A delightful sense of coolness was his first sensation on entering, and then with noiseless step the other women followed and seated themselves on the ground.
Still clasping his hand, Varua led him to the farther end of the house, and pointed to a motionless figure that lay on a couch of mats, covered with a large piece of navy-blue calico. At each side of the couch sat a young native girl, and their dark, luminous eyes, shining star-like from out the wealth of black, glossy hair that fell upon their bronzed shoulders, turned wonderingly upon the stranger who had broken in upon their watch.
Motioning the girls aside, Varua released her hold of the white man's hand and drew the cloth from off the figure, and the seaman's pitying glance fell upon the pale, sweet features of a young white girl.
But for the unmistakable pallid hue of death he thought at first that she slept. In the thin, delicate hands, crossed upon her bosom, there was placed, after the manner of those of her faith, a small metal crucifix. Her hair, silky and jet black, was short like a man's, and the exquisitely-modelled features, which even the coldness of death had not robbed of their beauty, showed the Spanish blood that, but a few hours before, had coursed through her veins.
Slowly the old seaman drew the covering over the still features, and, with an unusual emotion stirring his rude nature, he rose, and, followed by Varua, walked outside and sat upon a broken pillar of lava that lay under the wall of the PAPAKU.
Calling his boatsteerer, he ordered him to return to the beach and go off to the ship with instructions to the mate to have a coffin made as quickly as possible and send it ashore; and then, at a glance from Varua, who smiled a grave approval as she listened to his orders, he followed her and the man she called Taku into the smaller of the two houses.
Round about the inside walls of this ancient dwelling of a forgotten race were placed a number of seamen's chests made of cedar and camphor wood—the LARES and PENATES of most Polynesian houses. The gravelled floor was covered with prettily-ornamented mats of FALA (the screw-palm).
Seating herself, with Taku the Sailor, on the mats, Varua motioned the captain to one of the boxes, and then told him a tale that moved him—rough, fierce, and tyrannical as was his nature—to the deepest pity.