At the theater of Saint-Cloud, the piece for the evening was often made up of fragments and selections from different authors, one act being chosen from one opera, one from another, which was very vexatious to the spectators whom the first piece had begun to interest. Often, also, comedies were played; on which occasions there was great rejoicing in the household, and the Emperor himself took much pleasure in them. How many times have I seen him perfectly overcome with laughter, when seeing Baptiste junior in 'les Heritiers', and Michaut also amused him in 'la Partie de Chasse de Henry IV'.

I cannot remember in what year, but it was during one of the sojourns of the court at Fontainebleau, that the tragedy of the Venetians was presented before the Emperor by Arnault, senior. That evening, as he was retiring, his Majesty discussed the piece with Marshal Duroc, and gave his opinion, adducing many reasons, in support of it. These praises, like the criticisms, were all explained and discussed; the grand marshal talking little, and the Emperor incessantly. Although a poor judge myself of such matters, it was very entertaining, and also very instructive, to hear the Emperor's opinion of pieces, ancient and modern, which had been played before him; and his observations and remarks could not have failed, I am sure, to be of great profit to the authors, had they been able like myself to hear them. As for me, if I gained anything from it, it is being enabled to speak of it here a little (although a very little), more appropriately than a blind man would of colors; nevertheless, for fear of saying the wrong thing, I return to matters which are in my department.

It has been said that his Majesty used a great quantity of tobacco, and that in order to take it still more frequently and quickly, he put it in a pocket of his vest, lined with skin for that purpose. This is an error. The Emperor never took tobacco except in his snuff-boxes; and although he wasted a great quantity of it, he really used very little, as he took a pinch, held it to his nose simply to smell it, and let it fall immediately. It is true that the place where he had been was covered with it; but his handkerchiefs, irreproachable witnesses in such matters, were scarcely stained, and although they were white and of very fine linen, certainly bore no marks of a snuff-taker. Sometimes he simply passed his open snuff-box under his nose in order to breathe the odor of the tobacco it contained. These boxes were of black shell, with hinges, and of a narrow, oval shape; they were lined with gold, and ornamented with antique cameos, or medallions, in gold or silver. At one time he used round tobacco-boxes; but as it took two hands to open them, and in this operation he sometimes dropped either the box or the top, he became disgusted with them. His tobacco was grated very coarse, and was usually composed of several kinds of tobacco mixed together. Frequently he amused himself by making the gazelles that he had at Saint-Cloud eat it. They were very fond of it, and although exceedingly afraid of every one else, came close to his Majesty without the slightest fear.

The Emperor took a fancy on one occasion, but only one, to try a pipe, as I shall now relate. The Persian ambassador (or perhaps it was the Turkish ambassador who came to Paris under the Consulate) had made his Majesty a present of a very handsome pipe such as is used by the Orientals. One day he was seized with a desire to try it, and had everything necessary for this purpose prepared. The fire having been applied to the bowl, the only question now was to light the tobacco; but from the manner in which his Majesty attempted this it was impossible for him to succeed, as he alternately opened and closed his lips repeatedly without drawing in his breath at all. "Why, what is the matter?" cried he; "it does not work at all." I called his attention to the fact that he was not inhaling properly, and showed him how it ought to be done; but the Emperor still continued his performances, which were like some peculiar kind of yawning. Tired out by his fruitless efforts at last, he told me to light it for him, which I did, and instantly handed it back to him. But he had hardly taken a whiff when the smoke, which he did not know how to breathe out again, filled his throat, got into his windpipe, and came out through his nose and eyes in great puffs. As soon as he could get his breath, he panted forth, "Take it away! what a pest! Oh, the wretches! it has made me sick." In fact, he felt ill for at least an hour after, and renounced forever the "pleasure of a habit, which," said he, "is only good to enable do-nothings to kill time."

