“Yes.”
“All right.... Turn in there.” He pointed to the rickety iron bed. “I’ll be out most of the night, gettin’ coal and blankets. See you later.”
When he had gone, Philip felt suddenly ill again, and hopelessly weary. He lay down on the bed wrapped in Jim Baxter’s overcoat, and in a moment fell asleep.
At two, when Krylenko finally returned, there was a little drift of snow by the broken window. Going over to the bed, he stood for a time looking down at Philip, and then, with a great gentleness, he lifted him, and, drawing out the blanket, laid it over him, carefully tucking in the edge to keep out the cold. When he had finished, he lay down, keeping well over to the edge in order not to disturb Philip. It was all done with the tenderness of a strong man fostering the weak, of a great, clumsy father protecting a little boy.
5
In the morning Philip awakened to find Krylenko already gone. It was still snowing as he went out into the empty street and made his way toward the shed where there was always hot coffee for the strikers and their families. He stood there among them, drinking his coffee and feeling the old sense of satisfaction of being in a world stripped bare to those things which lay at the foundations of life. This was solid, with a rawness that bit into the soul. He took out a pencil and on a bit of newspaper began to sketch fragments of the scene about him—a Croat woman who was feeding coffee to her three small children out of a clumsy teacup, a gigantic, bearded Slovak and his wizened, tubercular wife, a baby wrapped in the ragged remains of a pair of overalls, a thin, white, shivering girl, with the face of a Madonna. They were simply sketches, reduced to the very skeletons of drawing, yet they were in a way eloquent and moving. He felt intoxicatingly sure of his hand, and he saw all at once that they were the best things he had ever done. Set down on the face of columns of printing, they caught the cold misery and the dumb bravery of these puzzled, wretched people, suffering silently in the midst of a hostile, foreign country. Looking at the sketches, he saw that by some ironic chance he had chosen to draw directly upon an editorial condemning them. He began to read. The fragment was torn, and so had no beginning. “ ...sacred rights of property must be protected against the attacks of men little better than brutes who have come, infected with poison of socialism and anarchy, to undermine the institutions of a great, free and glorious nation favored by God. These wretches must be treated as they deserve, without consideration, as beasts bent upon tearing down our most sacred institutions and destroying our God-given prosperity.”
It was signed in bold black type with the name MOSES SLADE. He was quite safe in his attack, thought Philip: foreign-born mill workers had no votes.
A hand touched Philip’s shoulder and a voice said, “Give me that.” It was Krylenko. “I can use it,” he said. “I know just where it belongs.”
He gave it to Krylenko without a word.