Copyright 1944, 1950
The Philharmonic-Symphony Society of New York
Printed in the United States of America
Foreword
Included in this little book are analyses and backgrounds of most of Tschaikowsky’s standard concert music. A short sketch of Tschaikowsky’s life precedes the section devoted to the orchestral music. Yet, the personal outlook and moods of Russia’s great composer are so inextricably bound up with his music, that actually the whole booklet is an account of his strangely tormented life. In the story of Tschaikowsky, life and art weave into one closely knit fabric. It is hoped that this simple narrative will aid music lovers to glimpse the great pathos and struggle behind the music of this sad and lonely man.
Tschaikowsky
AND HIS ORCHESTRAL MUSIC
Few great names in music spell as much magic to the average concert-goer as that of Peter Ilyitch Tschaikowsky. In almost every musical form will be found a work of his ranking high in popularity. And quite deservedly so. Tschaikowsky’s music brims with a warm humanity and stirring drama. The themes and feelings are easy to grasp. The personal, intimate note is so strong in this music that we find it natural, while listening to the Pathetic symphony or the Nutcracker ballet suite, for example, to share Tschaikowsky’s joys and sorrows. His music seems to take us into his confidence and show us the secret places of his heart. Although Tschaikowsky’s range of moods is wide—from the whimsical play of light fantasy to stormy outcries of anguish—essentially he was a melancholy man, in his music as in his life. Perhaps it is the genuineness of his music in conveying great pathos and suffering that has drawn millions to his symphonies and concertos. A frank sincerity and warmheartedness well from his music. The best of his melodies linger hauntingly in the mind and heart. So long as sincere feeling expressed in sincere artistic form can move the hearts of men, Tschaikowsky’s music will continue to hold a high place in the concert hall and opera house.