The only requirements the Emperor made as to his clothing was that it should be of fine quality and perfectly comfortable; and his coats for ordinary use, dress-coats, and even the famous gray overcoat, were made of the finest cloth from Louviers. Under the Consulate he wore, as was then the fashion, the skirts of his coat extremely long; afterwards fashion changed, and they were worn shorter; but the Emperor held with singular tenacity to the length of his, and I had much trouble in inducing him to abandon this fashion, and it was only by a subterfuge that I at last succeeded. Each time I ordered a new coat for his Majesty, I directed the tailor to shorten the skirts by an inch at least, until at last, without his being aware of it, they were no longer ridiculous. He did not abandon his old habits any more readily on this point than on all others; and his greatest desire was that his clothes should not be too tight, in consequence of which there were times when he did not make a very elegant appearance. The King of Naples, the man in all France who dressed with the most care, and nearly always in good taste, sometimes took the liberty of bantering the Emperor slightly about his dress. "Sire," said he to the Emperor, "your Majesty dresses too much like a good family man. Pray, Sire, be an example to your faithful subjects of good taste in dress."—"Would you like me, in order to please you," replied the Emperor, "to dress like a scented fop, like a dandy, in fine, like the King of Naples and the Two Sicilies. As for me, I must hold on to my old habitudes."—"Yes, Sire, and to your 'habits tues'," added the king on one occasion. "Detestable!" cried the Emperor; "that is worthy of Brunet;" and they laughed heartily over this play on words, while declaring it what the Emperor called it.

However, these discussions as to his dress being renewed at the time of his Majesty's marriage to the Empress Marie Louise, the King of Naples begged the Emperor to allow him to send him his tailor. His Majesty, who sought at that time every means of pleasing his young wife, accepted the offer of his brother-in-law; and that very day I went for Leger, King Joachim's tailor, and brought him with me to the chateau, recommending him to make the suits which would be ordered as loose as possible, certain as I was in advance, that, Monsieur Jourdain

The Emperor's vest and breeches were always of white cassimere; he changed them every morning, and they were washed only three or four times. Two hours after he had left his room, it often happened that his breeches were all stained with ink, owing to his habit of wiping his pen on them, and scattering ink all around him by knocking his pen against the table. Nevertheless, as he dressed in the morning for the whole day, he did not change his clothes on that account, and remained in that condition the remainder of the day. I have already said that he wore none but white silk stockings, his shoes, which were very light and thin, being lined with silk, and his boots lined throughout inside with white fustian; and when he felt an itching on one of his legs, he rubbed it with the heel of his shoe or the boot on the other leg, which added still more to the effect of the ink blotches. His shoe-buckles were oval, either plain gold or with medallions, and he also wore gold buckles on his garters. I never saw him wear pantaloons under the Empire.

Owing to the Emperor's tenacity to old customs, his shoemaker in the first days of the Empire was still the same he employed at the military school; and as his shoes had been made by the same measure, from that time, and no new one ever taken, his shoes, as well as his boots, were always badly made and ungraceful. For a long time he wore them pointed; but I persuaded him to have them 'en bec de canne', as that was the fashion. At last his old measure was found too small, and I got his Majesty's consent to have a new one-taken; so I summoned the shoemaker, who had succeeded his father, and was exceedingly stupid. He had never seen the Emperor, although he worked for him; and when he learned that he was expected to appear before his Majesty, his head was completely turned. How could he dare to present himself before the Emperor? What costume must he wear? I encouraged him, and told him he would need a black French coat, with breeches, and hat, etc.; and he presented himself thus adorned at the Tuileries. On entering his Majesty's chamber he made a deep bow, and stood much embarrassed. "It surely cannot be you who made shoes for me at the l'ecole militaire?"—"No, your Majesty, Emperor and King, it was my father."—"And why don't he do so now?"—"Sire, the Emperor and King, because he is dead."—"How much do you make me pay for my shoes?"—"Your Majesty, Emperor and King, pays eighteen francs for them."—"That is very dear."—"Your Majesty, Emperor and King, could pay much more for them if he would." The Emperor laughed heartily at this simplicity, and let him take his measure; but the Emperor's laughter had so completely disconcerted the poor man that, when he approached him, his hat under his arm, making a thousand bows, his sword caught between his legs, was broken in two, and made him fall on his hands and knees, not to remain there long, however, for his Majesty's roars of laughter increasing, and being at last freed from his sword, the poor shoemaker took the Emperor's measure with more ease, and withdrew amidst profuse apologies.

All his Majesty's linen was of extremely fine quality, marked with an "N" in a coronet; at first he wore no suspenders, but at last began using them, and found them very comfortable. He wore next his body vests made of English flannel, and the Empress Josephine had a dozen cashmere vests made for his use in summer.

Many persons have believed that the Emperor wore a cuirass under his clothes when walking and while in the army. This is entirely false: the Emperor never put on a cuirass, nor anything resembling one, under his coat any more than over it.