Adair found himself bereft of all his assurance. The professional besieger, accustomed to advance with sureness and precision, unaccountably held back, hardly knowing why his heart had turned to water. It seemed presumptuous enough that he should even talk on terms of equality with one so immeasurably above him. His humility was painful. He stammered. He colored. His hand trembled on his tea-cup as he strove to keep alive a conversation of the usual commonplaces.
"Miss Ladd," he said suddenly, "you mustn't think I am a gentleman--because I am not. I am not accustomed to this kind of thing; you are the first lady I--I've ever met." He arrested the expostulation on her lips and went on hurriedly. "It's much better to tell you that right off. I don't know those books you speak of; I don't know anything very much; I am awfully uncultivated and ignorant. There, I have said it! It will make me feel more comfortable, and it will be lots better than pretending I am something I'm not."
"You are a great actor, Mr. Adair."
"My God," he returned with simplicity, "sometimes I'm not so sure that I am." Then he burst into laughter at his own artlessness--a delightful laugh, contagious and musical, that no one could hear without liking him the better. Phyllis laughed, too, and somehow with it the ice seemed broken, and constraint disappeared. "Miss Ladd," he went on, "people like you, and places like this, are the realities which we try so hard to copy with our poor theatrical pasteboard and calico. I used to hate Mansfield for saying we ought to work as servants amongst--well, people we couldn't meet in any other way, and yet the ones we are audacious enough to represent on the stage. He meant it as an insult, of course--but he was right in some ways. Just seeing you pour tea makes me feel how badly we do even that!"
Phyllis, naturally, was touched and flattered.
"Why, we just pour it anyhow," she said, smiling.
"Precisely," exclaimed Adair, "and now let me do it our way!" He drew nearer the table, put his hand to the tea-pot, and grimacing at an imaginary company, proceeded to pour and pass several imaginary cups with a grotesque affectation of grace and elegance. "Two lumps, dear Sir James?--Patricia, the Bishop is famishing for some almond cake.--Oh, mercy me, and what's become of the Dook?" It was an admirable bit of mimicry, and so gay and captivating in its satire that Phyllis thought she had never seen anything so clever. She laughed with delight and clapped her hands.
"Though you shock me, too," she protested. "Corrèze mustn't do things like that--it isn't in keeping."
"Corrèze?"
"Yes, you are not Mr. Adair to me, though I know that's your name, and I have invited you. I can only think of you as Corrèze."