A study of life from the mere transient dream to the radiant eternal vision.
THE LAND OF ENCHANTMENT. From Pike’s Peak to the Pacific. Fully illustrated. 8vo. $2.50 net.
A vivid presentation of the scenic marvels and resources of the Southwest.
LITTLE, BROWN, & CO., Publishers, BOSTON
TRANSCRIBER’S NOTE
The original language, spelling and punctuation have been preserved, except where noted.
The illustrations were moved to the paragraph they refer to. The List of Illustrations was changed accordingly.
Page [xii]: Vittoria Colonna, Galleria Buonarotti, Florence
Page [6]: artistic centre of the ninteenth century and
Page [19]: on the wall of the casa in the Via delle Quattre Fontane
page [26]: the Palazzo Sentoriale and the Palazzo dei Conservatore.
page [27]: the Stanza della Incendio and the Sala di Constantino.
page [32]: winds on the Pont San Angelo, and in the vast
page [32]: the Music Nazionale—is the group of “Pluto
page [55]: during hs stay in Rome are ‘St. Elizabeth of
page [72]: The Via delle Quatre Fontane, on which the
page [138]: given under the auspices of the Societa Archeologica,
page [148]: gentilinomo, who is gorgeously arrayed in knee
page [161]: Jacomletti, and there is also a kneeling statue
page [163]: and the Via dell Quattro Fontane. The
page [163]: for living purposes. The portere, the guards,
page [170]: and in the Vedder villa, Torre Quatro Venti
page [171]: the American wife of Caviliere Cortesi, an
page [178]: Peruzzi, and Annibale Caracci. Raphael is
page [185]: that includes the “Ludovisi Mars;” Hercules,”
page [200]: he may rest, mens conscia recta!
page [205]: whose grand Roman palazzo is in the Boca di
page [244]: Forum, succeding Lanciani—believe that some
page [272]: Mignano (Ginodone Trieramosca) and also to
page [272]: are a series of fresco paintings by Luca Gindano,
page [276]: to be a “Monumento Nazionali,” and it is now
page [286]: in the “Inferno.” The Colonna and the Orsino
page [286]: look down from Castel Gondolfo on the gloomy,
page [287]: Marino, Castel Gondolfo, and Frascati, with
page [295]: for the country they left Naples for Pietzalba
page [295]: Musefico, il Givoio, and il Minturo. It was an
page [297]: Per te narrar tre quante dubbie voglie,
page [297]: Fra quanti aspri martir, degliosa io vivo!”
page [304]: San Mano that had formerly been its property.
page [305]: world’s sun; and not to add light to mio vel solo,
page [213]: The Villa Falconicri, in Frascati, which was
page [234]: Benvenuto Cellini at the Castel Sant Angelo;
page [237]: of the street scenes of Naples; Camprani and
page [244]: equestrian statue of Bulbi, in the Naples Museum,
page [260]: The cathedral at Revello has traces of the
page [260]: of the Palazzo Rufelo might enchant Hafiz himself.
page [272]: by Mazzarappi and Marco da Siena. Nothing
page [274]: Terre di Lavorno region:—
page [332]: “Bene scripsisti de me, Thoma; quam ergo mercedem recipris?”
page [380]: Bonaventuri built over it, is preserved in this
page [385]: the Palazzo Rospigliosa in Rome.
page [399]: Anopeste, elected by the tribunal of commonalty,
page [400]: mural work by Battesta Franco and De Moro.
page [400]: One enters the Porta delta Carta, which
page [405]: Peter, Maucis, and Antoninus are commending
page [426]: Saricinesco, in the region of Tivoli, was made
page [436]: too, in other leading men. Zurati, the
page [452]: in Europe. That of the Annunziati, the
page [461]: Annunziati Cathedral, Genoa, 452.
page [462]: Camprani, 237.
page [463]: del Vall, Cardinal Merry, 146-149, 435.
page [466]: Ossi, Professor Dall, opinion of, 244.
page [467]: Quatre Fontane, Via delle, 72.
page [467]: Revello, Cathedral at, 260.
page [470]: Villa Falconicri, 213.
On page [235]: “Da Scala d'Oro” should be “La Scala d'Oro” or “Madonna della Scala d'Oro”.