This change, however, excited the displeasure of the ladies of the palace, and again aroused their clamors around the Emperor; and he consequently decided that the ladies of announcement should take the title of first ladies of the chamber. Great clamor among the ladies of announcement in their turn, who came in person to plead their cause before the Emperor; and he at last ended the matter by giving them the title of readers to the Empress, in order to reconcile the requirements of the two belligerent parties.

These ladies of announcement, or first ladies of the chamber, or readers, as the reader may please to call them, had under their orders six femmes de chambre, who entered the Empress's rooms only when summoned there by a bell. These latter arranged her Majesty's toilet and hair in the morning; and the six first ladies took no part in her toilet except the care of the diamonds, of which they had special charge. Their chief and almost only employment was to follow the steps of the Empress, whom they left no more than her shadow, entering her room before she arose, and leaving her no more till she was in bed. Then all the doors opening into her room were closed, except that leading into an adjoining room, in which was the bed of the lady on duty, and through which, in order to enter his wife's room, the Emperor himself must pass.

With the exception of M. de Meneval, secretary of orders of the Empress, and M. Ballouhai, superintendent of expenses, no man was admitted into the private apartments of the Empress without an order from the Emperor; and the ladies even, except the lady of honor and the lady of attire, were received only after making an appointment with the Empress. The ladies of the private apartments were required to observe these rules, and were responsible for their execution; and one of them was required to be present at the music, painting, and embroidery lessons of the Empress, and wrote letters by her dictation or under her orders.

The Emperor did not wish that any man in the world should boast of having been alone with the Empress for two minutes; and he reprimanded very severely the lady on duty because she one day remained at the end of the saloon while M. Biennais, court watchmaker, showed her Majesty a secret drawer in a portfolio he had made for her. Another time the Emperor was much displeased because the lady on duty was not seated by the side of the Empress while she took her music-lesson with M. Pier.

These facts prove conclusively the falsity of the statement that the milliner Leroy was excluded from the palace for taking the liberty of saying to her Majesty that she had beautiful shoulders. M. Leroy had the dresses of the Empress made at his shop by a model which was sent him; and they were never tried on her Majesty, either by him, or any person of her Majesty's household, and necessary alterations were indicated by her femmes de chambre. It was the same with the other merchants and furnishers, makers of corsets, the shoemaker, glovemaker, etc.; not one of whom ever saw the Empress or spoke to her in her private apartments.

CHAPTER XXVII.

Their Majesties' civil marriage was celebrated at Saint-Cloud on Sunday, the 1st of April, at two o'clock in the afternoon. The religious ceremony was solemnized the next day in the grand gallery of the Louvre. A very singular circumstance in this connection was the fact that Sunday afternoon at Saint-Cloud the weather was beautiful, while the streets of Paris were flooded with a heavy shower lasting some time, and on Monday there was rain at Saint-Cloud, while the weather was magnificent in Paris, as if the fates had decreed that nothing should lessen the splendor of the cortege, or the brilliancy of the wonderful illuminations of that evening. "The star of the Emperor," said some one in the language of that period, "has borne him twice over equinoctial winds."

On Monday evening the city of Paris presented a scene that might have been taken from the realms of enchantment: the illuminations were the most brilliant I have ever witnessed, forming a succession of magic panorama in which houses, hotels, palaces, and churches, shone with dazzling splendor, the glittering towers of the churches appeared like stars and comets suspended in the air. The hotels of the grand dignitaries of the empire, the ministers, the ambassadors of Austria and Russia, and the Duke d'Abrantes, rivaled each other in taste and beauty. The Place Louis XV. was like a scene from fairyland; from the midst of this Place, surrounded with orange-trees on fire, the eye was attracted in succession by the magnificent decorations of the Champs-Elysees, the Garde Meuble, the Temple of Glory, the Tuileries, and the Corps Legislatif. The palace of the latter represented the Temple of Hymen, the transparencies on the front representing Peace uniting the august spouses. Beside them stood two figures bearing shields, on which were represented the arms of the two empires; and behind this group came magistrates, warriors, and the people presenting crowns. At the two extremities of the transparencies were represented the Seine and the Danube, surrounded by children-image of fecundity. The twelve columns of the peristyle and the staircase were illuminated; and the columns were united by garlands of colored lights, the statues on the peristyle and the steps also bearing lights. The bridge Louis XV., by which this Temple of Hymen was reached, formed in itself an avenue, whose double rows of lamps, and obelisks and more than a hundred columns, each surmounted by a star and connected by spiral festoons of colored lights, produced an effect so brilliant that it was almost unendurable to the naked eye. The cupola of the dome of Saint Genevieve was also magnificently lighted, and each side outlined by a double row of lamps. At each corner were eagles, ciphers in colored glass, and garlands of fire suspended between torches of Hymen. The peristyle of the dome was lighted by lamps placed between each column, and as the columns were not lighted they seemed as if suspended in the air. The lantern tower was a blaze of light; and all this mass of brilliancy was surmounted by a tripod representing the altar of Hymen, from which shot tongues of flame, produced by bituminous materials. At a great elevation above the platform of the observatory, an immense star, isolated from the platform, and which from the variety of many-colored glasses composing it sparkled like a vast diamond, under the dome of night. The palace of the senate also attracted a large number of the curious; but I have already extended too far the description of this wonderful scene which unfolded itself at every step before us.

The city of Paris did homage to her Majesty the Empress by presenting her with a toilet set even more magnificent than that formerly presented to the Empress Josephine. Everything was in silver gilt, even the arm chair and the cheval glass. The paintings on the exquisite furniture had been made by the first artists, and the elegance and finish of the ornaments surpassed even the rich ness of the materials.

About the end of April their Majesties set out together to visit the departments of the North; and the journey was an almost exact repetition of the one I made in 1804 with the Emperor, only the Empress was no longer the good, kind Josephine. While passing again through all these towns, where I had seen her welcomed with so much enthusiasm, and who now addressed the same adoration and homage to a new sovereign, and while seeing again the chateaux of Lacken, Brussels, Antwerp, Boulogne, and many other places where I had seen Josephine pass in triumph, as at present Marie Louise passed, I thought with chagrin of the isolation of the first wife from her husband, and the suffering which must penetrate even into her retreat, as she was told of the honors rendered to the one who had succeeded her in the Emperor's heart and on the Imperial throne.