Armenian legends and festivals

by Louis A. Boettiger

This same service was observed by a writer in the Survey, in a church on East 27th Street, New York, rented by a company of Armenian folk residing in that city.[7] The same symbolic “Washing of Feet” was carried out on the evening of Maundy Thursday in much the same fashion as it is carried out in the home-land. The symbolism, the pageantry, the color of oriental Armenian worship, the silver-mounted Bible on the altar in the center, the rising steps, the crosses, the lighted candles, and the incense were all there. A white-robed choir with green velvet copes filed in, singing long chants. The choir was followed by two priests, and the priests by the bishop with his mitre, robe of crimson and gold, and his ivory cross held in the right hand with a kerchief of crimson silk. A shining crozier held in his left hand marked his office as shepherd of the flock; a large jewel locket and cross hung from his breast and was probably the gift of the Czar. The choir chant that continues all the while was described as an intricate, rhythmless tune, now passionate, now wailing and altogether “oriental,” accompanied by a few older folk here and there who were humming in unison with the choir and the leader, who was beating time. Beside the humming the congregation took no part in the service except that it stood up for the psalm and prayer. Suddenly a sound to the right brought the observer’s attention to an old woman lying prostrate in the aisle. No one helped her, no one even seemed to notice her, but presently she rose to a kneeling posture and lifted her eyes in prayer to the altar. Again she prostrated herself, and again rose to lift her eyes to the altar, which performance was repeated a third time before the old woman took her seat. “Der Voghormia” meaning “Lord have mercy upon us,” was repeated ten times by the interceding bishop in a voice loud and intense, and a second ten times, and a third ten times. The chant quickened, and as the aged priest took the Bible from its place and held it toward the audience the bishop gave his benediction of peace to the “four corners of the earth.” There was another chant after which the washing of the feet commenced. With deep seriousness the bishop placed his staff by the altar, laid aside his mitre and brocaded robes, and beginning with the aged priest, he knelt beside a bowl of water to wash his feet. Ten more of those who came forward shared in the ceremony. “I can not so serve you all,” he said at the close of his address, “I am sorry. Take as symbolic what is done.” There was a short intermission, but before ten o’clock the penitential service recommenced and continued until midnight. The story of Christ’s betrayal in the garden was read, and the chants continued, wilder, sadder, and more wailing, accompanied by murmurs and occasionally by low cries from the people. As midnight approached the lights were dimmed one by one, and the emotion became more intense. As the hour struck, the congregation rose, and with clasped hands joined in a closing song and prayer. There were only a few score people present.

The prostration of the old woman reminds one of the spiritually wounded who lay prostrate over the floor during the times of the Kentucky revivals, but the fact is there is nothing hysterical in this particular phase of Armenian worship. The attitude is commonly practiced by Armenians, especially among the peasant classes. They lie flat touching their heads to the ground.[8] But the posture is more peculiarly oriental than it is peculiarly Armenian. No sight is more common in the countries of Islam than the faithful Moslem who spreads his bit of carpet upon which he kneels with gaze fixed toward Mecca, prostrating himself repeatedly as he murmurs his prayers.

Although the picture given by Dubois of a simple church service he attended in Koulpe, Armenia, is not the ceremony of Maundy Thursday, it has one or two strokes of native color that make it impossible to omit.[9] The church was poor and simple, the walls were built of stone cemented by clay or bad lime. Two rows of large beams neither squared nor trimmed supported the earthen roof in the manner of columns. At the farther end was a kind of niche, partitioned off by means of soiled curtains, thus forming a sanctuary where stood the priest, clothed in torn robe, to read the prayers. All of the little boys of the village encircled him, kneeling and chanting or reciting prayers, turn by turn. The eldest placed themselves outside of the choir and knelt on straw mats or on sheep’s skins which marked their customary places, and kissed the earth, or murmured very low the words of the priest, or responded to the chanting at high pitch. The women held themselves apart, their faces half veiled, filling the back of the church behind the men, and, with lowered heads, were the first to leave.

