It is possible, thank God, for the human spirit to rise superior to the most degrading conditions which inhuman brutality or fiendish hatred can impose. Yet an atmosphere of justice and peace is the right and normal environment for the soul’s free growth; and steady pressure of tyranny and calculated injustice will all but infallibly blunt and stunt the moral growth of its victims, as is witnessed by the universally blighting effect of Turkish rule. Moreover, unless the received political interpretation of the three Beasts of the Dark Wood[38] is wholly unwarranted, Professor D’Ovidio is right in claiming[39] that, in a true if subsidiary sense, Dante’s supernatural journey was “a refuge and a remedy” from the troubles in which the Poet found himself immersed in the tangled thicket[40] of an “enslaved Italy,” full of tyrants, and of that tyrannous faction-spirit which is the worst enemy of Freedom.[41]
The Italy of his day, like the Florence which cast him out, is a stranger to that Liberty which only Peace can give—a peace for which, on Dante’s horizon, no other hope appeared than that of a common subjection to the “Roman Emperor,” the divinely appointed guardian of justice among men.[42] Peace is, indeed, so closely linked with freedom that Dante, in one place,[43] speaks of it as the goal of his mystic quest.
Quella pace, che ...
Di mondo in mondo cercar mi si face.
whereas in the First Canto, Virgil has described that goal as liberty—
Libertà va cercando....
We may pause, then, on the context of these lines, wherein Dante’s quest of liberty is associated with Cato’s suicide. For the difficulty and obscurity of the situation which they raise will plunge us at once into the heart of Dante’s Political Theory.
The opening Canto of the Purgatorio shews us Cato of Utica, the austere republican who killed himself rather than bow to the rising dominance of Julius Caesar,[44] accorded a place of honour as Overseer of the souls in Ante-Purgatory. His loving wife Marcia is in Limbo; his fellow-republicans Brutus and Cassius are, with Judas Iscariot, in the lowest depths of Hell. There is, moreover, a special place in Hell[45] appointed for suicides, in a gruesome wood made fouler by the Harpies. Yet here is Cato honoured, and, further, held up by Virgil as pattern of the patriot who gives life for liberty! It has been a traditional crux to interpreters of the Divine Comedy, to explain and justify Cato’s position. To understand the fulness of the difficulty, and at the same time familiarise ourselves with Dante’s theory of the ideal government of the world, we shall need to turn to the treatise in which he holds up for the general admiration of mankind that Empire which to Cato was more hateful than death itself.