The Conservatories.

“With the drawing-room, as I have said, an open archway connects another magnificent apartment, the Saloon, which has a fine oak-groined ceiling, with elegantly carved, gilt, and painted bosses. In the centre of the west side is a fine stained-glass window, representing Edward, the Black Prince, full length, in armour, and with his garter robes, painted by Muss; and opposite to this a doorway opens into a corridor leading to the drawing and other rooms. The view from the north end of the saloon, looking down its full length, across the splendid drawing-room, down the long vista of the conservatory, and into the octagon at the farthest end, is fine in the extreme, and is indeed matchless.

“The Corridor, of which I have just spoken, is one of the most dainty and minutely beautiful ‘bits’ of the whole building. It is of oak, the sides are panelled and gilt, and from small clustered pilasters rises the elaborate oak groining of the ceiling, the groining being what can only be expressed as ‘skeleton groining,’ the ribs alone being of oak, partly painted and gilt, and the space between them being filled in with a minute geometric pattern in stained glass. From this corridor a door in the north side opens into the—

“Small or Family Dining-Room, a fine sombre-looking apartment, about 25 feet square, and furnished with a magnificent central table, and every accompaniment that wealth can desire. The ceiling is of oak, panelled, and has a rich armorial cornice, with arms of Talbot, running around it. The chimney-piece, of dark oak, is a splendid piece of ancient carving. From the corridor another doorway leads to a staircase connecting other private apartments above, while at its east end it opens into—

“The Grand Dining-Hall, near which are the kitchens. This hall, which was being remodelled and altered by Pugin at the time of the Earl’s death, remains to this day in an unfinished state, but shows how truly grand in every way it would have been had it been completed. The roof is one of the finest imaginable, and from its centre rises a majestic louvre, which at once admits a subdued light and acts as a ventilator. It is of truly noble proportions, and the fire-places and carved stone chimney-pieces are grand in the extreme—the latter bearing the arms, crest, supporters, motto, chapeau, &c., of the Earl of Shrewsbury. The sides of the room were intended to be panelled, as was also the minstrels’ gallery, with carved oak, and a part of this is already placed. At the north end is a fine large window, the upper part of which is filled with armorial bearings, but the lower part has never been completed, and is filled in with plain quarries. The arms in this window are those of Talbot Earl of Shrewsbury, Clifford, Beauchamp, De Valence, Comyn, Mountchesny, Nevile, Middleham, Clifford, Bohun, Strange of Blackmere, Tailebot, Troutbeke, Claveringe, Buckley, Pembroke, Borghese, Doria, Lovetoft, Mareschal, Strongbow, King Donald, Raby, Lacy, De Verdun, Castile and Leon, D’Angoulême, William the Conqueror, Bagot, Mexley, Aylmer, and others.

The Pagoda.

“From here a short corridor leads to a small vestibule, from which the other private apartments extend. Of these the principal one is the Boudoir of the Countess of Shrewsbury—a charming apartment, replete with every luxury and with every appliance which taste and art can dictate. The ‘Doria’ and other apartments are reached from near this by a circular staircase. From the vestibule the private entrance to the Towers is gained, and from it is the private way across the entrance gateway into the grounds; and also through the small tower and across the drawbridge the park is reached. The drawbridge crosses the moat, and the entrance is fully guarded, and has all the appliances of an old baronial castle.”[2]

And now let us speak briefly of the situation of Alton Towers, and of its grounds of matchless charms. Situate almost in the centre of England—in busy Staffordshire, but on the borders of picturesque Derbyshire—Alton Towers is within easy reach of several populous cities and towns, the active and laborious denizens of which frequently “breathe” in these always open gardens and grounds the pure and fragrant air.