CHAPTER X
Calcutta—Hooghly pilots—Government House—A Durbar—The sulky Rajah—The customary formalities—An ingenious interpreter—The sailing clippers in the Hooghly-Calcutta Cathedral—A succulent banquet—The mistaken Ministre—The "Gordons"—Barrackpore—A Swiss Family Robinson aerial house—The child and the elephants—The merry midshipmen—Some of their escapades—A huge haul of fishes—Queen Victoria and Hindustani—The Hills—The Manipur outbreak—A riding tour—A wise old Anglo-Indian—Incidents—The fidelity of native servants—A novel printing-press—Lucknow—The loss of an illusion.
Lord Lansdowne had in 1888 been transferred from Canada to India, and in May of that year he left Ottawa for Calcutta, taking on the way a three months' well-earned holiday in England. Two of his staff accompanied him from the vigorous young West to the immemorially old East.
He succeeded as Viceroy Lord Dufferin, who had also held the appointment of Governor-General of Canada up to 1878, after which he had served as British Ambassador both at Petrograd and at Constantinople, before proceeding to India in 1884.
Lord Minto, too, in later years filled both positions, serving in Canada from 1898 to 1904, and in India from 1905 to 1910.
Whether in 1690 Job Charnock made a wise selection in fixing his trading-station where Calcutta now stands, may be open to doubt. He certainly had the broad Hooghly at his doors, affording plenty of water not only for trading-vessels, but also for men-of-war in cases of emergency. Still, from the swampy nature of the soil, and its proximity to the great marshes of the Sunderbunds, Calcutta could never be a really healthy place. An arrival by water up the Hooghly unquestionably gives the most favourable impression of the Indian ex-capital, though the river banks are flat and uninteresting. The Hooghly is one of the most difficult rivers in the world to navigate, for the shoals and sand-banks change almost daily with the strong tides, and the white Hooghly pilots are men at the very top of their profession, and earn some L2000 a year apiece. They are tremendous swells, and are perfectly conscious of the fact, coming on board with their native servants and their white "cub" or pupil. There is one shoal in particular, known as the "James and Mary," on which a ship, touching ever so lightly, is as good as lost. Calcutta, since I first knew it, has become a great manufacturing centre. Lines of factories stand for over twenty miles thick on the left bank of the river; the great pall of black smoke hanging over the city is visible for miles, and the atmosphere is beginning to rival that of Manchester. Long use has accustomed us to the smoke-blackened elms and limes of London, but there is something peculiarly pathetic in the sight of a grimy, sooty palm tree.
The outward aspect of the stately Government House at Calcutta is familiar to most people. It is a huge and imposing edifice, but when I first knew it, its interior was very plain, and rather bare. Lady Minto changed all this during her husband's Vice-royalty, and, with her wonderful taste, transformed it into a sort of Italian palace at a very small cost. She bought in Europe a few fine specimens of old Italian gilt furniture, and had them copied in Calcutta by native workmen. In the East, the Oriental point of view must be studied, and Easterns attach immense importance to external splendour. The throne-room at Calcutta, under Lady Minto's skilful treatment, became gorgeous enough for the most exacting Asiatic, with its black marble floor, its rose-coloured silk walls where great silver sconces alternated with full-length portraits of British sovereigns, its white "chunam" columns and its gilt Italian furniture. "Chunam" has been used in India from time immemorial for decorative purposes. It is as white as snow and harder than any stone, and is, I believe, made from calcined shells. Let us suppose a Durbar held in this renovated throne-room for the official reception of a native Indian Prince. The particular occasion I have in mind was long after Lord Lansdowne's time, when a certain Rajah, notoriously ill-disposed towards the British Raj, had been given the strongest of hints that unless he mended his ways, he might find another ruler placed on the throne of his State. He was also recommended to come to Calcutta and to pay his respects to the Viceroy there, when, of course, he would be received with the number of guns to which he was entitled. The Indian Princes attach the utmost importance to the number of guns they are given as a salute, a number which varies from twenty-one in the case of the Nizam of Hyderabad, who alone ranks as a Sovereign, to nine for the smaller princes. Should the British Government wish to mark its strong displeasure with any native ruler, it sometimes does so by reducing the number of guns of his salute, and correspondingly, to have the number increased is a high honour. Sulkily and unwillingly the Rajah of whom I am thinking journeyed to Calcutta, and sulkily and unwillingly did he attend the Durbar. On occasions such as these, visiting native Princes are the guests of the Government of India at Hastings House (Warren Hastings' old country house in the suburbs of Calcutta, specially renovated and fitted up for the purpose), and the Viceroy's state carriages are sent to convey them to Government House. Everything in the way of ceremonial in India is done strictly by rule. The precise number of steps the Viceroy will advance to greet visiting Rajahs is all laid down in a little book. The Nizam of Hyderabad is met by the Viceroy with all his staff at the state entrance of Government House, and he is accompanied through all the rooms, both on his arrival and on his departure; but, as I said before, the Nizam ranks as a Sovereign. In the case of lesser lights the Viceroy advances anything from three to twenty steps. These points may appear very trivial to Europeans, but to Orientals they assume great importance, and, after all, India is a part of Asia. At right angles to the Calcutta throne-room is the fine Marble Hall, with marble floor and columns and an entirely gilt ceiling; empty except for six colossal busts of Roman Emperors, which, together with a number of splendid cut-glass chandeliers of the best French Louis XV. period, and a full-length portrait of Louis XV. himself, fell into our hands through the fortunes of war at a time when our relations with our present film ally, France, were possibly less cordial than at present. For a Durbar a long line of red carpet was laid from the throne-room, through the Marble Hall and the White Hall beyond it, right down the great flight of exterior steps, at the foot of which a white Guard of Honour of one hundred men from a British regiment was drawn up, Aligned through the outer hall, the Marble Hall and the throne-room were one hundred men of the Viceroy's Bodyguard, splendid fellows chosen for their height and appearance, and all from Northern India. They wore the white leather breeches and jack-boots of our own Life Guards, with scarlet tunics and huge turbans of blue and gold, standing with their lances as motionless as so many bronze statues. For a Durbar, many precious things were unearthed from the "Tosha-Khana," or Treasury: the Viceroy's silver-gilt throne; an arm-chair of solid silver for the visiting Rajah; great silver-gilt maces bearing & crown and "V.R.I."; and, above all, the beautiful Durbar carpets of woven gold wire. The making of these carpets is, I believe, an hereditary trade in a Benares family; they are woven of real gold wire, heavily embroidered in gold afterwards, and are immensely expensive. The visiting Rajah announces beforehand the number of the suite he is bringing with him, and the Viceroy has a precisely similar number, so two corresponding rows of cane arm-chairs are placed opposite each other, at right angles to the throne. Behind the chairs twelve resplendent red-and-gold-coated servants with blue-and-silver turbans, hold the gilt maces aloft, whilst behind the throne eight more gorgeously apparelled natives hold two long-handled fans of peacock's feathers, two silver-mounted yak's tails, and two massive sheaves of peacock's feathers, all these being the Eastern emblems of sovereignty.
