THE WARRIOR, BY WARD
One of the three figures that adorn the base of the Garfield statue at Washington. The other two are the “Statesman” and the “Student.”
New York City has many of Ward’s works. His “Pilgrim” and “Shakespeare” in Central Park are well known. His “Horace Greeley” is the last word in faithful characterization, as vivid as his Wall Street “Washington” is noble and detached. The admirable equestrian “General Thomas” and the “Garfield” monument in Washington are equally familiar. The uprightness and dignity of the whole life of the sculptor left their impress upon every portrait he modeled. Some are greater than others; but they are men, everyone of them. They stand firmly on their feet, and they make no gestures, no attempt to win us. There is no restlessness, no anxiety; you feel eternity in their attitudes, in their composure. Above all, the sculptor has known how to endow each with an individual intelligence.
SAINT GAUDENS, THE MASTER
GRIEF, BY SAINT GAUDENS
This mysterious figure is sometimes called “Death,” or “The Peace of God.” It is in Rock Creek Cemetery, Washington, and is a memorial to Mrs. Adams.
Augustus Saint Gaudens, like so many of our best citizens, was a product of another land; of two others, in fact. Born in Dublin in 1848 of a French father and an Irish mother, he represented an unusually fortunate combination of two artistic races. The humble family settled in 1850 in New York, where the boy was early apprenticed to a cameo cutter, supplementing his childish efforts with a rigorous training in the drawing classes of Cooper Union. In 1880, after some years abroad, he exhibited at the Salon his remarkable figure of Admiral Farragut, now in Madison Square, New York, which still remains one of his finest works. This statue—and its harmonious pedestal—met with instant success, and was followed by a series of triumphant works, so novel and original, so significant and admirably perfected, that the master’s position at the head of the profession in this country was constantly reaffirmed to the day of his death.
DEACON CHAPIN, BY SAINT GAUDENS