In 1807 classical works, with MS. notes by Dr. Bentley, were also obtained by purchase.
£1,000 were spent in 1812 in the purchase of works on English history and topography, and in 1815 books on music, belonging to Dr. Burney, were acquired for the sum of £253.
In the course of the same year a collection of books, portraits, minerals, &c., belonging to Baron Moll, of Munich, became national property for the consideration of £4,777. 17s. 5d., and in 1818, the Ginguené collection, consisting of 1,675 articles, chiefly on Italian literature, besides 2,686 articles in Greek, Latin, French, &c., &c., &c., became another addition for £1,000.
Four separate collections of tracts, illustrating the Revolutionary History of France, have been purchased at different times by the Trustees. One was that formed by the last President of the Parliament of Brittany, at the commencement of the revolution; two others extended generally throughout the period, whilst the fourth was a collection of tracts and papers published during the “Hundred Days” of the year 1815, and became the property of the Museum in 1823, the whole forming a library of revolutionary history, which contains as complete an account of those important days for France as does the already-mentioned collection of tracts of the civil wars of England.
Another and unrivalled feature of the Museum history is its progressive collection of newspapers from 1588. But as, for the purposes of this biography, we have stated enough of the condition of the Museum at the time of Panizzi’s appointment, we shall say no more on the subject except to add a few words on the general collection at the British Museum, which may not be devoid of interest at this point of our narrative.
Between 1805 and 1816 were added the choice statues and antiques of Mr. Charles Townley, the Lansdowne MSS., the Greville minerals, the Phigaleian and the Elgin marbles. Whilst, however, treasures upon treasures were accumulating in the Institution, other good opportunities were allowed, through apathy and ignorance, to be neglected, and amongst the rarities thus lost were Dodwell’s Greek vases, Belzoni’s alabaster sarcophagus, the Ægina marbles, the Millingen vases, and, last but not least, the famous collection of drawings by old masters acquired by the energy of Sir Thomas Lawrence, which, by the terms of his will, was offered to the nation for one-third of its original cost.
To this neglect was added the sale of duplicate books, which so much disheartened Lord Fitzwilliam (who died in 1816, and who intended to bequeath his collection to the British Museum), that he altered his mind, and handed it over to the University of Cambridge.
In 1823 the library of George III. was presented by George IV. to the nation, and ordered by Parliament to be added to the Library of the British Museum, but for ever to be kept separate from the other books. Immediately after his accession George III. began to purchase books, and for this purpose gave Mr. Joseph Smith, Consul at Venice, £10,000 for his collection, besides other money which he sent to various continental agents.
This library contains selections of the rarest kind, more especially works in the first stages of the art of printing, and is rich in early additions of the classics, in books by Caxton, in the history of the States of Europe, in the Transactions of Academies, &c. At the time of its formation the houses of the Jesuits were undergoing suppression, and their libraries were on sale. It was accumulated during more than half a century at an expenditure of little less than £200,000.
In the preface to the catalogue it is stated that it was compiled in accordance with a plan suggested by Dr. Samuel Johnson. His Majesty’s Librarian was Sir Frederick Barnard, who survived his royal master, and continued to hold the appointment until the library became national property. He died at the age of 87 on the 27th of January, 1830.