This is not the place to dwell on the numerous spiritual love-songs which were written in English at this period under the influence of mystic tendencies; but it must be pointed out that those which breathe the love of a woman’s soul to Christ were presumably written in the interest of nuns. Among them is one in prose, entitled the ‘Wooing of Our Lord[807],’ written by its author for his ‘sister,’ which has a certain likeness to the ‘Ancren Riwle,’ and on this ground has been ascribed to the same author. Probably it is a paraphrase of part of it, but it has none of the harmonious flow of the treatise itself, and its tone is so much more emotional, that it looks like the production of a later age.
The idea of the exaltation of virginity at this period further led to the re-writing in English of the legends of women-saints whose stories turn on the might of virginity in conflict with the evil powers of this world. Among them the legends of St Margaret, St Juliana and St Cecilia, are extant in a manuscript of about the year 1230. Their authorship is unknown, but they were evidently written in the first place for religious women.
In conclusion a few words must be said on a treatise written about the same time called ‘Holy Maidenhood’ (Hali Meidenhad), the interest of which lies in the fact that while advocating the same cause as the writings discussed above, it is quite untouched by their spirit[808]. Here also the advantages of the love of Christ over love for earthly things are enlarged on, and the superiority of the ‘free’ maiden over her who has embraced family life is upheld. But this is done in a broad familiar strain and with repeated fierce attacks on marriage.
The author ornaments his treatise with Biblical quotations, but he possesses none of the courtly grace and elegance of diction of Thomas de Hales and the author of the Ancren Riwle. In form the treatise answers to its drift, for it is written in an alliterative homely style which gives it a peculiar interest from the philological point of view. Looked at from the religious standpoint it yields a curious example of what the tone and temper would be of one who, grasping the moral drift of the age, remained a stranger to its tenderer strains. At the same time its author is not without considerable insight into the realities of life and has a sense of humour usually absent in mystic writings. The following passage which dwells on some of the annoyances of married life give a good example of this (p. 37).
‘And how I ask, though it may seem odious, how does the wife stand who when she comes in hears her child scream, sees the cat at the flitch, and the hound at the hide? Her cake is burning on the stone hearth, her calf is sucking up the milk, the earthen pot is overflowing into the fire and the churl is scolding. Though it be an odious tale, it ought, maiden, to deter thee more strongly from marriage, for it does not seem easy to her who has tried it. Thou, happy maiden, who hast fully removed thyself out of that servitude as a free daughter of God and as His Son’s spouse, needest not suffer anything of the kind. Therefore, happy maiden, forsake all such sorrow for the reward reserved to thee as thou oughtest to do without any reward. Now I have kept my promise, that I would show that to be glozed over with falsehood, which some may say and think of as true: the happiness and sweetness which the wedded have. For it fares not as those think who look at it from the outside; it happens far otherwise with the poor and the rich, with those who loathe and those who love each other, but the vexation in every case exceeds the joy, and the loss altogether surpasses the gain.’
The writer then recommends Christ as a spouse and gives a graphic description of pride, which he considers a power equal to that of the devil. He has such a lively horror of pride and thinks its effects so baneful that, should the maidenhood he has been extolling be touched by it, its prerogative, he says, forthwith breaks down. ‘A maid as regards the grace of maidenhood surpasses the widowed and the wedded, but a mild wife or meek widow is better than a proud maiden,’—a distinction which is curious and I believe stands alone at this early period. The saints Catharine, Margaret, Agnes, Juliana and Cecilia are quoted as maidens of irreproachable meekness.
The treatise ‘Hali Meidenhad’ exists in one copy only, and there is no evidence as to how much it was read. Its obvious purpose is to encourage girls to become nuns, and this not so much on account of the beauties of convent life, as because of the troubles in worldly life they would escape by doing so.
§ 2. The Convent of Helfta and its Literary Nuns[809].
The mystic writings with which the present chapter has hitherto dealt are works written for nuns, not by them, for of all the English mystic writings of the 13th century, womanly though they often are in tone, none can claim to be the production of a woman. It is different on the Continent, where the mystic literature of the 13th century is largely the production of nuns, some of whom have secured wide literary fame. Their writings, which were looked upon by their contemporaries as divinely inspired, are among the most impassioned books of the age. They claim the attention both of the student of art and the student of literature. For strong natures who rebelled against the conditions of ordinary life, but were shut out from the arena of intellectual competition, found an outlet for their aspirations in intensified emotionalism, and this emotionalism led to the development of a wealth of varying imagery which subsequently became the subject-matter of pictorial art. In course of time the series of images offered and suggested by Scripture had been supplemented by a thousand floating fancies and a mass of legendary conceits, which were often based on heathen conceptions; and the 13th century mystic first tried to fix and interpret these in their spiritual application. His endeavours may appear to some a dwelling on fruitless fancies, but since this imagery in its later representations, especially in painting, has become a thing of so much wonder and delight, the writers who first tried to realise and describe these conceptions deserve at least respectful attention.