The park of Cassiobury embraces an area of nearly seven hundred acres, of which more than three hundred and fifty are called “the Home Park,” and about two hundred and fifty the “Upper Park;” they are separated from each other by the river Gade, which flows between them. The remainder of the ground is divided into woods, lawns, gardens, and all the other elegancies of grounds around the house, the site of which is also included in it. The parks are well wooded with majestic trees, among which are a profusion of beech, oak, elm, and fir—some of the latter resembling in their enormous size those of Norway. Several of the beech-trees, too, are of gigantic size, some being said to cover an area of ground nearly 150 feet in diameter.
The Swiss Cottage.
The present mansion was built from the designs of Mr. James Wyatt, at that time the fashionable architect of Fonthill Abbey, of parts of Windsor Castle, and other places: it is of that peculiar style of Gothic architecture which characterizes most buildings erected by him. The general plan is a square; the building surrounding a court-yard or quadrangle, with a cloister on two of its sides; the entrance being to the west, the chief room to the south, the private or family rooms to the east, and the kitchen, servants’ offices, &c., to the north. A porch screens the entrance-doorway, that opens into a narrow cloister, on the right of which is a small vestibule and enclosed staircase. Eastward of these is the great cloister, having five windows, partly of stained glass, and its walls adorned with full-length family portraits and other paintings.
The Lodge.
Branching off from the cloisters is the Saloon, placed between the dining and drawing-rooms. “Its ceiling is adorned with the painting Evelyn mentions as belonging to the hall of the old mansion, and to have been the work of Verrio, the subject being composed chiefly of allegorical figures—Painting, Sculpture, Music, and War. In this apartment are two cabinets, containing numerous miniatures painted by the Countess of Essex,” and many family and other portraits.
In the Dining-Room, which is a noble apartment, with wainscoted walls, also hang several remarkably fine family and other portraits, by Vandyke, Hoppner, and other painters; and several fine pictures,—notably, “The Cat’s Paw,” by Landseer, and “The Highlander’s Home,” by Wilkie.
The Grand Drawing-Room, which is filled with all the elegancies and luxuries of the most refined taste, and with the choicest cabinets, is adorned with paintings by Turner, Callcott, Collins, and others. These are of the highest order—rare and beautiful examples of the great English masters in art. Adjoining the drawing-room is the conservatory cloister, which is entered both from it and from the library.