As we sat there, we two alone in the growing dusk, more than once our glances met, and a curious relation of sympathy and understanding seemed to establish itself between us; we seemed to carry on a dialogue full of tacit avowals, 'Yes,' we seemed to say, as our eyes met over our suspended tea-cups, 'yes, Beauty, Romance, the Blue Bird that sings of Happiness—these are the things we care for—the only things that, in spite of everything, we still care for; but where can we find them in the dingy London streets and suburbs?'

'And yet,' our eyes seemed to ask each other, 'isn't this garden, in its shabby, pretentious way, romantic; isn't it like something in a poem of Verlaine's; hasn't it now, in the dim light, a kind of beauty? And this mood of meditation after our excellent tea, what name, if we are honest, can we call it by, if we do not call it Happiness?'


MISAPPREHENSION

People often seem to take me for some one else; they talk to me as if I were a person of earnest views and unalterable convictions. 'What is your opinion of Democracy?' they ask: 'Are you in favour of the Channel Tunnel?' 'Do you believe in existence after Death?'

I assume a thoughtful attitude, and by means of grave looks and evasive answers, I conceal—or at least I hope I conceal—my discreditable secret.


THE LIFT