“Well,” said the woman, “Henry—that’s my husband—said, ‘You must turn them out right away. We can’t have the house defiled by adulterers!’” Her small green eyes turned a glare of defiance at McTavish. “That’s what they were—adulterers.”
“Yes,” said McTavish wearily. “There’s no denying that. But go on.”
“So I got up, and went to their room and knocked. I smelled gas in the hall and thought it was funny. And then I knocked again and nobody answered. And then I got scared and called Henry. He was for sending for somebody to help break down the door, and then I turned the knob and it was open. They hadn’t even locked it. It just pushed open, easy-like. The room was full of gas, and you couldn’t go in or strike a match and you couldn’t see anything. But we left the door open, and Henry went to get the police. And after a time I went to open the window, and when I pulled up the window-shade and the light from the furnaces came in, I saw ’em both a-lyin’ there. He was sort of slumped down beside the bed and she was half on the bed a-lyin’ on her face. They’d both died a-prayin’.”
The thin, dreary voice died away into silence. McTavish looked at Philip. He was sitting on one of the stiff pine chairs, his head sunk on his chest, his fingers unrolling mechanically bit by bit the pieces of newspaper with which the door had been stuffed. Automatically he unrolled them, examined them and smoothed them out, putting them in neat piles at his feet. They were stained with tears that had fallen silently while he listened. And then, suddenly, he found what he had been looking for. He handed it to McTavish without a word, without even raising his head.
It was a scrap torn hastily to stuff the door, but in the midst of it appeared in glaring headlines:
“PREACHER ELOPES
WITH MISSIONARY
Romance begins at choir
practice. Woman a
former Evangelist”
The editors had kept their word to Emma, but the story had leaked out into the cities nearby.
McTavish read it in silence, and turned to the woman. Philip did not even hear what they were saying. He was thinking of poor Naomi lying dead, fallen forward on the bed where she had been praying. It was poor Naomi who had made that ghastly depression in the gray-white counterpane. He saw what had happened. He saw them coming in, tired and frightened, to this sordid room, terrified by what they had done in a moment of insanity. He saw them sitting there in silence, Naomi crying because she always cried when she was frightened. And perhaps he had taken the newspaper out of his pocket and laid it on the table and as it fell open, there was the headline staring at them. They must have seen, then, that they were trapped, that they could neither go on nor turn back. In their world of preachers and Evangelists and prayer there was no place for them. And presently they must have noticed the print of the Sermon on the Mount, and at last the framed text—“Come unto Me, all ye that labor and are heavy laden....” They must have seen the text written in letters of fire, inviting them, commanding them—“Come unto Me, all ye that labor and are heavy laden....” It must have seemed the only way out. And then they had sung hymns until the harpy had knocked at the door and bade them be silent.
The depression in the bed kept tormenting him. The two figures kneeling there, praying, praying for forgiveness, until one of them slumped down, unconscious, and the other was left alone, still praying.... Which one of them had gone first? He hoped it was Naomi, for she would be so frightened at being left alone. For the one who was left alone, those last moments must have seemed hours. And Naomi must have been frightened. She was destroying herself—a sin which once she had told him was the unforgivable.
He saw then that the faith which had given her strength in that far-off unreal world at Megambo must have been failing her for a long time. It must have died before ever she set out on the mad journey that ended in this wretched room. Or she must have been mad. And then, all at once, the memory of her figure kneeling in the dust of the Mission enclosure rose up and smote him. He saw her again, her face all illumined with a queer, unearthly light. She had been ready then to die by the bullets of the painted niggers. She should have died then, happy in the knowledge of her sacrifice. He had saved her life—he and that queer Englishwoman—only that she might die thus, praying alone, lost, forgotten....