He was sensual, and he felt each time how brief is pleasure, in what a limited circle all enjoyment turns. He was tender, eager to give himself; and he saw plainly that one never gives oneself quite altogether, that even in the maddest hours of surrender one always reserves oneself in secret, keeping for oneself something of oneself; and he felt that most of the time his tenderness got no answer. When the joyous heart brings the offering of its love, the heart of her he loves is absent. And when it is there, on the edge of the lips, decked and smiling to meet the loved one, it is the other who is absent. Almost never do they join together, and they never join together altogether. And so this Love, which claims to be constant and even eternal, ought to be, if it would prolong itself, a continual act of faith, and hope, and charity. To believe in it in spite of its darkening and falling away; to hope its return, often against all evidence; to pardon its injustices and sometimes its foul actions—how many are capable of such abnegation? Augustin went through all that. He was in despair about it. And then, the nostalgia of predestined souls took hold of him. He had an indistinct feeling that these human loves were unworthy of him, and that if he must have a master, he was born to serve another Master. He had a desire to shake off the platitude of here below, the melancholy fen where stagnated what he calls "the marsh of the flesh"; to escape, in a word, from the wretched huts wherein for a little he had sheltered his heart; to burn all behind him, and so prevent the weakness of a return; and to go and pitch his tent further, higher, he knew not where—upon some unapproachable mountain where the air is icy, but before the eyes, the vasty stretches of light and space….
These first loves of Augustin were really too fierce to last. They burned up themselves. Augustin did not keep them up long. There was in him, besides, an instinct which counteracted his exuberant, amorous sentimentality—the sense of beauty. That in itself was enough to make him pause on the downhill of riot. The anarchy and commotion of passion was repellent to a mind devoted to clearness and order. But there was still another thing—the son of the Thagaste freeholder had any amount of common sense. That at least was left to him of the paternal heritage. A youth of what we call the lower middle class, strictly brought up in the hard and frugal discipline of the provinces, he felt the effects of his training. The bohemianism in which his friends revelled could not hold him indefinitely. Besides this, the career he desired, that of a barrister or professor, had a preliminary obligation to maintain a certain outward decorum. He himself tells us so; in the midst of his most disreputable performances he aspired to be known for his fashion and wit—elegans atque urbanus. Politeness of speech and manners, the courteous mutual deference of the best society—such, was the ideal of this budding professor of rhetoric.
Anxiety about his future, joined to his rapid disenchantments, ere long sobered the student: he just took his fling and then settled down. Love turned for him into sensual habit. His head became clear for study and meditation. The apprentice to rhetoric liked his business. Up to his last breath, despite his efforts to change, he continued, like all his contemporaries, to love rhetoric. He handled words like a worker in verbals who is aware of their price and knows all their resources. Even after his conversion, if he condemns profane literature as a poisoner of souls, he absolves the beauty of language. "I accuse not words," he says. "Words are choice and precious vessels. I accuse the wine of error that drunken doctors pour out for us into these fair goblets." At the Rhetoric School he took extreme pleasure in declaiming. He was applauded; the professor gave him as an example to the others. These scholastic triumphs foretold others more celebrated and reverberating. And so, in his heart, literary vanity and ambition disputed the ever-lively illusions of love. And then, above all! he had to live; Monnica's remittances were necessarily small; the generosity of Romanianus had its limit. So he beat about to enlarge his small student's purse. He wrote verses for poetic competitions. Perhaps already he was able to act as tutor to certain of his fellow-students, less advanced.
If the need of loving tormented his sentimental heart, he tried to assuage it in friendship. He loved friendship as he loved love. He was a passionate and faithful friend up to his death. At this time of his life, he was riveting friendships which were never to be broken. He had beside him his fellow-countryman, Alypius, the future Bishop of Thagaste, who had followed him to Carthage and would, later on, follow him to Milan; Nebridius, a not less dear companion, fated to die early; Honoratus, whom he drew into his errors and later did his best to enlighten; and, finally, that mysterious young man, whose name he does not tell us, and whose loss he mourned as never any one has mourned the death of a friend.
They lived in daily and hourly intimacy, in continual fervour and enthusiasm. They were great theatre-goers, where Augustin was able to satisfy his desire for tender emotions and romantic adventures. They had musical parties; they tried over again the popular airs heard at the Odeum or some other of the innumerable theatres at Carthage. All the Carthaginians, even the populace, were mad about music. The Bishop of Hippo, in his sermons, recalls a mason upon his scaffolding, or a shoemaker in his stall, singing away the tunes of well-known musicians. Then our students strolled on the quays or in the Harbour Square, contemplating the many-coloured sea, this splendour of waters at the setting sun, which Augustin will extol one day with an inspiration unknown to the ancient poets. Above all, they fell into discussions, commented what they had lately read, or built up astonishing plans for the future. So flowed by a happy and charming life, abruptly interpolated with superb anticipations. With what a full heart the Christian penitent calls it back for us!—"What delighted me in the intercourse of my friends, was the talk, the laughter, the good turns we did each other, the common study of the masters of eloquence, the comradeship, now grave now gay, the differences that left no sting, as of a man differing with himself, the spice of disagreement which seasoned the monotony of consent. Each by turns would instruct or listen; impatiently we missed the absent friend, and savoured the joy of his return. We loved each other with all our hearts, and such tokens of friendship springing from the heart and displayed by a word, a glance, an expression, by a thousand pretty complaisances, supply the heat which welds souls together, and of many make one."