We will suppose this particular Rajah to be a "nine-gun" and a "three-step" man. Bang go the cannon from Fort William nine times, and the Viceroy, in full uniform with decorations, duly advances three steps on the gold carpet to greet his visitor. The Viceroy seats himself on his silver-gilt throne at the top of the three steps, the visiting Rajah in his silver chair being one step lower. The two suites seat themselves facing each other in dead silence; the Europeans assuming an absolutely Oriental impassivity of countenance. The ill-conditioned Rajah, though he spoke English perfectly, had insisted on bringing his own interpreter with him. A long pause in conformity with Oriental etiquette follows, then the Viceroy puts the first invariable question: "I trust that your Highness is in the enjoyment of good health?" which is duly repeated in Urdu by the official white interpreter. The sulky Rajah grunts something that sounds like "Bhirrr Whirrr," which the native interpreter renders, in clipped staccato English, as "His Highness declares that by your Excellency's favour his health is excellent. Lately, owing to attack of fever, it was with His Highness what Immortal Bard has termed a case of 'to be or not to be!' Now, danger happily averted, His Highness has seldom reposed under the canopy of a sounder brain than at present." Another long pause, and the second invariable question: "I trust that your Highness' Army is in its usual efficient state?" The surly Rajah, "Khirr Virr." The native interpreter, "Without doubt His Highness' Army has never yet been so efficient. Should troubles arise, or a pretty kettle of fish unfortunately occur, His Highness places his entire Army at your Excellency's disposal; as Swan of Avon says, 'Come the three corners of the world in arms, and we shall shock them.'" A third question, "I trust that the crops in your Highness' dominion are satisfactory?" The Rajah, "Ghirrr Firrr." The interpreter, "Stimulated without doubt by your Excellency's auspicious visit to neighbouring State, the soil in His Highness' dominions has determined to beat record and to go regular mucker. Crops tenfold ordinary capacity are springing from the ground everywhere." One has seen a conjurer produce half a roomful of paper flowers from a hat, or even from an even less promising receptacle, but no conjurer was in it with that interpreter, who from two sulky monosyllabic grunts evolved a perfect garland of choice Oriental flowers of speech. It reminded me of the process known in newspaper offices as "expanding" a telegram. When the customary number of formal questions have been put, the Viceroy makes a sign to his Military Secretary, who brings him a gold tray on which stand a little gold flask and a small box; the traditional "Attar and pan." The Viceroy sprinkles a few drops of attar of roses on the Rajah's clothing from the gold flask, and hands him a piece of betel-nut wrapped in gold paper, known as "pan." This is the courteous Eastern fashion of saying "Now I bid you good-bye." The Military Secretary performs a like office to the members of the Rajah's suite, who, however, have to content themselves with attar sprinkled from a silver bottle and "pans" wrapped in silver paper. Then all the traditional requirements of Oriental politeness have been fulfilled, and the Rajah takes his leave with the same ceremonies as attended his arrival. At the beginning of a Durbar "tribute" is presented—that is to say that a folded napkin supposed to contain one thousand gold mohurs is handed to the Viceroy, who "touches it and remits it." I have often wondered what that folded napkin really contained.
When I first knew Calcutta, most of the grain, jute, hemp and indigo exported was carried to its various destinations in sailing-ships, and there were rows and rows of splendid full-rigged ships and barques lying moored in the Hooghly along the whole length of the Maidan. The line must have extended for two miles, and I never tired of looking at these beautiful vessels with their graceful lines and huge spars, all clean and spick and span with green and white paint, the ubiquitous Calcutta crows perched in serried ranks on their yards. To my mind a full-rigged ship is the most beautiful object man has ever devised, and when the dusk was falling, with every spar and rope outlined in black against the vivid crimson of the short-lived Indian sunset, the long line of shipping made a glorious picture. Nineteen years later every sailing-ship had disappeared from the Hooghly, and in their place were rows of unsightly, rusty-sided iron tanks, with squat polemasts and ugly funnels vomiting black smoke. A tramp-steamer has its uses, no doubt, but it is hardly a thing of beauty. Ichabod! Ichabod!