In the evening after their last interview, Eva went, very late, to seek her father in his study, where he sat reading his books on heraldry. He supposed she had come to bid him good-night, as usual; but she sat down facing him, very upright, and with a set face like a sleep-walker.
"Father, I want to speak to you."
He looked at her in surprise. In the Olympian peace of his genealogical studies, in the calm, emotionless existence of a hale old man, who finds a solace for advancing years among his books, he had never discerned that a drama was going on close beside him, played by three beings whom he saw every day. And he was startled at his daughter's rigid face and tone of suppressed suffering.
"Are you ill, my child?"
"Oh no, I am quite well. But I want to ask you something. I want to know if you will speak to Frank?"
"To Frank?"
"Yes. To Frank. The other evening as we were coming out of the Lyceum—" And she told him the whole story, sitting straight up in her chair, with that strange look in her face, and a husky, subdued voice; all about the yellow-haired woman, and her own suspicions and distrust. It was wrong of her to doubt Frank, but really she could not help it. She would fain have quoted Bertie as evidence, but Bertie had after all said nothing definite, so she did not see how she could bring him into court, and did not therefore mention his name.
Sir Archibald listened in dismay. He had never suspected what was going on in his daughter's mind; he had always supposed that everything was as clear as the sun at noon.
"And—what then?" he asked in some embarrassment.
"And then—I want you to speak to Frank. Ask him point blank whether he still loves this woman, who has played some part in his past life; whether he cannot bear to give her up; whether that is the reason he is always so silent and gloomy when we see him here. Get him to speak out. I would rather hear my doom than live in this dreadful suspense. And to you, perhaps, he will clear it all up, so that things may go on as they were before. Say nothing of my distrust; if it is not justified by the facts it might make him angry. It is too bad of me to suspect his truth, and I have tried to bring myself to a better mind; but I cannot succeed. There is something in it, I know not what. There is something in the air about me—oh! what, I know not—which whispers to me: 'Do not trust him, do not trust him.' I cannot understand what it is, but I feel it in me, all about me! It is a voice in my ear; sometimes an eye which gazes at me. At night, when I cannot sleep, it looks down on me; it speaks to me; I feel as if I were going crazy. Perhaps it is a spirit! But do you speak to him, Papa. Do that much for your child. I am so very, very unhappy."