It is easily understood that such ties as these had given Augustin a permanent disgust for his rowdy comrades of a former time: he went no more with "The Wreckers." The small circle he took pleasure in was quiet and cheerful. Its merriment was controlled by the African gravity. He and his friends come before my eyes, a little like those students of theology, or those cultivated young Arabs, who discuss poetry, lolling indolently upon the cushions of a divan, while they roll between their fingers the amber beads of their rosary, or walking slowly under the arcades of a mosque, draped in their white-silk simars, with a serious and meditative air, gestures elegant and measured, courteous and harmonious speech, and something discreet, polite, and already clerical in their tone and manners.
In fact, the life which Augustin was at that time relishing was the pagan life on its best and gentlest side. The subtle network of habits and daily occupations enveloped him little by little. There was some risk of his growing torpid in this soft kind of life, when suddenly a rude shock roused him…. It was a chance, but in his eyes a providential chance, which put the Hortensius of Cicero between his hands. Augustin was about nineteen, still a student; according to the order which prevailed in the schools, the time had come for him to read and explain this philosophical dialogue. He had no curiosity about the book. He took it from his sense of duty as a student, because it figured on the schedule. He unrolled the book, and began it, doubtless with calm indifference. All of a sudden, a great unexpected light shone between the lines. His heart throbbed. His whole soul sprang towards these phrases, so dazzling and revealing. He awoke from his long drowsiness. Before him shone a marvellous vision…. As this dialogue is lost, we can hardly to-day account for such enthusiasm, and we hold that the Roman orator was a very middling philosopher. We know, however, through Augustin himself, that the book contained an eloquent praise of wisdom. And then, words are naught without the soul of the reader; all this, falling into Augustin's soul, rendered a prolonged and magnificent sound. It is evident, too, that just at the moment when he unrolled the book he was in a condition to receive this uplifting summons. In such minutes, when the heart, ignorant of itself, swells like the sea before a storm, when all the inner riches of the being overflow, the slightest glimmer is enough to reveal all these imprisoned forces, and the least shock to set them free.
He has at least preserved for us, in pious and faithful gratitude, some phrases of this dialogue which moved him so deeply. Especially does he admire this passage, wherein the author, after a long discussion, ends in these terms: "If, as pretend the philosophers of old time, who are also the greatest and most illustrious, we have a soul immortal and divine, it behoves us to think, that the more it has persevered in its way, that is to say, in reason, love, and the pursuit of truth, and the less it has been intermingled and stained in human error and passion, the easier will it be for it to raise itself and soar again to the skies."
Such phrases, read in a certain state of mind, might well overwhelm this young man, who was ere long to yearn for the cloister and was destined to be the founder of African monasticism. To give his whole life to the study of wisdom, to compel himself towards the contemplation of God, to live here below an almost divine life—this ideal, impossible to pagan wisdom, Augustin was called to realize in the name of Christ. That had dawned on him, all at once, while he was reading the Hortensius. And this ideal appeared to him so beautiful, so well worth the sacrifice of all he had hitherto loved, that nothing else counted for him any more. He despised rhetoric, the vain studies it compelled him to pursue, the honour and glory it promised him. What was all that to the prize of wisdom? For wisdom he felt himself ready to give up the world…. But these heroic outbursts do not, as a rule, keep up very long in natures so changeable and impressionable as Augustin's. Yet they are not entirely thrown away. Thus, in early youth, come dim revelations of the future. There comes a presentiment of the port to which one will some day be sailing; a glimpse of the task to fulfil, the work to build up; and all this rises before the eyes in an entrancement of the whole being. Though the bright image be eclipsed, perhaps for years, the remembrance of it persists amid the worst degradations or the worst mediocrities. He who one single time has seen it pass, can never afterwards live quite like other people.
This fever calmed, Augustin set himself to reflect. The ancient philosophers promised him wisdom. But Christ also promised it! Was it not possible to reconcile them? And was not the Gospel ideal essentially more human than that of the pagan philosophers? Suppose he tried to submit to that, to bring the faith of his childhood into line with his ambitions as a young man of intellect? To be good after the manner of his mother, of his grandparents, of the good Thagaste servants, of all the humble Christian souls whose virtues he had been taught to respect, and at the same time to rival a Plato by the strength of thought—what a dream! Was it possible?… He tells us himself that the illusion was brief, and that he grew cool about the Hortensius because he did not find the name of Christ in it. He deceives himself, probably. At this time he was not so Christian. He yields to the temptation of a fine phrase: when he wrote his Confessions he had not yet entirely lost this habit.