A grenadier sergeant, named Léon Aune, who had been included in the first distribution, easily obtained permission to write to the First Consul to thank him. Bonaparte, wishing to answer him in his own name, dictated to me the following letter for Aune:—
I have received your letter, my brave comrade. You needed not to
have told me of your exploits, for you are the bravest grenadier in
the whole army since the death of Benezete. You received one of the
hundred sabres I distributed to the army, and all agreed you most
deserved it.
I wish very much again to see you. The War Minister sends you an
order to come to Paris.
This wheedling wonderfully favoured Bonaparte's designs. His letter to Aune could not fail to be circulated through the army. A sergeant called my brave comrade by the First Consul—the First General of France! Who but a thorough Republican, the stanch friend of equality, would have done this? This was enough to wind up the enthusiasm of the army. At the same time it must be confessed that Bonaparte began to find the Luxembourg too little for him, and preparations were set on foot at the Tuileries.
Still this great step towards the re-establishment of the monarchy was to be cautiously prepared. It was important to do away with the idea that none but a king could occupy the palace of our ancient kings. What was to be done? A very fine bust of Brutus had been brought from Italy. Brutus was the destroyer of tyrants! This was the very thing; and David was commissioned to place it in a gallery of the Tuileries. Could there be a greater proof of the Consul's horror of tyranny?
To sleep at the Tuileries, in the bedchamber of the kings of France, was all that Bonaparte wanted; the rest would follow in due course. He was willing to be satisfied with establishing a principle the consequences of which were to be afterwards deduced. Hence the affectation of never inserting in official acts the name of the Tuileries, but designating that place as the Palace of the Government. The first preparations were modest, for it did not become a good Republican to be fond of pomp. Accordingly Lecomte, who was at that time architect of the Tuileries, merely received orders to clean the Palace, an expression which might bear more than one meaning, after the meetings which had been there. For this purpose the sum of 500,000 francs was sufficient. Bonaparte's drift was to conceal, as far as possible, the importance he attached to the change of his Consular domicile. But little expense was requisite for fitting up apartments for the First Consul. Simple ornaments, such as marbles and statues, were to decorate the Palace of the Government.
Nothing escaped Bonaparte's consideration. Thus it was not merely at hazard that he selected the statues of great men to adorn the gallery of the Tuileries. Among the Greeks he made choice of Demosthenes and Alexander, thus rendering homage at once to the genius of eloquence and the genius of victory. The statue of Hannibal was intended to recall the memory of Rome's most formidable enemy; and Rome herself was represented in the Consular Palace by the statues of Scipio, Cicero, Cato, Brutus and Caesar—the victor and the immolator being placed side by side. Among the great men of modern times he gave the first place to Gustavus Adolphus, and the next to Turenne and the great Condé, to Turenne in honour of his military talent, and to Condé to prove that there was nothing fearful in the recollection of a Bourbon. The remembrance of the glorious days of the French navy was revived by the statue of Duguai Trouin. Marlborough and Prince Eugène had also their places in the gallery, as if to attest the disasters which marked the close of the great reign; and Marshal Sage, to show that Louis XV.'s reign was not without its glory. The statues of Frederick and Washington were emblematic of false philosophy on a throne and true wisdom founding a free state. Finally, the names of Dugommier, Dampierre, and Joubert were intended to bear evidence of the high esteem which Bonaparte cherished for his old comrades,—those illustrious victims to a cause which had now ceased to be his.
The reader has already been informed of the attempts made by Bonaparte to induce England and Austria to negotiate with the Consular Government, which the King of Prussia was the first of the sovereigns of Europe to recognise. These attempts having proved unavailing, it became necessary to carry on the war with renewed vigour, and also to explain why the peace, which had been promised at the beginning of the Consulate, was still nothing but a promise. In fulfilment of these two objects Bonaparte addressed an energetic proclamation to the armies, which was remarkable for not being followed by the usual sacred words, "Vive la République!"
At the same time Bonaparte completed the formation of the Council of State, and divided it into five sections:—(1) The Interior; (2) Finance; (3) Marine; (4) The War Department; (5) Legislation. He fixed the salaries of the Councillors of the State at 25,000 francs, and that of the Precedents of Sections at 30,000. He settled the costume of the Consuls, the Ministers, and the different bodies of the State. This led to the re-introduction of velvet, which had been banished with the old regime, and the encouragement of the manufactures of Lyons was the reason alleged for employing this un-republican article in the different dresses, such as those of the Consuls and Ministers. It was Bonaparte's constant aim to efface the Republic, even in the utmost trifles, and to prepare matters so well that the customs and habits of monarchy being restored, there should only then remain a word to be changed.
I never remember to have seen Bonaparte in the Consular dress, which he detested, and which he wore only because duty required him to do so at public ceremonies. The only dress he was fond of, and in which he felt at ease, was that in which he subjugated the ancient Eridanus and the Nile, namely, the uniform of the Guides, to which corps Bonaparte was always sincerely attached.
The masquerade of official dresses was not the only one which Bonaparte summoned to the aid of his policy. At that period of the year VIII. which corresponded with the carnival of 1800, masques began to be resumed at Paris. Disguises were all the fashion, and Bonaparte favoured the revival of old amusements; first, because they were old, and next, because they were the means of diverting the attention of the people: for, as he had established the principle that on the field of battle it is necessary to divide the enemy in order to beat him, he conceived it no less advisable to divert the people in order to enslave them. Bonaparte did not say 'panem et circenses', for I believe his knowledge of Latin did not extend even to that well-known phrase of Juvenal, but he put the maxim in practice. He accordingly authorised the revival of balls at the opera, which they who lived during that period of the Consulate know was an important event in Paris. Some gladly viewed it as a little conquest in favour of the old regime; and others, who for that very reason disapproved it, were too shallow to understand the influence of little over great things. The women and the young men did not bestow a thought on the subject, but yielded willingly to the attractions of pleasure. Bonaparte, who was delighted at having provided a diversion for the gossiping of the Parisian salons, said to me one day, "While they are chatting about all this, they do not babble upon politics, and that is what I want. Let them dance and amuse themselves as long as they do not thrust their noses into the Councils of the Government; besides, Bourrienne," added he, "I have other reasons for encouraging this, I see other advantages in it. Trade is languishing; Fouché tells me that there are great complaints. This will set a little money in circulation; besides, I am on my guard about the Jacobins. Everything is not bad, because it is not new. I prefer the opera-balls to the saturnalia of the Goddess of Reason. I was never so enthusiastically applauded as at the last parade."