Fig. 221.—Coin Mould.
Coin moulds, for the manufacture of spurious Roman coins, were also made of clay, and the arrangement was very simple, but effective. The clay being properly tempered and prepared, was formed into small round tablets of uniform size and thickness. A coin was then pressed between two tablets while the clay was soft, so as to leave a perfect impression, and these impressions, which had thus become obverse and reverse moulds, were arranged together in little piles; the upper and lower being impressed on one side only. Down the sides of each of these little piles or heaps a nick or notch was then cut, so as to admit the molten metal. Two or three of these heaps were then, as shown in the engraving (Fig. [221]), placed side by side with the notches joined together, and these were then surrounded by a clay cone with a hole at the top, into which the metal was poured, and ran down through the notches, and so into the moulds. Impressions were thus taken the exact counterpart of the original coin from which the moulds had been taken.
CHAPTER III.
Anglo-Saxon Pottery—Forms of Vessels, from Illustrated MSS.—Culinary Vessels—Pitchers and other domestic Vessels—Cinerary Urns—Cemeteries at Kingston, King’s Newton, Bedford, &c.—Modes of ornamenting.
For examples of the ceramic art of the Anglo-Saxon period we are mainly indebted to the cemeteries and burial mounds of that people. The art during this period, so far as this country is concerned, was but little practised, except, as in the Celtic period, for the manufacture of sepulchral urns of one kind or other. Still, it is pretty certain that many of the vessels found in the barrows were made for the purposes of life, and used for those of death when urns were wanted. In the preceding era the population of this country—the Romano-Britons—were essentially a pot-producing people, and they established, as will have been seen, extensive manufactories in various parts of the kingdom, and made and supplied vessels for every conceivable use and purpose. When the Saxons took possession of the country, and gradually extended themselves over its length and breadth, they found the Roman towns, as well as the stations and detached dwellings—nay, they found every part of the island—well and, indeed, profusely stocked with crockery of every kind, from the finest Samian cup and bowl down to the coarsest mortarium and amphora, in such profusion, and in such variety, as well as of such elegance, use, and beauty, as they had not previously known. Fighting their way here, and settling there, they utilised the crockery which so abundantly lay ready to their hands, and, as there can be no doubt the Roman potters continued their works long after the advent of the Saxons, they used these Roman vessels for all purposes, and thus did not, except in the case of their burial urns and ordinary domestic vessels, resembling in a somewhat striking manner some modern utensils, leave the impress of what little taste or skill they had upon the productions of the fictile art. The cinerary urns are, therefore, almost, the only productions of the Saxon potter which are known. These, like those of the Celtic period, were, there can be no doubt, usually made in pretty close proximity to their place of burial, and, consequently, were formed of the clays of the district. They assumed a peculiar character, and are entirely dissimilar to those of either of the preceding periods.
Of the forms of other vessels of the Anglo-Saxons—for there is no doubt that coarse domestic utensils were to some extent made—a tolerable idea may be gained from the illuminated MSS. of the time. Some few, but very few, examples have also been brought to light, which may with tolerable certainty be assigned to this period.
Fig. 222.
Fig. 223.