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The following sportive Scherzo or first main division proper presents a sprightly development of the three primary themes and especially of the child's theme. The movement is finally brought to a restful ending.
The succeeding Adagio enlarges upon the father's theme and pictures him alone as if in a revery. The music is reflective and dreamy, at times restless and impassioned as well.
The Finale embodies a lively double-fugue (No. 37, [a] and [b]), of which the principal theme consists of a diminution of the child's theme ([No. 36]). The close of the work is calm and peaceful.
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