The origin and meaning of this burden remains obscure.

The antiquity and the wide popularity of these verses are further shown by a song written in imitation of it, called A Ditty on a High Amore at St. James, and set to a popular tune, which dates from before 1714. It is in verse, and begins:—

[Pg 31] Great Lord Frog and Lady Mouse, Crackledom hee, crackledom ho,
Dwelling near St. James' house, Cocki mi chari chi;
Rode to make his court one day,
In the merry month of May,
When the sun shone bright and gay, twiddle come, tweedle dee.[22]

In the accepted nursery version the song begins:—

A frog he would a wooing ride, heigho, says Rowley,
Whether his mother would let him or no,
With a roly-poly, gammon and spinach,
Heigho, says Anthony Rowley.

This burden is said by a correspondent of Notes and Queries to have been first inserted in the old song as a burden by Liston. His song, entitled The Love-sick Frog, with an original tune by C. E. H., Esq. (perhaps Charles Edward Horn), and an accompaniment by Thomas Cook, was published by Goulding & Co., Soho Square, in the early part of the nineteenth century (N. & Q., I, 458). The burden has been traced back to the jeu d'esprit of 1809 on the installation of Lord Grenville as Chancellor of Oxford, which another correspondent quotes from memory:—

[Pg 32] Mister Chinnery then an M. A. of great parts,
Sang the praises of Chancellor Grenville.
Oh! He pleased all the ladies and tickled their hearts,
But then we all know he's a Master of Arts.
With a rowly, powly, gammon and spinach,
Heigh ho! says Rowley.
(N. & Q., 11, 27.)

Another variation of the song of The Frog and the Mouse of about 1800 begins:—

There was a frog lived in a well, heigho, crowdie!
And a merry mouse in a mill, with a howdie, crowdie, etc.
(N. & Q., 11, 110.)

This expression, heigho, crowdie, contains a call to the crowd to strike up. The crowd is the oldest kind of British fiddle, which had no neck and only three strings. It is mentioned as a British instrument already by the low Latin poet Fortunatus towards the close of the sixth century: "Chrotta Britannia canat." The instrument is well known to this day in Wales as the crwth.