"It saves the half-cent charged for service," answered the maid.
"Now isn't she funny!" complained Bee of me as I returned beaming with content. "She likes to go and do a queer thing like that instead of sitting still to be waited on, like a lady."
"Been waited on a million times like a lady," I ventured to respond. "It isn't every day one can get a cool mug and see the beer drawn fresh and foaming like that. I felt like a Holbein painting."
Bee, as at Baden-Baden, plaintively gave the attendant a double fee to show that meanness had not caused my apparently thrifty act. Then for the first time in our lives we found what fresh beer really meant.
Even Bee and Mrs. Jimmie admitted that it was worth while coming, and let me record in advance that when we got to Vienna, and they served us an equally delicious beer in long thin glasses as delicate as an eggshell, Bee grew so enthusiastic in the process of beer drinking that Jimmie grew absurdly proud of his pupil, and professed to think that she was "coming round after all." But Bee declared that it was the thinness of the glasses which attracted her, and insisted that beer out of a German stein was like trying to drink over a stone wall.
We went many times after that, generally in the evening, when the concert was held in a hall which must have contained two thousand people, even when all seated at little tables, and where the band would have deafened you if the hall had not been so large. Here Jimmie and the waitress prevailed upon us to taste the most inhuman dishes with names a yard long, which the maid declared we would find to be "wunderschön."
We began in a spirit of adventure, but Jimmie's taste in food is so depraved that if he followed the precedent all through his life, Lombroso would class him as a degenerate. As it was, he soon had us distanced. But we let him eat pickles and cherries and herring and cream and tripe and garlic and pig's feet all stewed up together, while we listened to the music, and planned what we would bury him in.
The pictures in Munich we loved. I must say that I enjoy the atmosphere of the Munich school better than any other. There is a healthiness about German realism that one is not afraid nor ashamed to admire. French realism is like a suggestive story, expunged of all but the surface fun for girls' hearing. You are afraid of the laugh it raises for fear there is something beneath it all that you don't understand. But the modern Munich galleries were not the task that picture galleries often are. They were a sincere delight, and let me pause to say that Munich art was one thing that we four were unanimous in praising and enjoying as a happy and united family.
It was here that Jimmie proceeded to go mad over Verboeckhoven's sheep pictures, and Mrs. Jimmie and Bee over the crown jewels in the Treasury of the Alte Residenz. To be sure they are fine. For example, there is the famous "Pearl of the Palatinate," which is half black, and a glorious blue diamond about twice as fine as the one owned by Lord Francis Hope, which his family went to law to prevent his selling not long ago, and a superb group of St. George and the dragon, the knight being in chased gold, the dragon made entirely of jasper, and the whole thing studded thickly with precious stones of every description. But, except that these things are historic and kept in royal vaults, they are no more wonderful than jewellers' exhibits at the expositions.
But if you want to be thoroughly mixed up on the Nibelungenlied, after you think you have got those depraved old parties with their iniquitous marriages and loose morals pretty well adjusted by a faithful attendance at Walter Damrosch's lectures and Wagner operas, just go through the Königsbau, and let one of those automatic conductors in uniform take you through the Schnorr Nibelungen Frescoes, and from personal experience I will guarantee that, when you have completed the rounds, you won't even know who Siegfried is.