[55] Kempfer’s history of Japan, b. 5. ch. 2.
[56] Longinus gives a pretty good description of the sublime, though not entirely just in every one of the circumstances, “That the mind is elevated by it, and so sensibly affected as to swell in transport and inward pride, as if what is only heard or read, were its own invention.” But he adheres not to this description. In his 6th chapter he justly observes, that many passions have nothing of the grand, such as grief, fear, pity, which depress the mind instead of raising it. And yet in chapter 8th, he mentions Sappho’s ode upon love as sublime. Beautiful it is undoubtedly, but it cannot be sublime, because it really depresses the mind instead of raising it. His translator Boileau is not more successful in his instances. In his 10th reflection he cites a passage from Demosthenes and another from Herodotus as sublime, which are not so.
[57] Kempfer’s history of Japan.
[58] Spectator, Nº 42
[59] It is justly observed by Addison, that perhaps a man would have been more astonished with the majestic air that appeared in one of Lysippus’s statues of Alexander, though no bigger than the life, than he might have been with Mount Athos, had it been cut into the figure of the hero, according to the proposal of Phidias, with a river in one hand and a city in the other. Spectator, Nº 415.
[60] Honestum per se esse expetendum indicant pueri, in quibus, ut in speculis, natura cernitur. Quanta studia decertantium sunt! Quanta ipsa certamina! Ut illi efferuntur lætitia, cum vicerunt! Ut pudet victos! Ut se accusari nolunt! Ut cupiunt laudari! Quos illi labores non perferunt, ut æqualium principes sint! Cicero de finibus.
[61] Spectator, Nº 415.
[62] Chap. 8. of the Sublime.
[63] Lib. 3. beginning at line 567.
[64] High, in the old Scotch language, is pronounced hee.