I went on and on along the twisty track, bits of the mist came down and filled the hollows but lifted again at once so that I saw my way. The twilight faded as I went, a star appeared, and I was able to see the track no longer. I could go no further that night, yet before I lay down to sleep I decided to go and look over the edge of a wide depression in the moor that I saw a little way off. So I left the track and walked a few hundred yards, and when I got to the edge the hollow was full of mist all white underneath me. Another star appeared and a cold wind arose, and with the wind the mist flapped away like a curtain. And there was the city.
Nothing the shepherd had said was the least untrue or even exaggerated. The poor old man had told the simple truth, there is not a city like it in the world. What he had called thin spires were minarets, but the little domes on the top were clearly pure gold as he said. There were the marble terraces he described and the pure white palaces covered with carving and hundreds of minarets. The city was obviously of the East and yet where there should have been crescents on the domes of the minarets there were golden suns with rays, and wherever one looked one saw things that obscured its origin. I walked down to it, and, passing through a wicket gate of gold in a low wall of white marble, I entered the city. The heather went right up to the city's edge and beat against the marble wall whenever the wind blew it. Lights began to twinkle from high windows of blue glass as I walked up the white street, beautiful copper lanterns were lit up and let down from balconies by silver chains, from doors ajar came the sound of voices singing, and then I saw the men. Their faces were rather grey than black, and they wore beautiful robes of coloured silk with hems embroidered with gold and some with copper, and sometimes pacing down the marble ways with golden baskets hung on each side of them I saw the camels of which the old shepherd spoke.
The people had kindly faces, but, though they were evidently friendly to strangers, I could not speak with them being ignorant of their language, nor were the sounds of the syllables they used like any language I had ever heard: they sounded more like grouse.
When I tried to ask them by signs whence they had come with their city they would only point to the moon, which was bright and full and was shining fiercely on those marble ways till the city danced in light. And now there began appearing one by one, slipping softly out through windows, men with stringed instruments in the balconies. They were strange instruments with huge bulbs of wood, and they played softly on them and very beautifully, and their queer voices softly sang to the music weird dirges of the griefs of their native land wherever that may be. And far off in the heart of the city others were singing too, the sound of it came to me wherever I roamed, not loud enough to disturb my thoughts, but gently turning the mind to pleasant things. Slender carved arches of marble, as delicate almost as lace, crossed and re-crossed the ways wherever I went. There was none of that hurry of which foolish cities boast, nothing ugly or sordid so far as I could see. I saw that it was a city of beauty and song. I wondered how they had travelled with all that marble, how they had laid it down on Mallington Moor, whence they had come and what their resources were, and determined to investigate closely next morning, for the old shepherd had not troubled his head to think how the city came, he had only noted that the city was there (and of course no one believed him, though that is partly his fault for his dissolute ways). But at night one can see little and I had walked all day, so I determined to find a place to rest in. And just as I was wondering whether to ask for shelter of those silk-robed men by signs or whether to sleep outside the walls and enter again in the morning, I came to a great archway in one of the marble houses with two black curtains, embroidered below with gold, hanging across it. Over the archway were carved apparently in many tongues the words: "Here strangers rest." In Greek, Latin and Spanish the sentence was repeated and there was writing also in the language that you see on the walls of the great temples of Egypt, and Arabic and what I took to be early Assyrian and one or two languages I had never seen. I entered through the curtains and found a tesselated marble court with golden braziers burning sleepy incense swinging by chains from the roof, all round the walls were comfortable mattresses lying upon the floor covered with cloths and silks. It must have been ten o'clock and I was tired. Outside the music still softly filled the streets, a man had set a lantern down on the marble way, five or six sat down round him, and he was sonorously telling them a story. Inside there were some already asleep on the beds, in the middle of the wide court under the braziers a woman dressed in blue was singing very gently, she did not move, but sung on and on, I never heard a song that was so soothing. I lay down on one of the mattresses by the wall, which was all inlaid with mosaics, and pulled over me some of the cloths with their beautiful alien work, and almost immediately my thoughts seemed part of the song that the woman was singing in the midst of the court under the golden braziers that hung from the high roof, and the song turned them to dreams, and so I fell asleep.
A small wind having arisen, I was awakened by a sprig of heather that beat continually against my face. It was morning on Mallington Moor, and the city was quite gone.
Why the Milkman Shudders When He Perceives the Dawn
In the Hall of the Ancient Company of Milkmen round the great fireplace at the end, when the winter logs are burning and all the craft are assembled they tell to-day, as their grandfathers told before them, why the milkman shudders when he perceives the dawn.
When dawn comes creeping over the edges of hills, peers through the tree-trunks making wonderful shadows, touches the tops of tall columns of smoke going up from awakening cottages in the valleys, and breaks all golden over Kentish fields, when going on tip-toe thence it comes to the walls of London and slips all shyly up those gloomy streets the milkman perceives it and shudders.
A man may be a Milkman's Working Apprentice, may know what borax is and how to mix it, yet not for that is the story told to him. There are five men alone that tell that story, five men appointed by the Master of the Company, by whom each place is filled as it falls vacant, and if you do not hear it from one of them you hear the story from no one and so can never know why the milkman shudders when he perceives the dawn.