Testament. The representation of our blessed Saviour on the cross, and the figures of St. John and others of the Apostles, are very masterly. They are the work of Baptiste Tubi, an Italian sculptor who sought refuge in France.
The two towers built at the western extremity by Louis the Fifteenth, are generally known and celebrated; by some they have been considered as too highly ornamented, but their effect is great. Perhaps the ornaments may indeed lose their own effect by being attached to a building which, by exciting stronger emotions, necessarily merges the less. The prospect from the summit of these towers exceeds all powers of description. The country seems one boundless garden covered with vineyards, the richness of which at this season of the year must be seen to be understood. No description can convey it with force to the imagination.