[CHAPTER XVI]

The garden was reached from the flat by a little terrace and two or three steps.

"You are too early to see it in its winter glory," said Ottilie. "You're much too early. Nature here sleeps all through the summer under the scorching sun."

"That's one long, long love-sleep," said Lot, with his arm in his sister's.

"Yes, one long love-sleep," Ottilie echoed. "At the beginning of the autumn, the heavy rains come. They may overcome us yet, suddenly. When they are past, then nature buds for the winter. That is so exquisite here. When, everywhere up in the north, there's not a leaf or flower to be seen, the ground here is dug up, grass is sown and the mimosa blossoms and the carnations and you get your violets. You're too early, but you can see one phase of the change. Look at my last summer roses, blooming in such mad, jolly disorder. And the heliotrope, delicious, eh? Yes, this one is still glorious. Look at my pears: did you ever see such big ones? How many are there? Three, four, five ... six. We'll pluck them; they're quite ripe: if they fall to the ground, the ants eat them in a moment.... Aldo! Aldo! Come here for a second.... Pluck a few pears, will you? I can't reach them, no more can Lot ... Elly, have you seen my grapes? Just look at my trellis-work of vines? It might be a pergola, mightn't it? And they're those raspberry-grapes, you know; you must taste them. Try this bunch: they're delicious.... We'll eat the pears presently, at lunch. They're like sweet, aromatic snow.... Here are figs for you: this is an old tree, but it still stands as a symbol of fruitfulness. Pick them for yourself, take as many as you like.... Here are my peaches.... How hot the sun is still! And everything's steaming: I love all that natural perfume. Those grapes sometimes drive me mad...."

She thrust a white arm out of the sleeve of her white gown among the hazy-blue bunches and picked and picked, more and more. It was a feast of gluttony, an orgy of grapes. Aldo picked the finest for Elly. Well past forty, in the tranquil calmness of his graceful strength he was plainly a man of warm passion, a southern man of passion, a tranquil, smiling and yet passionate nature. As he drew himself up lissomely, in his loose-fitting grey-flannel suit, and stretched his hands towards the highest bunches, the harmonious lines of his statuesquely handsome figure appeared sinewy and supple; and there was this contradiction in him, that he suggested a piece of classic sculpture in the costume of to-day. The smiling serenity of his regular, large-boned face also reminded Lot of busts which he had seen in Italy: the Hermes of the Vatican—no, Aldo was not so intelligent as that—the Antinous of the Capitol, but a manlier brother; the Wrestlers of the Braccio Nuovo, only not so young and more powerfully built.... Aldo's smile answered to Ottilie's smile and contained the tranquillity of a secure happiness, of an intense moment of perfect human bliss. That moment was there, even if it were passing. That secure happiness was as the pressed bunch of grapes....

Lot felt that he was living his own ecstatic moment, felt that he was happy in Elly, but yet he experienced a certain jealousy because of the physical happiness in that very good-looking couple: there was something so primitive in it, something almost classical in this southern autumnal nature, among this superabundance of bursting fruits; and he knew for certain that he would never approach such happiness, physically, because he felt the north in his soul, however eagerly his soul might try to escape that north; because he felt the dread of the years that were to come; because his love for Elly was so very much one of sympathy and temperament; because his nature was lacking in vigorous sensuality. And it made him feel the want of something; and because of that want he was jealous, with all the jealousy which he had inherited from his mother.... They too, Aldo and Ottilie, felt no morbid melancholy, no sickly dread; and yet their happiness, however superabundant, had the sere tint of autumn, like all the nature around them. The glowing-copper leaves of the plane-trees blew suddenly over the vine-trellis, scattered by the rough, brusque hands of the gaily-gathering wind. A shudder passed through the disordered rose-bushes; a heavy-ripe pear fell to the ground. It was autumn; and neither Aldo nor Ottilie was young, really young. And yet they had found this; and who could tell what they had found before, each on a different path! Oh, that untrammelled happiness, that moment!... Oh, how Lot felt his jealousy!... Oh, how he longed to be like Aldo, so tall, so vigorous, handsome as a classical statue, so natural, a classical soul!... To feel his blood rush madly through his veins!... Oh, that north, which froze something inside him; that powerlessness to seize the moment with a virile hand; and the dread, the dread of what was to come: that horror of old age, while after all he was still young!... He now looked at his wife; and suddenly his soul became quite peaceful. He loved her. Silent inward melancholy, dread: those were his portion; they couldn't be helped; they must be accepted with resignation. The headiness of rapture could overwhelm him for a moment: it was not the true sphere of his happiness. It would intoxicate him: his blood was not rich enough for it. He loved, in so far as he was able; he was happy, in so far as he could be. It was that, after all: he had found what he wanted, he wished to be grateful. A tenderness for Elly flowed through him so intensely: he felt that his soul was the sister-soul to hers. Superabundance was not for him; and the pressure of the things that passed had always weighed upon him and always hindered him from flinging his two arms riotously round life....

He threw away the stalk of his bunch of grapes and followed Aldo, who was calling to him, indoors. The Italian took his arm with a movement of sympathy:

"Ottilie's going to sing," he said. "Your wife has asked her to."

His French had the sensual softness of his too southern accent.