And at last the master of Shane’s Castle was stricken dead by apoplexy one winter night at the top of the long polished stairway; and the wiry, thin old body rolled all the way to the bottom. Irene, who was a neurotic, timid girl, saw him fall and ran screaming from the house. Lily was in Europe at St. Cloud on the outskirts of Paris, a pensionnaire in the boarding school of Mademoiselle Violette de Vaux. The wife quietly raised the body, laid it on a sofa under the portrait in the library and summoned a doctor who made certain that the terrible old man at last was dead.
When the news of his death spread through the Town, Italian workmen passing along the railroad at the foot of Cypress Hill crossed themselves and looked away as though the devil himself lay in state inside the wrought iron gates. Governors, judges and politicians attended the funeral and the widow appeared in deep mourning which she wore for three years. She played the role of a wife bereft of a devoted husband. The world whispered tales of her unhappiness, but the world knew nothing. When great people came to the Town, they were still entertained at Cypress Hill. The legend of John Shane attained the most fantastic proportions; it became a part of the Town’s tradition. The words which Stepan Krylenko, the tow-headed Ukrainian, shouted through the wrought iron gates at the terrified Irene were simply an echo of certain grotesque stories.
After the death of her husband, Julia Shane sold off piecemeal at prodigious prices the land in the marshes traversed by the railroads. Factory after factory was erected. Some built farming implements, some manufactured wooden ware, but it was steel which occupied most of the district. Rolling mills came in and blast furnaces raised their bleak towers until Shane’s Castle was no longer an island surrounded by marshes but by great furnaces, steel sheds and a glistening maze of railway tracks. New families grew wealthy and came into prominence, the Harrisons among them. Some of the Shane farm land was sold, but out of it the widow kept a wide strip bordering Main Street where she erected buildings which brought her fat rents. The money that remained she invested shrewdly so that it increased at a startling rate. She became a rich woman and the legend of Shane’s Castle grew, spurred on by envy.
To the foreigners who lived in the hovels at the gate of Cypress Hill, the house and the park became the symbols of an oppressing wealth, of a crude relentless power no less savage than the old world which they had deserted for this new one. It was true that Julia Shane had nothing to do with the mills and furnaces; her money came from the land she owned. The mills were owned by the Harrisons and Judge Weissman; but Shane’s Castle became an easy symbol upon which to fix a hatred. Its fading grandeur arose in the very midst of the hot and overcrowded kennels of the workers.
VII
SIX weeks after the night the Governor drove furiously away from the house at Cypress Hill, Julia Shane gave her last dinner before sending Lily away. It was small, including only Mrs. Julis Harrison, her son William, and Miss Abercrombie, but it served her purpose clearly as a piece of strategy to deceive the Town. Irene was absent, having gone back to the convent in the east where she had been to school as a little girl. A great doctor advised the visit, a doctor who held revolutionary ideas gained in Vienna. It was, he said, the one means of bringing the girl round, since he could drag from her no sane reason for her melancholy and neurasthenic behavior. Her mother could discover nothing; indeed it appeared that the girl had a strange fear of her which struck her dumb. So Julia Shane overcame her distaste for the Roman Catholic church and permitted the girl to return, thanking Heaven that she had kept from her the truth. This, she believed, would have caused Irene to lose her mind.
In the drawing-room after dinner a discreet battle raged with Julia Shane on one side and Mrs. Julis Harrison and Miss Abercrombie on the other. Lily and William Harrison withdrew to the library. In a curious fashion the drawing-room made an excellent battle-ground for so polite a struggle. It was so old, so mysterious and so delicate. There were no lights save the lamps, three of them, one majolica, one blue faience and one Ming, and the candles in the sconces on each side of the tall mirror and the flaming Venice of Mr. Turner. The only flowers were a bowl of white peonies which Lily had been able to save from the wreck of a garden beaten for three days by a south wind.
“The Governor’s visit,” observed Mrs. Harrison, “turned out unfortunately. He succeeded in offending almost every one of importance.”
“And his sudden going-away,” added Miss Abercrombie, eagerly leaning forward.
Julia Shane stirred in her big chair. To-night she wore an old-fashioned gown of black lace, very tight at the waist and very low in the neck, which displayed boldly the boniness of her strong shoulders. “I don’t think he intended slighting any one,” she said. “He was called away by a telegram. A Governor, you know, has duties. When Colonel Shane was alive....” And she launched into an anecdote of twenty years earlier, told amusingly and skilfully, leading Mrs. Julis Harrison and Miss Abercrombie for the time being far away from the behavior of the Governor. She spoke of her husband as she always did, in terms of the most profound devotion.