The kneeling posture and the prostration is again clearly in evidence, which together with what has been said is sufficient to show that this attitude, especially among the common people, is a very ordinary one and is therefore to be regarded merely as a very generally recognized posture of worship, and not at all significant necessarily of “conviction of sin” or a “feeling of penitence,” which is nevertheless suggested. The church at Koulpe must have been a very poor one not to have benches, but it had its little chorus of boys, and the people participated in much the same way as in the little church in New York, although nearly a hundred years have passed since Dubois attended the simple service.

“Khatchahankist,” meaning literally, “repose of the cross,” is the second of the four church ceremonies I shall describe. The ceremony might better be named “the Blessing of the Water,” for that is what it really consists of. In the towns of Turkey the churches devote one day each week to the performance of this rite, but in other churches it occurs at the end of a special mass, as for example on Ascension Day, or on the commemoration day of St. Gregory.[10] There is always a very great gathering on this occasion largely because of the various superstitions connected with it. A large silver bowl of water is brought and placed on a stand at the foot of the altar, after which the officiating priest comes forward with relics of the Holy Cross, of the saints, or a simple silver cross in his hand. The more frequently used relics are those of St. Gregory the Illuminator, St. John the Baptist, St. James of Nisibis, or St. George the Martyr. The priest reads prayers over the water, which are answered by the chants from the choir, after which he dips the relic or the cross into the water three times, finally making the sign of the cross over the bowl. The Lord’s prayer is repeated, after which a ladle is placed on one side of the vessel, while the priest kneels on the other, cross or relic in hand. Now the people crowd about, cross their faces and kiss the cross, and then take up the ladle to drink of the water thus blessed especially for drinking purposes. It is used also for ablutions, for popular belief endows the sacred liquid with curative power.

Some of the prayers that are repeated and the texts that are read during this ceremony are well worth noting, for they illustrate the candid interest of all participating. After the reading of the texts, the deacon repeats the following proclamation: “Let us pray unto God who loveth mankind and hath given for hope and refuge his victorious holy cross, which is armor invincible against the inworkings of Satan, to the end that whatsoever it touches, this water and all creatures. He shall through the same vouchsafe both healing and mercy.” The priest then prays: “Bless, O Lord, this water, and hallow it with thy holy cross, in order that the flocks and sheep which may approach and drink of the same, may derive therefrom freedom from disease and sterility; for from them we select sacrifices of fragrant sweetness and offer them as victims to thyself.” And again the priest prays: “Bless, O Lord, this water with the life-giving powers of the cross that everyone who shall drink thereof may derive therefrom a medicine of soul and body, and a health from the diseases which afflict him.” Again: “Bless, O Lord, this water with thy holy cross, that it may impart to the fields where it is sprinkled profitable harvests, and that all plants and herbs may be more than ever increased in fruitfulness.”[11] The cross is then passed three times over the water with the words, “Let this water be blessed and hallowed in the name of the Father, and of the Son, and of the Holy Spirit, Amen.” This is followed by a short proclamation by the deacon and a closing prayer by the priest, after which the assembled people receive of the magic water as above described.

This frank personal interest is characteristic of many of the church ceremonies. For example in the sacrament of holy communion, incense is offered with the prayer, “Do thou in its stead send upon us the graces and gifts of thine Holy Spirit.”[12]

