"The Prince de Neuchatel to his Highness the Archduke Maximilian, commanding the town of Vienna, "His Majesty the Emperor and King desires to spare this large and worthy population the calamities with which it is threatened, and charges me to represent to your Highness, that if he continues the attempt to defend this place, it will cause the destruction of one of the finest cities of Europe. In every country where he has waged war, my sovereign has manifested his anxiety to avoid the disasters which armies bring on the population. Your Highness must be persuaded that his Majesty is much grieved to see this town, which he has the glory of having already saved, on the point of being destroyed. Nevertheless, contrary to the established usage of fortresses, your Highness has fired your cannon from the city walls, and these cannon may kill, not an enemy of your sovereign, but the wives or children of his most devoted servants. If your Highness prolongs the attempt to defend the place, his Majesty will be compelled to begin his preparations for attack; and the ruin of this immense capital will be consummated in thirty-six hours, by the shells and bombs from our batteries, as the outskirts of the town will be destroyed by the effect of yours. His Majesty does not doubt that these considerations will influence your Highness to renounce a determination which will only delay for a short while the capture of the place. If, however, your Highness has decided not to pursue a course which will save the town from destruction, its population plunged by your fault into such terrible misfortunes will become, instead of faithful subjects, the enemies of your house."
This letter did not deter the grand duke from persisting in his defense; and this obstinacy exasperated the Emperor to such a degree that he at last gave orders to place two batteries in position, and within an hour cannonballs and shells rained upon the town. The inhabitants, with true German indifference, assembled on the hillsides to watch the effect of the fires of attack and defense, and appeared much interested in the sight. A few cannonballs had already fallen in the court of the Imperial palace when a flag of truce came out of the town to announce that the Archduchess Marie Louise had been unable to accompany her father, and was ill in the palace, and consequently exposed to danger from the artillery; and the Emperor immediately gave orders to change the direction of the firing so that the bombs and balls would pass over the palace. The archduke did not long hold out against such a sharp and energetic attack, but fled, abandoning Vienna to the conquerors.
On the 12th of May the Emperor made his entrance into Vienna, one month after the occupation of Munich by the Austrians. This circumstance made a deep impression, and did much to foster the superstitious ideas which many of the troops held in regard to the person of their chief. "See," said one, "he needed only the time necessary for the journey. That man must be a god."—"He is a devil rather," said the Austrians, whose stupefaction was indescribable. They had reached a point when many allowed the arms to be taken out of their hands without making the least resistance, or without even attempting to fly, so deep was their conviction that the Emperor and his guard were not men, and that sooner or later they must fall into the power of these supernatural enemies.
CHAPTER XV.
The Emperor did not remain in Vienna, but established his headquarters at the chateau of Schoenbrunn, an imperial residence situated about half a league from the town; and the ground in front of the chateau was arranged for the encampment of the guard. The chateau of Schoenbrunn, erected by the Empress Maria Theresa in 1754, and situated in a commanding position, is built in a very irregular, and defective, but at the same time majestic, style of architecture. In order to reach it, there has been thrown over the little river, la Vienne, a broad and well-constructed bridge, ornamented with four stone sphinxes; and in front of the bridge is a large iron gate, opening on an immense court, in which seven or eight thousand men could be drilled. This court is square, surrounded by covered galleries, and ornamented with two large basins with marble statues; and on each side of the gateway are two large obelisks in rose-colored stone, surmounted by eagles of gilded lead.
'Schoenbrunn', in German, signifies beautiful fountain; and this name comes from a clear and limpid spring, which rises in a grove in the park, on a slight elevation, around which has been built a little pavilion, carved on the inside to imitate stalactites. In this pavilion lies a sleeping Naiad, holding in her hand a shell, from which the water gushes and falls into a marble basin. This is a delicious retreat in summer.
We can speak only in terms of admiration regarding the interior of the palace, the furniture of which was handsome and of an original and elegant style. The Emperor's sleeping-room, the only part of the building in which there was a fireplace, was ornamented with wainscoting in Chinese lacquer work, then very old, though the painting and gilding were still fresh, and the cabinet was decorated like the bedroom; and all the apartments, except this, were warmed in winter by immense stoves, which greatly injured the effect of the interior architecture. Between the study and the Emperor's room was a very curious machine, called the flying chariot, a kind of mechanical contrivance, which had been made for the Empress Maria Theresa, and was used in conveying her from one story to the other, so that she might not be obliged to ascend and descend staircases like the rest of the world. This machine was operated by means of cords, pulleys, and weights, like those at the theater.
The beautiful grove which serves as park and garden to the palace of Schoenbrunn is much too small to belong to an imperial residence; but, on the other hand, it would be hard to find one more beautiful or better arranged. The park of Versailles is grander and more imposing; but it has not the picturesque irregularity, the fantastic and unexpected beauties, of the park of Schoenbrunn, and more closely resembles the park at Malmaison. In front of the interior facade of the palace was a magnificent lawn, sloping down to a broad lake, decorated with a group of statuary representing the triumph of Neptune. This group is very fine; but French amateurs (every Frenchman, as you are aware, desires to be considered a connoisseur) insisted that the women were more Austrian than Grecian, and that they did not possess the slender grace belonging to antique forms; and, for my part, I must confess that these statues did not appear to me very remarkable.
At the end of the grand avenue, and bounding the horizon, rose a hill, which overlooked the park, and was crowned by a handsome building, which bore the name of la Gloriette. This building was a circular gallery, inclosed with glass, supported by a charming colonnade, between the arches of which hung various trophies. On entering the avenue from the direction of Vienna, la Gloriette rose at the farther end, seeming almost to form a part of the palace; and the effect was very fine.