Fig. 228.
Fig. 229.
Another class of subjects of extreme interest, as coming from a Romano-British pottery, are mythological subjects, which appear to have been rather a favourite ornament of the Durobrivian pottery. Fragments of several vessels, with the figures of the seven gods and goddesses, have been met with. Another characteristic of the Durobrivian ware, consists of indentations made in the side of the vessel, while still soft, but after it had left the lathe, and continued with regularity round it. Sometimes, where little ornament was employed on the rest of the vase, these indentations were left quite plain; sometimes an ornament was introduced in the centre; and not unfrequently the indentation was formed into a niche for the reception of a figure. For indented vases see figs. [226], [228], and [229].
The Upchurch ware, so called because made on the tract of land now known as the Upchurch Marshes, on the river Medway below Chatham, is next in importance, as far as extent of works go, to the Castor ware. The district where these pot-works are proved to have existed extends to a distance of five or six miles in length, and from one to two miles in breadth, and throughout this tract a bed of refuse pottery exists. This is seen to the best advantage about Otterham Creek, not far from Upchurch church, and from its being first noticed here the name of Upchurch ware has arisen.
“The Roman ware made in the Upchurch potteries presents distinctive peculiarities which cannot be mistaken, and it must have been in great repute, certainly the next after the foreign Samian and the native Durobrivian wares, in this province of the empire. Like the Durobrivian, too, it has been found on Roman sites in France and Germany, so that it was probably exported. As Battely has described it, the greater proportion of this ware is of a ‘blackish colour,’ or rather of a bluish or greyish black, which was produced, no doubt, by the process of the smother-kiln, already described in connection with the Durobrivian pottery. Some of the Upchurch pottery presents a colour approaching to dark drab. Examples of both are given. The forms, as well as the sizes, vary greatly, but they all present those delicate forms of the curve which we recognise at once as coming from the hands of the Roman artist. The texture of the pottery itself is fine, and it is very thin. The ornamentation also is varied, but not very elaborate or very refined. One of the patterns consists of a band of half-circles, made with compasses, from each of which a band of parallel lines descends vertically. Examples of various kinds of ornament are given in the accompanying woodcut ([fig. 230]). The little vessel in the front of the cut has had two handles, but one is lost; it is supposed to be an incense pot.
Fig. 230.
“The instruments used in the ornamentation of this pottery appear to have been of a very rude description, and were, as it seems, chiefly mere sticks, some sharpened to a point, and others with a transverse section cut into notches. The former were used in tracing the lines already described; the latter had the section formed into a square, or rhomboid, the surface of which was cut into parallel lines crossing each other, so as to form a dotted figure, and this was stamped on the surface of the pottery in various combinations and arrangements. Sometimes these dots are arranged so as to form bands, as in the example in the back of the group. The large urn in the middle of the group furnishes an example of another kind of ornamentation found on the Upchurch pottery, formed by parallel intersecting lines. In its shape this vessel has much the appearance of a sepulchral urn. A considerable quantity of this pottery is without ornament at all. Among this unornamented pottery are found, especially, jug-shaped vessels, commonly with a handle. Two of these vessels are represented in the group, in which is also shown a curiously shaped plain urn and an unornamented vessel of another form. At different spots over the locality which was covered by these potteries, Mr. Roach Smith has found remains which indicate the former existence of kilns, and further researches will most probably bring to light some of the kilns themselves. Traces have also been found of the residences and of the graves of the potters.”[44]
