Thera looked at him:
"You're looking so pale, poor boy. Perhaps I'd better not. It tires you so, that sitting, doesn't it?"
"Yes, sometimes, a little...."
They were now standing before the portrait; the marchioness had retired, as she always did when the brother and sister were together. The painting was half-covered with a silk cloth, which Thera pulled aside: it was already a young head full of expression, in which life began to gleam behind the black, melancholy eyes, and painted with broad, firm brushwork, with much reflection of outside light, which fell upon one side of the face and brought it into relief, throwing it forward out of the shadow in the background.
"Is it almost finished?" asked Othomar.
"Yes, but you've kept me waiting awfully long for the final touches: just think, you've been away for four months. I haven't been able to work at it all that time. But, you know ... you've changed. If only I shan't have to leave it like this. It's no longer like you...."
"It'll begin to be like me again, when I'm looking a little better!" answered Othomar.
But the princess became rather nervous; she suddenly drew the silk cloth over it again....
Othomar did not appear at dinner; he went to bed early. The next day the doctors found him very listless. He was up but not dressed; he lay in his dressing-gown on the sofa in his room, with the collie at his feet. He complained to the empress that he had such a queer feeling in his head, as though it were about to open and pour out all its contents.
For days this condition remained unchanged: a total listlessness, a total loss of appetite, a visible exhaustion.... The empress sat by his side as he lay on his sofa staring through the open windows into the green depths of the park of plane-trees. The birds chirped outside; sometimes Berengar's small, shrill voice sounded among them, as he played with a couple of his little friends. The empress read aloud, but it tired Othomar, it made his head ache....