In one of the Church hymns it was sung, "Non ex virili, sed mystico spiramine." Justin Martyr, in his apology, justifies these dogmas as modified by the Christians, not because they were true, but from the example of the heathen; he says:—"By declaring the Logos, the first begotten of God, our Master Jesus Christ, to be born of a virgin, without any human mixture, and to be crucified and dead, and to have risen again, and ascended into heaven,—we say no more in this, than what you say of those whom you style the sons of Jove." This was honestly lugging in one fable to apologise for another. The logic of Tertullian on this subject was decisive, and peculiar to himself—it might be called an axiomatic, or self-evident mode of reasoning; for instance, he says, "I am not ashamed of maintaining that the son of God was born, because it is itself a shameful thing. I maintain that he died and rose again, because it is absurd" When preachers use such convincing arguments, there is no excuse for the incredulity of hearers. This great Father contended also, that souls were material—that they had sexes, and were as much begotten by each other; as our bodies are by the bodies of our immediate parents. He asserted also, that "God is a body."

"The word begotten necessarily infers and associates the ideas of three distinct and separate Beings—the begetters, the begotten, and the person on whom he was begotten; and the term begotten, alluding as it does to the performance of a particular action, must imply a particular time when that action was performed and of course that there was a time when that action was performed; now as the very, definition of the word eternity is that which is without beginning as well as without end, to talk of a person begotten from eternity, is to compose a sentence of words the most contradictory to each other, or downright nonsense; it is to tell us of an action that was begun without any beginning; of a finite infinite, or an immortal mortal!" But the mystic conceptions, births, and incarnations of Paganism, being rooted in, and having exclusive allusion either to physical or moral principles, there were no such absurdities, terms, or monstrous perversions of them, as the early Christiana fell into, by converting mere words into beings, in forming their mythology.

That the Christian dogma of the immaculate conception and birth of Christ, was originally an astronomical allegory of the Sun, "the day-spring from on high," can be proved by a hundred corroborating facts, which, are irresistibly convincing, except where interest, or the most inveterate prejudice, stands in the way. These facts have been elucidated by Albert, Alphonso, Volney, Boulanger, Dupuis, Taylor, and by all astronomers, who have not been deterred from speaking the truth by their interests, their fears, or their prejudices. On the 19th of August, the constellation of the Virgin disappears in the sun's rays; and hence the figurative expression in Luke i., 35, "The Holy Ghost shall come upon thee, and the power of the Highest shall OVERSHADOW thee." On the same day the ancients celebrated the assumption of Astrea,* (another name of the Virgin,) and about the same time, the Christians celebrate the assumption of the blessed Virgin. On the 9th of September, this constellation emerges out of the Sun's rays, at which time the Catholics celebrate the nativity of the mother of the Sun, or Christ.

* That is, the starry goddess. She was also the Miriam (the
same as Mary, Eve, Ac.,) of Numbers xii., 14, and the seven
days' leprosy of her face was allegorical of the same number
of days exactly, when the brightness of the zodiacal virgin
is wholly absorbed, or obscured, by the effulgence of the
solar rays.

The "star in the east," (a sign containing more than a hundred stars,) mentioned in Matthew, was no other than this zodiacal sign of the celestial Virgin, which arose on the eastern horizon precisely at the time at which we fix the birth of Jesus Christ, viz., the 25th of December, when the sun has risen one degree above the solstitial point: which answers to a moment to the births of the Egyptian Osiris, the Grecian Bacchus, and the Mithra of the Persians. These mystic births are manifestly identical, being metaphorical of the Sun's annual birth at the winter solstice, after which he gradually becomes, not only figuratively, but positively, the Savior of the world. The resemblance, or rather the sameness of every circumstance relating to Mithras, the Mediator of the Persians, and those connected with the Savior, or Mediator of the Christians, is so apparent, that no rational man can doubt, or hesitate a moment, in pronouncing the latter to be a counterpart of the former.

