The situation is quite the same in regard to the appoggiatura. In this the resonance is made nasal and the flexibility of the larynx,—which, without changing the resonance, moves quickly up and down—accomplishes the task alone. Here, too, it can almost be imagined that the thought alone is enough, for the connection of the two tones cannot be too close. But this must be practised, and done consciously.
[Transcriber's Note: Corrected "L'au-be" in original lyrics to "Lau-be">[
SECTION XXXIV
TRILL
There still remains the trill, which is best practised in the beginning as follows:—