Of central importance to the nation as to the religion is the ceremony of the consecration of the Katholikos, the supreme authority of the church, which is held in front of the Cathedral at Etchmiadzin.[13] People from near and far gather together to witness this event, and lest they should fail to see the central act of the ceremony, the roofs near-by are all used for the greater advantage they give to the observer. The banner of the Katholikos is set flying from the belfry tower; in front of the entrance to the Cathedral is set a wooden dais covered with carpets and costly embroideries whereon the ceremony is performed; the procession is formed and all is then in readiness. A service is held in the Cathedral, after which the procession issues from the church, and the various state and church officials including representatives from the Russian government, the choir and deacons, all take their places about the platform. The twelve bishops who reside at Etchmiadzin, and whose business it is to wait upon the Katholikos, now appear gorgeously attired, escorting the central figure of the day, over whose head two attendants carry a richly embroidered canopy. The patriarch falls on his knees, his feet beneath his body in full accordance with the ordinary posture. One bishop now reads, after which another advances bearing in his hands the image of a dove wrought in gold. It is the receptacle of the holy oil, which is a mixture of the sacred oil blessed by St. Gregory, sparingly used and carefully preserved in the treasury of the Cathedral, and of the specially prepared oil consecrated in Sis in Cilicia. While one bishop is pouring the holy oil from the neck of the golden dove over the head of the patriarch, the other bishops gather around to spread the oil about with their thumbs, making at the same time the sign of the cross. A piece of cloth is now placed over his head, his face being covered at the same time by a veil which is attached to the cloth. After a brief interval the newly consecrated Katholikos, followed by the bishops, officials, and procession, reenters the church in order to complete the ceremony. When the procession again files out escorting the pontiff to his residence, the choir sings, and the Russian band plays. Festivities continue throughout the day and into the night, including mainly the banquet with its toasts and songs by the choir, and the concert furnished by the band in the evening. The band is a foreign innovation, although the particular band observed by Lynch consisted mostly of Armenians.

The holy oil used in the consecration consists for the most part of the preparation manufactured in Sis, as stated, and with which there is a special ceremony connected, which is of general importance, for the oil is also used for the various necessary consecrations of all the churches. In the church at Sis is treasured a gorgeous silver bowl, decorated with turrets and pinnacles, in which “Muron” as it is called, or holy oil is made every four years. Pilgrims come from far to witness the event. The bowl, which holds about a gallon of oil is placed outside the church, and in it are placed a hundred and one kinds of flowers amid prayers and chants.[14] These flowers are stirred with the arm of St. Gregory, after which the lid is put on and the mixture made to boil.[15] The privilege of lifting off the lid is auctioned, and it is said that £100 was once paid for the distinction. The oil is then sold to the pilgrims, all of whom take a phial of it along to their homes where it is used in baptism, marriage, and burial ceremonies. It is also believed to have wonderful medicinal properties.

The chief social value of these ceremonies lies in the fact that they bring large groups of people together under unusual circumstances, all of which adds importance to the various rites and festivities of the occasion. Especially is this true of the consecration of the Katholikos, which may occur twice or at the most three times in a generation. For this reason and also because of the authority and position of the Katholikos, not only as head of the church, but also in a very real sense, as head of the nation, this ceremony is attended by many pilgrims from the various sections of the country. Having assembled, the occasion is thus made a great deal more of than if it were an ordinary event. The day is a festival day in the full meaning of the term. Besides the services there is the banquet, the special choir, and the band. The relics kept in the treasury, which it is probable that most people who come have not seen before; also the holy churches of St. Gaiane and St. Rhipsime, which are visited by small groups throughout the day; and most of all the sacred altar of the Cathedral, where Christ descended in the vision of St. Gregory, are special attractions. And then there is the library where many ancient and precious manuscripts are exhibited, the institution of the monastery, the garden of the Katholikos, the printing press, and the seminary, all of which are of interest to the spectator. In fact there is sufficient to induce the pilgrims to remain for a number of days, which many of them do. The grounds are provided with a pilgrim’s court surrounded by guest chambers utilized at this time. Naturally enough the various monuments suggest the traditions and legends with which they are connected, such as the traditions of St. Gregory, Tiridates, the legends of St. Rhipsime and St. Gaiane, and the other legends associated with the introduction of Christianity. Although centered about a religious ceremony which probably lasts no longer than fifteen minutes, the occasion is thus made a festival, and is about as important in fostering a real sentiment of patriotism and of church loyalty as any other single festival.