Zoroaster taught the Magi that this celestial birth would be announced by the rising of this star, or constellation of Virgo, in the middle of which would appear the figure of a young woman, suckling an infant child, called Jesus by some nations, and Christ, or Christos,* in Greek. This was the goddess of the year nursing the god of day. Under this beautiful symbol, the new born child is said to be feeble, weak, and obscure, which is metaphoric of the Sun below the horizon in winter; that he was brought forth in a stable, and laid in a manger, alluding to the "stabulum jovium," one of the winter constellations. At the vernal equinox, when the Sun entered the sign Aries, or the Bam, the emblem was a lamb, (the lamb of God,) and as he gained strength towards the summer solstice, he became the conqueror of the powers of darkness and evil, that is, the constellations of winter; and was figuratively said to bruise the serpent's head, that constellation being, as it were, depressed below the horizon. By a like metonymy of language, the "Ascension" of Christ has also allusion to the Sun at the summer solstice.

* In the ancient zodiacs of India and Egypt, there is seen
this virgin nursing a male child with sun rays around his
head, (frown not, ye priests!) which is emblematical of the
infant sun at the winter solstice, and of his being then in
the sign Virgo. When he was in that sign in summer, the
virgin was represented with a bunch of fruit; and when in
harvest, she appropriately held out an ear of corn. These
zodiacs were devised at various periods of antiquity, as the
sun passed through the different signs, in the phenomena of
which the learned priests always found plenty of gods and
goddesses for the worship of the vulgar, as is still done in
Christianism.

Upon the sun's annual progression through the twelve signs of the zodiac was founded the mythological or allegorical astronomy of the ancients, (Christianity has no other foundation); and in this zodiacal picture, the allegory supposes that sign to have rule, through which the sun is passing; the knowledge of which science was conveyed in a striking and sublime manner, under the disguise of miraculous narrative: of this sort is the story of the three children, in the book of Daniel, a relic of Chaldean astronomy. The "burning fiery furnace" was nothing else than an emblem of that region of the great circle which the sun enters at midsummer, or the sign Cancer. Each of the twelve signs of the zodiac had a presiding genius, or imaginary personification, and these were the twelve greater gods of Paganism. Each of these signs was again subdivided into three parts, called Decans, who were also personified; and, consequently, there were three of these geniuses in each of the signs: therefore, when the sun enters Cancer, there must be three of these Decans, or personifications, in the burning fiery furnace. Here the astronomer in Daniel,* concealing his science under the veil of allegory, exclaims: "Did we not reckon three children in the burning fiery furnace? Behold, I see four, and the form of the fourth is like the Son of God!" No person but a Christian, under his strongest prejudices, is capable of denying the manifest meaning of this metaphor, that being evidently the sun itself; which, with three personified Decans, Shadrach, Mesach, and Abednego, in the sign Cancer, makes the fourth. It is almost needless to point out that Nebuchadnezzar, the king, is a personification of the constellation Sirius, or the dog-star, which is always supposed to heat "the burning fiery furnace," in a sevenfold degree, while the sun is in its vicinity, that is, from the 3rd of July till about the 11th of August.

* The zodiacal sign of the lion being below the horizon, and
the sun appearing to set in the direction of that
constellation, "Dom-el, Daniel, or Daniel, that is, the Sun"
was said to be cast into the Lion's Den.
** The author is much indebted to the Rev. Mr. Taylor for
the satisfactory manner in which he proves many of these
astronomical allegories.

What is the signification of the many Bible allusions to the "Horse and his Rider," the "triumphant" breaking of the arrows and his bow, he being always denoted as essentially opposed to what is good, and forming part of, or belonging to, that which is evil? This allegory evidently points to the Centaur sign, Sagittarius, half horse and half man, armed with bow and arrows. This is the zodiacal sign of November; and the sun being in that adverse constellation in that dark and gloomy month, it is naturally spoken against, as being emblematical of his weak, low, and depressed influence; and, consequently, its inseparable connexion with evil, or cold and darkness. But when the sun rises "triumphantly" in the heavens, and is most truly "the day star on high," as he ascends towards the summer solstice, and becomes the "Lion of Juda," in July, he has victoriously thrown the zodiacal archer, Sagittarius, as it were, "into the sea" that is, below where the sea bounds the horizon. Then have we Miriam's sublime song of victory:—"Sing ye to the Lord (the sun), for he hath triumphed gloriously; the Horse and his Rider hath he thrown into the sea." As this victory is achieved annually, the song is equally applicable at every midsummer. Thus, though a large portion of the miscellany called the Bible appears in the guise of immoral or absurd narrative, much of it is really and truly the allegorised astronomy of the Chaldees and Persian Magi, and therefore rooted in science.