Fig. 6.—Trentham.
From their imperfect firing, the vessels of this period are usually called “sun-baked” or “sun-dried;” but this is a grave error, as any one conversant with examples cannot fail, on careful examination, to see. If the vessels were “sun-baked” only, their burial in the earth—in the tumuli wherein, some two thousand years ago, they were deposited, and where they have all that time remained—would soon soften them, and they would, ages ago, have returned to their old clayey consistency. As it is, the urns have remained of their original form, and although, from imperfect baking, they are sometimes found partially softened, they still retain their form, and soon regain their original hardness. They bear abundant evidence of the action of fire, and are, indeed, sometimes sufficiently burned for the clay to have attained a red colour—a result which no “sunbaking” could produce. They are mostly of an earthy brown colour outside, and almost black in fracture, and many of the cinerary urns bear internal and unmistakable evidence of having been filled with the burnt bones and ashes of the deceased, while those ashes were of a glowing and intense heat. They were, most probably, fashioned by the females of the tribe, on the death of their relative, from the clay to be found nearest to the spot, and baked on or by the funeral pyre. The glowing ashes and bones were then, as I have already stated, collected together, and placed in the urn, and the flint implements, and occasionally other relics belonging to the deceased, deposited along with them. In some instances, however, it is probable that even the cinerary urns were burned in a separate fire, as were the “drinking cups,” which are usually fired to a much harder degree than they are. No kiln, or anything approaching to one, however, could of course have been used.
Fig. 7.—Darley Dale.
Fig. 8.—Darley Dale.
Fig. 9.—Darley Dale.
