Fig. 101.

Fig. 102.

Make the head like Fig. 99. A is the portion which must be placed in the small end of the egg, A, Fig. 82, allowing the lower curve of the head, K, to extend down over the egg. Cut from very stiff writing-paper a like curve, and paste it in position on the other side of the head, where it should hang free: only the top edge of the piece being fastened on the head in order that the curve may easily slip down over the other side of the egg. This will make both sides of the bird appear alike. Fold a piece of writing-paper, and from it cut Fig. 100; the straight fold extends from O to U. Carefully fasten together the open edges of the back from T to O and from U to P; gluing them on the extreme edges, that the pocket thus formed may be as large as possible. Take stiff paper for Figs. 101 and 102, which are the feet and tail of the bird, the extension X of Fig. 102 forming the tail. Leave the eyes and mouth white, and paint the remainder of the head black; also blacken the wings and back, Fig. 100, and the feet and tail. Place the head in the small end of the egg, A, with the curves K down over the white egg on each side; then put on the little fellow’s overcoat, or back, Fig. 100, fitting it over the sides, F, Fig. 81, of the egg; push the egg or body of the penguin in the pocket formed in the back of the overcoat, and shove the feet into the large end of the egg, D, Fig. 82. Hold the lower edges of the egg firmly together while you bend out the feet sufficiently to enable the penguin to stand alone, Fig. 103.

These little creatures should be made so carefully that either side will be presentable. It is always distressing to know that “the other side” does not look real, and it is a great satisfaction to be able to show both sides of our work to our friends and know there is no “wrong side” in what we do. If you can manage to paint the designs in water-colors they will look best, but even when marked with black ink the little animals are charming; no adequate idea can be gained of this fascinating Easter egg until all the different parts have been made and the egg changed from one to another of the various life-like little creatures. The egg has been so planned that the wings come down and cover the tops of the legs of both rooster and ostrich; the penguin and rabbit need no such cover, as the rabbit’s legs fit in naturally, and those of the penguin merely slide up in the egg. A little practice will enable you to perform the work skilfully.

Butterflies are also emblems used for Easter. The beautiful fairy-like creature changing in its close, gloomy chrysalis from an insignificant little worm to the radiant winged creature of the air, fitly typifies the Resurrection. Did you ever find a chrysalis and after examining it lay it carefully aside, to await the development of the life within, and some bright morning discover the shell broken and empty, while in the room fluttered a brightly colored butterfly? If so, you will enjoy all the more

The Butterfly That Will Fly

and which we will manufacture of tissue-paper.