"We will meet you," said Mr. Campbell.
Adair rubbed the nickels together, and asked, with a slight catch of his breath, if he could have something on account.
"Certainly," assented the lawyer, producing his pocket-book. He removed a sheaf of bills, and Adair perceived that they were in denominations of a thousand dollars each. He had never seen a thousand-dollar bill before in his whole life, and here was a thick packet of twenty or more. No wonder that he was overawed. Campbell noticed his fascinated stare, and dilly-dallying with the notes, spread them out with an elaborate carelessness. To Adair, it was all a blur of $1,000, $1,000, $1,000, $1,000, a green mist of money, a crisp, crinkling, dizzying affluence.--Campbell was saying something to him. There was a paper to be signed. It was a temporary memorandum to be replaced later by a more formal document. Buzz, buzz, buzz! The paper was handed to him. Buzz, buzz, buzz, and the room going round and round. He was standing on his feet, shaking with the pent-up passion that he had been so long holding back. The actor in him had been waiting for that, but the actor was lost in the man.
"You're a damned hound!" he cried hoarsely, "And the man who sent you is a damned hound, and here is your damned paper, and may it choke you both! My wife isn't for sale, do you hear that! My wife isn't for sale, whether it's for fifty thousand or fifty million! Is that plain? Do you concede the principle, or shall I boot it into you? I thought I'd lead you on; I thought I'd just see how far you'd go--you with your sable overcoat, and fat pocket-book, and your stinking respectability. I had you sized up all right, and was only giving you rope to hang yourself. Get out of here, and get out quick, or I'll kick you from here to your cab. Get out!"
It was needless to say that John Hampden Campbell did not need to be pressed. Shadrach, Meshach and Abednego in the fiery furnace could have scarcely been in a bigger hurry. Cramming the notes and papers in his pockets, he sped from the visitors' room like a large, imposing projectile which had been fired from some monster cannon. A second later his flying coat-tails were deposited in his cab, and he was speeding away, considerably shaken in spirit and body, for the mountain quiet of his twenty-eight story office.
Lying on Phyllis' table, all ready for mailing, was a long letter to her father. Pride had crumbled and she had determined to seek his help. She had begun it with constraint, attempting, none too effectually, to conceal her sense of injury and injustice; but as page followed page the old tenderness returned with an irresistible force. That gray, handsome head was before her, that mellow voice was in her ears, and the wretchedness and folly of alienation came home to her with a new and piercing significance. The request for money; the cold, exact exposition of her need--was passed and forgotten in the impetuous rush of her pen. She loved her husband, she loved her father, and this estrangement was unbearable. Like many women under the stress of a deep emotion she wrote with a singular eloquence. She wept as she described Cyril--his unceasing goodness, his loyalty, his fortitude, his good humor and devotion. He was everything a woman loved best in a man; and instead of her marriage having been a mistake, a failure, it was more than she thought life could ever give her. Would not her father forget all that had passed, as she, too, would forget? Their love was too deep, too dear, to make reconciliation impossible. She would climb into his lap again, and put her arms about him--his sad, worn, desolate little girl--and they would whisper to each other what fools they had been, and kiss away the last shadow of misunderstanding.
So it ran, page after page, in her fine, delicate hand, an appeal that no father could have resisted. A beautiful letter, touched with the quality of tears; full of womanly longing; heart crying to heart, across an aching void. Alas, that it never went. It was torn to pieces, and thrown passionately on the floor. Campbell had intervened, and the news of his offer was thus received in the little flat on East Fifty-eighth Street. "That's the end of it," cried Phyllis, regarding the scraps of paper. "That's the end of everything between Papa and me!"
CHAPTER XXV
It is one of the peculiarities of looking for a theatrical engagement that hope is never quite extinguished. There is always some one who wants you to call next week; there is always a company just short of a part they are considering you for; there is always some friendly member of the Thespians who has "mentioned your name," and gives you a scribbled address or a telephone number. This is stated to explain the fact why Adair, instead of surrendering to circumstances, as any other man would have done in any other walk of life, still snatched at straw after straw with egregious determination. His circumstances were becoming absolutely desperate. Suspension from the club was staring him in the face; in eight days his sticks of furniture and his trunks would be dumped out on the street; it was only by the most rigid parsimony that body and soul could be kept together. Phyllis said the dormice were floating on a shingle, and with tearful laughter would expatiate on the pitiful, half-drowned things, so scared and hungry on a bobbing sea. What was to happen when they slid off?--Oh, but Booful wasn't to mind. She'd hold his poor, pretty, dormouse head up, and swim him off to a lovely island where there were peanuts on peanuts, and an alabaster mousery with all modern improvements.
That lovely island seemed a terribly long way off. As the emblem of an engagement it lay so far over the horizon that Adair began to doubt its very existence. His eyes grew lack-luster; he lost his confident bearing; poverty and failure stamped him, as they stamp every man with an unmistakable mark. We instinctively move away from the unsuccessful. We see that mark, and widen our distance. Success likes success. It isn't decent to be very, very poor. Fingers tighten on pocketbooks, and respectable, prosperous legs quicken their steps.--Adair was sinking, though the dismal masquerade still went on--the immaculate cuffs, the once smart tie, the pressed clothes, shiny with constant ironing. There is many such a figure on Broadway--and in some mean room there is usually a woman who believes in him, stinting herself and starving for his sake.