He was too much moved to speak; and Cornélie had to ask the price and bargain. She did not bargain long: she bought the panel for a hundred and twenty lire. She herself carried it to the victoria.

And they drove back to his studio. They carried the angel up the stairs together, as though they were bearing an unsullied happiness into his home. In the studio they placed the angel on a chair. Of a noble aspect, of a somewhat Mongolian type, with long, almond-shaped eyes, the angel had just knelt down in the last stir of his flight; and the gold scarf of his gold-and-purple cloak fluttered in the air while his long wings quivered straight above him. Duco stared at his Memmi, filled with a twofold emotion, because of the angel and because of her.

And with a natural gesture he spread out his arms: "May I thank you, Cornélie?"

And he embraced her; and she returned his kiss.

CHAPTER XXI

When she came home she found the prince's card. It was an ordinary civility after yesterday evening, her unexpected visit to the Palazzo Ruspoli, and she did not give it a second thought. She was in a pleasant frame of mind, pleased with herself, glad that her work would appear first as an article in Het Recht der Vrouw[1]—she would publish it as a pamphlet afterwards—and glad that she had made Duco happy with the Memmi. She changed into her tea-gown and sat down by the fire in her musing attitude and thought of how she could carry out her great plans. To whom ought she to apply? There was an International Women's Congress sitting in London; and Het Recht der Vrouw had sent her a prospectus. She turned over the pages. Different feminist leaders were to speak; there would be numbers of social questions discussed: the psychology of the child; the responsibility of the parents; the influence on domestic life of women's admission to all the professions; women in art, women in medicine; the fashionable woman; the woman at home, on the stage; marriage- and divorce-laws.

In addition, the prospectus gave concise biographies of the speakers, with their portraits. There were American, Russian, English, Swedish, Danish women; nearly every nationality was represented. There were old women and young women: some pretty, some ugly; some masculine, some womanly; some hard and energetic, with sexless boys' faces: one or two only were elegant, with low-cut dresses and waved hair. It was not easy to divide them into groups. What impulse in their lives had prompted them to join in the struggle for women's rights? In some, no doubt, inclination, nature; in an occasional case, vocation; in another, the desire to be in the fashion. And, in her own case, what was the impulse?... She dropped the prospectus in her lap and stared into the fire and reflected. Her drawing-room education passed before her once more, followed by her marriage, by her divorce....

What was the impulse? What was the inducement?... She had come to it gradually, to go abroad, to extend her sphere of vision, to reflect, to learn about art, about the modern life of women. She had glided gradually along the line of her life, with no great effort of will or striving, without even thinking much or feeling much.... She glanced into herself, as though she were reading a modern novel, the psychology of a woman. Sometimes she seemed to will things, to wish to strive, as just now, to pursue her great plans. Sometimes she would sit thinking, as she often did in these days, beside her cosy fire. Sometimes she felt, as she now did, for Duco. But mostly her life had been a gradual gliding along the line which she had to follow, urged by the gentle pressure of the finger of fate.... For a moment she saw it clearly. There was a great sincerity in her: she never posed either to herself or to others. There were contradictions in her, but she recognized them all, in so far as she could see herself. But the open landscape of her soul became clear to her at that moment. She saw the complexity of her being gleam with its many facets.... She had taken to writing, out of impulse and intuition; but was her writing any good? A doubt rose in her mind. A copy of the code lay on her table, a survival of the days of her divorce; but had she understood the law correctly? Her article was accepted; but was the judgement of the editress to be trusted? As her eyes wandered once again over those women's portraits and biographies, she became afraid that her work would not be good, would be too superficial, and that her ideas were not directed by study and knowledge. But she could also imagine her own photograph appearing in that prospectus, with her name under it and a brief comment: writer of The Social Position of Divorced Women, with the name of the paper, the date and so on. And she smiled: how highly convincing it sounded!

But how difficult it was to study, to work and understand and act and move in the modern movement of life! She was now in Rome: she would have liked to be in London. But it did not suit her at the moment to make the journey. She had felt rich when she bought Duco's Memmi, thinking of the payment for her article; and now she felt poor. She would much have liked to go to London. But then she would have missed Duco. And the congress lasted only a week. She was pretty well at home here now, was beginning to love Rome, her rooms, the Colosseum lying yonder like a dark oval, like a sombre wing at the end of the city, with the hazy-blue mountains behind it.