One Autumn, a number of years ago—I forget the exact date, but it was a considerable time before the War—I spent a few weeks in Venice in lodgings that looked out on an old Venetian garden. At the end of the garden there was a rustic temple, and on its pediment stood some naked, decayed, gesticulating statues—heathen gods and goddesses I vaguely thought them—and above, among the yellowing trees, I could see the belfry of a small convent—a convent of Nuns vowed to contemplation, who were immured there for life, and never went outside the convent walls.
The belfry was so near that when, towards dusk, the convent bell began to ring against the sky, I could see its bell-rope and clapper moving; and sometimes, as I sat there at my window, I would think about the mysterious existence, so near me, of those life-renouncing virgins.
Very clearly it comes back to me, the look of that untidy garden, of those gesticulating statues, and of that convent bell swinging against the sky; but the thoughts that I thought about those Nuns I have completely forgotten. They were probably not of any especial interest.
PHRASES
Is there, after all, any solace like the solace and consolation of Language? When I am disconcerted by the unpleasing aspects of existence, when for me, as for Hamlet, this fair creation turns to dust and stubble, it is not in Metaphysics nor in Religion that I seek reassurance, but in fine phrases. The thought of gazing on life's Evening Star makes of ugly old age a pleasing prospect; if I call Death mighty and unpersuaded, it has no terrors for me; I am perfectly content to be cut down as a flower, to flee as a shadow, to be swallowed like a snowflake on the sea. These similes soothe and effectually console me. I am sad only at the thought that Words must perish like all things mortal; that the most perfect metaphors must be forgotten when the human race is dust.
'But the iniquity of Oblivion blindly scattereth her poppy.'